Archdiocese of Westminster

Image

The archdiocese of Westminster (UK) recently launched the use of a new rendering of the archdiocesan coat of arms. Previously, they had used the arms of the See (Gules a pall Proper) under the galero of an archbishop with the patriarchal (double-barred) cross. This was technically incorrect as the cross and galero imply the arms of an individual archbishop rather than a corporate body like a diocese. So, that has now been rectified with the use of this new rendering that more correctly indicates this is the coat of arms of the archdiocese, rather than of the Cardinal-Archbishop.

As for the artwork: isn’t it hideous?

Archbishop McMahon of Liverpool

On May 1 the Most Rev. Malcolm McMahon, OP, formerly bishop of Nottingham, was installed as the 12th archbishop of Liverpool, England. His coat of arms is depicted on the cathedra of the metropolitan cathedral. It is interesting how the personal arms impale the arms of the See but both are then placed under one chief.

Image  Image

Bishop Carl Kemme of Wichita

Today, the Most Rev. Carl A. Kemme, a priest of the diocese of Springfield in Illinois will be ordained and installed as the bishop of Wichita, Kansas. His coat of arms (below) combines, or impales, the arms of the See (left) clearly based on those of Pope Leo XIII, with his personal arms (right). The design is clear, uncomplicated, and very nicely conceived. The artwork is well done.

20140501-113220.jpg

Bishop Smith (Auxiliary of Portland, OR)

Image

The Most Rev. Peter L. Smith will be ordained auxiliary bishop of the archdiocese of Portland in Oregon on April 29 by Archbishop Alexander Sample. The new bishop is a priest of that archdiocese. The shield is shaped like that of a Zulu warrior because the bishop was born in the province of KwaZulu-Natal in South Africa. The flame represents the Holy Spirit, the upraised hands prayer and worship, the gold field stands for devotion to Christ. The jagged division line represents several mountain ranges important to the bearer and the star Our Lady as well as the star of Bethlehem.

The rose on the episcopal cross supposedly stands for Portland, “the rose city”. The designer of this coat of arms, James Noonan, repeatedly likes to design distinctive external ornaments that are particular to each coat of arms which is really heraldically unsupportable. The blazon can only specify that which is on the shield, not the external ornaments.

Design: James Noonan

Artwork: Linda Nicholson

More Armigerous Saints!

Last May while I was vacationing in France I posted about saints who had been armigerous (i.e. who bore a coat of arms). On Sunday, April 27 there will be two more added to that number when Pope Francis canonizes his predecessors in the Chair of St. Peter, Pope John XXIII and Pope John Paul II.

Image

The coat of arms of Pope John XXIII (above) was identical to the one he used as Patriarch of Venice with the addition of the external ornaments of a pope. The arms are: “Gules a fess Argent; in chief two fleur-de-lis Argent and overall a tower embattled Argent; on a chief Argent the lion of St. Mark Or”. The lower portion consists of the coat of arms that was adopted by Angelo Giuseppe Roncalli when he was named a bishop. Later, when he was promoted to Patriarch of Venice he added the chief (upper third of the shield) with the golden lion of St. Mark, the patron saint of the Venetian church, as is customary for all Patriarchs of Venice. This is one of the few examples in Italian Church heraldry where arms of the See are used. When he was stationed as Papal Nuncio to Paris, Roncalli had a young Bruno Heim serving as his secretary at the Paris Nunciature. The two shared an abiding interest in heraldry. At the time of his election to the papacy John XXIII was not in immediate touch with Heim who was serving elsewhere. John, himself an amateur heraldist approved his arms as they were with the Venetian lion included to be used as his papal coat of arms. A short time later he did employ his former secretary, Heim, to produce the artwork for the official version of the coat of arms. Heim tried to talk him out of retaining the chief of Venice in his papal arms but it was too late. So, it remained.

Image

The coat of arms of Pope John Paul II (above) are also connected to the late Archbishop Heim. The arms are: “Azure a Latin cross skewed to dexter throughout Or; in sinister base the letter “M” Or”. These arms are also the ones adopted by Karol Wojtyła at the time he was made a bishop. However, in the earlier version the cross and “M” were black. On his election to the papacy Heim tried in vain to persuade the new pope to drop the letter “M” and replace it with another Marian symbol. The use of letters in heraldry is considered poor design. The new pope was adamant that his arms had to remain the same as those he had borne under a repressive Communist regime in order to show that he would not modify or weaken the stance he held as a bishop and cardinal in Poland. As a concession to good taste and design, however, so as not to have a color on a color he agreed to change the cross and “M” to gold on blue. Heim, who was afraid that his reputation as a knowledgeable expert in heraldry would suffer did his homework and then added an entire chapter to a second edition of his book, “Heraldry in the Catholic Church” on the use of what are called house markings, which resemble letters, as being particular to both Polish and Swiss heraldry (Heim was Swiss).

So, the age of saints is not long ago and distant but is with us right now. In addition, both of these down-to-earth men (John was the son of peasant farmers from Northern Italy and John Paul the son of a Polish civil servant) had coats of arms. Heraldry is often misunderstood as elitist, exclusive, snobbish and pretentious. Yet, these two men who were holy to a heroic degree such that they are now being held up as worthy of emulation by the faithful and who were known for their genuine humility each had a coat of arms.

Artwork: Bruno B. Heim

Arms of Christ ???

There is an old custom in the world of heraldry of attributing a coat of arms to fictional characters or to people who were real but who lived long before the dawn of heraldry. Great figures from throughout history have had a coat of arms devised for them and attributed to them. This includes people such as Constantine the Great, King Arthur, the Blessed Virgin Mary and even her divine Son, Jesus Christ. On this Good Friday I wanted to highlight some examples of the arms attributed to Jesus. Most include the instruments of His Passion. In addition, this fascination with attributing arms to Jesus seems to have been at its height in the medieval period but the last example I share today is very recent.

Image

Image

Image

Image

Bishop Burnette of Passaic

Image

The arms of the Most Rev. Kurt Burnette, Ruthenian Byzantine Catholic Eparch of the Eparchy of Passaic which has parishes on the eastern seaboard of the USA from Connecticut to Florida. He was ordained and enthroned several months ago. Recently, Byzantine bishops in the USA have taken to using emblems composed of icons with the external ornaments of a coat of arms in a kind of hybrid. Bishop Kurt has chosen a genuine coat of arms. The motto is from Psalm 150 and says, “Praise him with the sound of the trumpet”. It alludes to the main charge of a hunting horn fashioned after the horn of Leys given to Alexander Burnett by Robert the Bruce in 1363. The Burnette family traces its origins back to the 11th Century. One of the bishop’s ancestors emigrated from Scotland to the American colony of New jersey in 1700. The cross of St. Andrew is a further allusion to Scotland as well as to the first called Apostle so revered in the Eastern Churches.

Bishop Manetti

The arms (above) of the Most Rev. Stefano Manetti, installed April 13 as the Bishop of Montepulciano-Chiusi-Pienza, Italy. The wavy line is a reference to the waters of baptism; the star to Our Lady and the scallop shell to the pilgrim journey of faith. Very nice!

Image

Bishop Scharfenberger of Albany

Thanks to the tireless efforts of one of my intrepid readers we see below the coat of arms of Edward Bernard Scharfenberger who will be ordained and installed today as the 10th Bishop of Albany, NY. The design of his arms is simple and clear and borrows from the arms associated with a family called Scharfenberger (the mountains). The star of David represents his mother, Miriam, who was of Jewish origin. The wavy lines allude to the various rivers associated with the bishop’s life and the golden feather in base is an allusion to both the Holy Spirit and the native Americans of upstate NY. My criticism would have to do mostly with this particular artistic rendering and so, I will refrain from commenting further as that is often simply a matter of taste. The beaver holding a crozier in the arms of the see come from the fact that the original name of Albany was “Beaverwyck” as it was a major outpost on the trade route for traders. It holds a crozier as an indication of Albany as the seat of a bishop. The crescent alludes to the Immaculate Conception, the titular of the cathedral church.

BISHOP_SHIELD

 

New Bishop of Derry, Ireland

The Most Rev. Donal McKeown will be installed April 6 as the new bishop of Derry, Ireland. His arms (below) are briefly described on the diocesan website: The Bishop’s coat of arms takes some elements from the traditional McKeown family symbols – the salmon, which is an ancient Irish symbol of wisdom, and the red hand. However, the simple penal crosses now flank the One whose hands were pierced for the world’s salvation. The salmon reflects the words of the prophet Isaiah, who said “with joy you will draw water from the wells of salvation” (Is 12:3).

The Bishop’s motto “Veritas in Caritate” occurs in the Letter of Saint Paul to the Ephesians (4:15).

Image

Bishop of Porto, Portugal

Image

The arms (above) of António Francisco dos Santos, newly installed bishop of Porto, Portugal. It is a simple and elegant design. Some would be critical of the green collé on a blue field but the so-called “tincture rule” isn’t so much a hard and fast rule as much as it is a custom as frequently honored in the breach than in the observance. Read Bruno Heim’s book, “Or and Argent” if you don’t believe me. My only criticism would be that the episcopal cross behind the shield is depicted as a teeny tiny one. It could be larger. I also find the choice of an oval shield (usually used by women in heraldry) as interesting, but not necessarily wrong as its use is not exclusive to females.

 

Bishop Myron Cotta

Earlier today the Most Rev. Myron Cotta was ordained as the Auxiliary Bishop of Sacramento, California. His newly assumed arms are below.

Image

The field is divided by an inverted chevron alluding to a carpenter’s square for St. Joseph and the San Joaquin Valley. In chief there is an amphora charged with the letters “SC” for sacred chrism. The bishop’s given name, Myron, is the Greek word for the sacred oil.

In base there appears a monogram composed of the letters “I”, “M” and “H”. This stands for (if you can believe it) the Immaculate heart of Mary with the “M” taking the most prominent place. The bishop has a great devotion to Our Lady under this title.

The motto translates to “Grace and Mercy” and is in Portuguese to reflect the bishop’s ethnicity as being from the Azores.

Well, there is an overabundance of the use of letters in this achievement. Someone clearly never heard that the use of letters in heraldry is considered port design. The “SC” on the amphora is, in my opinion, unnecessary. The amphora alone is a sufficient symbol for sacred oil. Why not actually depict the Immaculate Heart of Mary instead of abbreviating it? The monogram is an example of extremely poor design. It’s weak and not self evident where the image of the Immaculate heart would have been. In addition, since most people don’t know that the name Myron means sacred oil they will naturally assume that the gigantic “M” in the coat of arms stands for Myron and not for Mary.

This was done by Paul Sullivan. Not one of his best efforts.

Bishop Zglejszewski

The coat of arms (below) of Bishop Andrzej Zglejszewski who will be ordained titular bishop of Nicives and Auxiliary Bishop of Rockville Centre, NY on March 25. The bishop is a native of Poland but emigrated to the USA before ordination and was ordained for the Long Island diocese.

Image

The following description is from the program of his ordination: The symbolism to be found in Bishop Zglejszewski’s coat of arms begins with the colors, also called tinctures. The major part of the shield is painted white (argent) over red (gules), which recalls the national flag and coat of arms of Poland, where the Bishop was born. The blue (azure) found in the top half of the border joins these first two tinctures to recall the national colors of the United States of America, to which he immigrated in 1987. The gold (Or) of the lower half joins the white to recall the colors of the Vatican City-State. Blue and gold, together recalling the sea and sand of the island diocese, are the primary tinctures of the coat of arms of the Diocese of Rockville Centre, where he was ordained a priest in 1990 and which he will now serve as Auxiliary Bishop. The color blue at the top of the shield recalls that Mary is Queen of Heaven and Help of Christians, who spreads her protective mantle over her children. Our Lady is also symbolized by the fleur-de-lis at the bottom of the shield. This stylized lily has been used for many centuries to recall her virginal purity. Placed on the shield together with three Crosses, it alludes also to Mary, the faithful disciple, standing at the foot of the Cross of her Son on Calvary.

The saltire or “X” shape in the center of the shield is also known as Saint Andrew‟s Cross, after the Apostle who, according to tradition, was crucified on a Cross in this shape. Saint Andrew is the Bishop’s baptismal patron. Like the shield itself, the saltire is divided across the middle, in an arrangement called counterchanging: where the shield is red, it is painted white, and is red where the shield is white. This coloration allows for another layer of symbolism, in each of the parts of the saltire. The white bottom half of the saltire becomes a depiction of the carpenter‟s square, a traditional symbol of Saint Joseph, the Husband of Mary. The carpenter’s square appears to cover and protect the fleur-de-lis, symbolizing Saint Joseph’s protection both of Our Lady and of the Universal Church. The top half of the saltire, painted red, reminds one of the Holy Spirit, and the grace that he brings by his descent upon the newborn Church at Pentecost. The Bishop has dedicated much of his ministry to the study and service of Divine Worship, and this part of the saltire also recalls the grace of the Sacraments which is given to the Church through the power of the Holy Spirit and the sacrifice of Christ on the Cross.

The two crosses on either side of the saltire are also counterchanged, and symbolize not only the crosses on Calvary but also the passion and martyrdom of Saint Agnes, the patron of the Diocese of Rockville Centre. This heroic young woman faced martyrdom at the age of 13 in Rome; tradition says she was turned in to the authorities by suitors she had spurned because she made a vow of virginity to Christ. She bore a double cross: the “white martyrdom” of purity, and the “red martyrdom” that involved the shedding of her blood.

Bishop Baldacchino

Below is an image from “The Florida Catholic” of the coat of arms of the newly ordained Auxiliary Bishop of Miami, the Most Rev. Peter Baldacchino. I am disappointed that the bishop chose to make no allusion to his baptismal patron, St. Peter, in the coat of arms. Similarly, I am disappointed that he passed up the obvious choice to have canting arms by depicting a baldacchino, or canopy, over an altar. In fact, it might have been interesting to depict the famous Bernini baldacchino of St. Peter’s Basilica as a way to combine the two. Instead, he has chosen a cluttered design filled with far too many charges in an attempt to create a “C.V. in pictures” which is precisely what a coat of arms is NOT.

Image

The description of the symbolism in the design is also from “The Florida Catholic”:

Dominating the coat of arms is Christ crucified. The Cross emerges as a sign of victory over death, represented by the waters of the baptismal font, the source of Christian life which communicates to every Christian the victory of Christ. The baptismal font is a reference also to his own rediscovery of baptism through the Neocatechumenal Way and to the work of evangelization: bringing people to live their baptism so that they may receive divine life.

Beneath the Cross and baptismal font is found an image of a palm tree upon which a lobster rests, a well-known symbol of the early Church, representing the mystery of salvation through baptism: a sea creature, accustomed to live in the waters of sin, through the work of the Holy Spirit, can leave behind its natural environment and live upon a palm tree, symbol of eternity and paradise.

Above the Cross hovers a dove, symbol of the Holy Spirit, who is the life of the Church, and without whom nothing can be done. In the upper part are found the moon, representing the Blessed Virgin Mary: “And a great sign was seen in heaven; a woman arrayed with the sun, and the moon under her feet, and upon her head a crown of twelve stars” (Rev 12:1); and the Cross of Malta, but also the star which leads the way to Christ. The palm tree is also a reference to the Archdiocese of Miami, and the lobster to the Turks and Caicos Islands, where Bishop Baldacchino ministered for 15 years. The coat of arms is completed by the three waves of the baptismal font representing the three rivers of the Archdiocese of Newark, where Bishop Baldacchino was ordained in 1996.

The motto translates to: “Where God is, there is joy”.

Bishop Christian Riesbeck, CC

On March 19, the Solemnity of St. Joseph which is the patronal feast day of Canada, the Most rev. Christian H. Riesbeck, CC will be ordained as Auxiliary bishop of Ottawa, Canada. His coat of arms (below) is explained as follows (taken from the website of the Companions of the Cross, the community to which the new bishop belongs):

The dove symbolizes the Holy Spirit, the principal agent of the Church’s evangelizing activity. The host in the dove’s beak points to the importance of the Eucharist as the center of the Church’s life. The roses represent the flowers given to St. Juan Diego in his tilma by Our Lady of Guadalupe, patroness of the Americas and Star of the New Evangelization, and they also commemorate Bishop Riesbeck’s ministry to a predominantly Hispanic parish in Houston, Texas for nine years as pastor.

The lilies are a symbol of St. Joseph, the patron saint of the universal Church, of Canada and of the Archdiocese of Ottawa, on whose feast day Bishop Riesbeck is ordained a bishop. Along with the blue colour, they also refer to the Blessed Virgin Mary and to the province of Quebec, Bishop Riesbeck’s birthplace. The cross at the bottom, symbol of Christ crucified, the Power and Wisdom of God – its red colour symbolizing the blood of Jesus – is taken from the emblem of the Society of the Companions of the Cross, Bishop Riesbeck, being the first member of the Society to be made a bishop. The arching division line represents the Church’s presence throughout the world.

Image

Bishop of Harrisburg, PA

On March 19, the Solemnity of St. Joseph, the Most Rev. Ronald W. Gainer, until now bishop of Lexington, Kentucky, will be installed as the 11th Bishop of Harrisburg, Pennsylvania the city which also serves as the capital of the Commonwealth of Pennsylvania. His coat of arms (below) is composed of the arms of the See of Harrisburg depicting a red cross on a silver field charged with a shamrock in honor of the titular of the cathedral, St. Patrick, below a black chief that is an allusion to the black fess charged with three plates from the arms of William Penn. The center plate is changed to a crescent from the arms of the Harris family from which Harrisburg gets its name.

The bishops personal arms are impaled with the arms of the See. The red field with the silver bar encircled by a gold ring are all taken from the arms of his native diocese of Allentown, PA. The tree above and the mountain with the double-barred cross below honor his parental heritage from Baden and Slovakia, respectively.

The motto is from John 1:16 and means “from His fullness, grace upon grace”. The artwork is by Paul Sullivan.

Image

New Auxiliary of Bamberg

On March 14 the Most Rev. Herwig Gössl (age 47) will be ordained as Auxiliary Bishop of Bamberg, Germany. His coat of arms (below) employs an interesting modern style in its depiction. The design incorporates symbols of the Transfiguration, the rivers associated with the places the bishop has lived and colors taken from the archdiocesan arms. Beneath the arms of the new bishop I also show the coat of arms of the current archbishop of Bamberg, Ludwig Schick.

Image

Image