The armorial bearings of the Grand Master of the Knights of the Cross and Red Star, a Religious Institute of Canons of St. Augustine, Josef Šedivý, O.Cr.
On August 27 Monsignor Carl Reid, PA, (68) a Canadian who converted to Catholicism in 2012, was installed as the second Ordinary of the Personal Ordinariate of Our Lady of the Southern Cross in Australia. His personal arms were granted by the Canadian Heraldic Authority and are impaled with the arms of the Ordinariate. Richard d’Apice (in consultation with myself) assisted the Canadian heralds with the design of the personal arms. Mr. d’Apice and I designed the arms of the Ordinariate as well.
The unusual use of the crozier has been a precedent set among the Personal Ordinariates after their establishment by Pope Benedict XVI. It derives from the use of the crozier to denote Ordinary Jurisdiction while at the same time leaves off the sudarium (veil) attached to the crozier in abbatial arms which has become a symbol proper to abbots. Msgr. Reid exercises full Ordinary Jurisdiction and makes use of the pontificalia while celebrating the Sacraments like a bishop but does not possess the episcopal office. NOTE: The Personal Ordinary for the UK does not make use of a coat of arms and the Personal Ordinary for N. America is a bishop.
The artwork is by the talented Australian, Sandy Turnbull.
On April 9, 2019 the Augustinian Canons of Stift Herzogenburg in lower Austria elected Fr. Petrus Stockinger (37) to be their new Provost. In the world of Canons Regular some communities of canons are governed by Abbots. Others, like some Collegiate or Cathedral chapters, are governed by a Provost.
What is interesting for the purposes of this blog is that a Provost, who also enjoys the privilege of using pontificals, like an Abbot, also has the same heraldic privileges as an Abbot. These are, the black galero with black cords and twelve black tassels as well as the crozier with the sudarium attached. The armorial bearings of the newly-elected Provost are below.
Ad Multos Annos!
In August of 2018 the Teutonic Order (Deutscher Orden), a formerly medieval military order of chivalry which had, by the 20th Century, been transformed into a Religious Order, elected Fr. Frank Bayard, O.T. as its Grand Master. The Grand Master of the order has the rank of abbot. Fr. Bayard succeeds Fr. Bruno Platter who was elected as Grand Master of the Teutonic Order in 2000 and re-elected in 2006.
The coat of arms of the Grand Master is ensigned with the external ornaments of an abbot and the galero is black with cords and tassels that are white. By custom the mitre is also included in the achievement despite the 1969 Instruction from the Holy See stating otherwise. In addition, the secular sword is included which is tolerated given the order’s history as an order of chivalry prior to becoming a Religious Order within the Church. The arms of the Grand master traditionally follow a pattern which makes use of a basic shield depicting the arms of the order as used by the Grand Master which divides the field into four quarters by a sable cross charged with a gold cross fleuretty and an inescutcheon overall depicting Or, an imperial eagle Proper. In the first and fourth quarters the usual arms of the Order (Argent a cross throughout Sable) are placed. The personal arms of the individual Grand Master then occupy the 2nd and 3rd quarters of the shield.
In November, 2018 The Rt. Rev. Frank Bayard received the abbatial blessing from Christoph Cardinal Schönborn, O.P. of Vienna, where the headquarters of the Order is located. The arms assumed by Grand Master Bayard are:
The coat of arms used by the previous two Grand Masters, Bruno Platter and Arnold Weiland followed the same pattern.
The arms (above) I recently devised for an American priest who lives and works in the USA but who, in addition to his pastoral responsibilities at home, was honored by being named an Honorary Canon of the Collegiate Chapter of the Basilica of St. Florian in Krakow.
The arms are:
Quarterly skewed to the dexter Gules and Argent; at the cross point a cross of St. Florian counterchanged Or and Azure; in sinister base above a mullet of six points Or an open crown Argent. Suspended below the shield is the badge of the Equestrian Order of the Holy Sepulcher. The shield is ensigned by the galero of a Canon Sable with cords and six tassels in two rows of one and two respectively Sable. On a scroll below the shield is the motto, “Fiat Voluntas Tua” (Let it Be Done According to Your Will).
The principal colors of the field are the Polish national colors and the division of the field alludes to the off-center cross found in the arms of St. John Paul II (who raised St. Florian Church, his own first priestly assignment, to the rank of a basilica). the cross associated with St. Florian himself is superimposed over the cross point and is colored in blue and gold counterchanged to avoid the tincture violations. These colors are also found in the arms of St. John Paul II.
In the lower right there is a six pointed star to symbolize Our Lady and it is crowned with an open crown alluding to Mary’s Queenship, the patroness of the armiger’s home diocese.
The black galero with black cords and six black tassels indicates the bearer is a cleric with the rank of Canon, in this case, a Collegiate Canon. Being a Knight of the Holy Sepulcher he also chose to display the badge of that Order pendant below the shield from a black ribbon.
The arms (above) I recently completed for Monsignor Francis Kelly, PA a Canon of St. Peter’s Basilica in Rome. Msgr. Kelly is a priest of the Diocese of Worcester, Massachusetts who, prior to his current service worked for many years in Washington, DC for the NCEA and was also on the faculty and later became rector of Pope St. John XXIII National Seminary in Weston, Massachusetts. After his time there he spect eight years as the Superior at the Casa Santa Maria in Rome which is the graduate division of the Pontifical North American College. In 2013 he was named Prothonotary Apostolic and a Canon of St. Peter’s Basilica by Pope Benedict XVI. I met Msgr. Kelly in 1996 when I was sent for one year of studies at Pope John Seminary. We have been friends since then.
The blazon is:
Azure, between two lions rampant respectant Or, armed and langued Gules the Greek letters Chi and Rho Argent; in base a star of six points Argent. The shield is placed on the cross of the Equestrian Order of the Holy Sepulchre and is ensigned by the galero of a Prothonotary Apostolic Purpure with cords and twelve tassels disposed in three rows of one, two and three pendant on either side of the shield Gules. On a scroll below the shield is the motto: “To Live For Him”.
The blue field and gold lions are taken from the coat of arms traditionally associated with the name “Kelly”. In that coat of arms the lions are chained and they face a tower. For differencing the chains have been omitted and the tower has been replaced with the Greek letters that are a monogram for the name Christ and a star of six points. These indicate the armiger’s devotion to Christ and Our Lady.
The armiger is a Knight of the Order of the Holy Sepulcher and its cross is placed behind the shield. The purple galero with red cords and tassels indicates a Roman prelate with the rank of Prothonotary Apostolic, the highest of the three grades of prelates addressed as “Monsignor”. The members of the Chapter of the Papal Basilica of the Vatican hold this rank.
The motto expresses a sentiment the armiger has endeavored to embody throughout his entire priesthood.
We turn, this time, to the Church in Wales and the Church of England to see examples of a single armiger who employs more than one version of his coat of arms depending on the place, occasion, function or group.
The first image (above) is the personal coat of arms of the Rt. Rev. Gregory Cameron, Bishop of St. Asaph in Wales. It is a an armorial achievement which is depicted in the traditional manner with shield, helm, mantle and crest. In addition, the bishop employs a version of his arms ensigned with the bishop’s mitre (below) as is the usual custom in the constituent churches of the Anglican Communion.
Finally, there is also a version, as diocesan bishop, of his personal arms impaling those of his See.(below)
The other example is the Rev. Canon Robin Ward, SSC, Principal at St. Stephen’s House, Oxford. The first example shows his personal arms as granted with helm mantling and crest. (below)
The next image depicts an “ecclesiastical version” of the same arms ensigned with the ecclesiastical hat of a Canon according to the Earl Marshal’s Warrant of 1976.
Finally, there is an example, though not used by him, of his arms “as Principal” impaling the arms of St. Stephen’s House.
In both cases it’s just one armiger but his coat of arms can be depicted in different exemplifications.
One year ago today the Very Rev. Steven A. Peay, PhD, an Episcopal priest of the Diocese of Albany and Honorary Canon Theologian for Evangelism at Christ Church Cathedral in Eau Claire, WI became the 20th Dean and President of Nashotah House Seminary in Nashotah, WI.
His coat of arms is pictured below. The blazon is:
Arms impaled; to dexter, quarterly Gules and Azure, overall on a Latin cross Or between two fountains in chief a triple blossom lily Proper; to sinister Or between three pommes a fess dancetty Gules. The shield is ensigned with the ecclesiastical hat of an Honorary Canon according to the Earl Marshal’s Warrant for the coats of arms of clergy in the Anglican Communion of 1976. Below the shield is a scroll with the motto, “Quomodo Prædicabunt Nisi Misit” (Romans 10:15)
In the arms of the seminary the lily represents both the Holy Trinity and the Blessed Virgin Mary, to whom the main chapel is dedicated. The two fountains allude to the seminary location between Upper and Lower Nashotah Lakes.
In the personal coat of arms of Fr. Peay the gold field and fess dancetty are taken from the coat of arms of Bl. John Henry Cardinal Newman. The bearer has long been an admirer of Newman’s work and writings. There is some irony in choosing this as Newman famously converted from the Church of England to Roman Catholicism and Fr. Peay, conversely, had been a Roman Catholic and was received into The Episcopal Church. Whereas Newman had three hearts surrounding the fess in his arms here, for difference, they have been changed to three pommes. In heraldry this term describes a green roundel. In this case they are chosen to resemble peas as an allusion to the bearer’s surname “Peay”.
The motto is a favorite scriptural quote that reflects the bearers long time teaching of historical theology and preaching to seminarians.
A Presentation delivered to the NYG&B Heraldry Committee and the College of Arms Foundation
January 28, 2016
Many people know that I have been involved in the study and creation of both the science and art of heraldry for over thirty years. Not surprisingly, my particular area of interest is the heraldic customs of the Roman Catholic Church. In fact, in many ways I owe my abiding interest in heraldry to the Church.
I became interested in heraldry as a boy, as many do, because we were studying the Middle Ages in school. Then, it was much more tied up in a romantic interest in chivalry and, as a result, it seemed like something from long ago and far away. After all I was an American (pronounce that ‘Mur-can’) and we had thrown off the shackles of tyranny by abolishing the monarchy on this side of the pond and tossed onto the dustbin of history all the trappings and frummery of kings, aristocracy and the like.
However, one day in the children’s section of my public library I came across a biography of the then reigning pope, now Bl. Paul VI. The book contained a beautiful line drawing of his coat of arms. My eldest brother, some ten years my senior, who was a font of knowledge for me on all manner of things told me, when I remarked on it, that it was the usual practice for all popes to have coats of arms. In fact, he went on to explain that all bishops and dioceses had coats of arms and he even pointed out to me the examples from our own church and parochial school where heraldic images could be found.
It was as if someone had opened a door to a secret garden for me. Suddenly, heraldry no longer seemed long ago or far away. Even as a boy I had already felt a vocation and the Church was very much a part of my daily life. Now, thanks to that little book and my brother’s copious general knowledge I had discovered that heraldry was alive and well and living in the Church all over the world…including right here in the USA. Now two things which occupied a great deal of my thought and interest; my religion and coats of arms, found a happy marriage and from that point on (I was about eleven years old at the time) I was hooked on what would go on to be the enduring passion and avocation of a lifetime.
Jumping ahead to my high school years I began to be a little frustrated with learning more about Church heraldry because most of the source material was limited to secular heraldry and almost all of it either about English or Scottish heraldic customs. (not that there’s anything wrong with THAT!) In the majority of these books the mention of ecclesiastical heraldry at all was scant and, frequently, limited to a brief discussion of the heraldic practices of the Church of England. I kept wondering why no one had ever written a book about heraldry as used in the Catholic Church. This was several years before I had even heard of Woodward’s “Treatise” or Galbreath’s “Papal Heraldry”. Then in 1979 I came across, again in that same wonderful public library to which I will always be so grateful, a book entitled, “Heraldry in the Catholic Church: It’s Origins, Customs and Laws” by the late Archbishop Bruno Heim. I couldn’t believe my eyes! Here in one volume which I later discovered was the first English printing of an expanded version of his earlier work, “Coutumes et Droits Heraldiques de l’Eglise” (published in 1949). It was the book I had been hoping and wishing for. The extraordinary “Year of Three Popes” (1978) during which Heim had designed the coats of arms of John Paul I and St. John Paul II occasioned its publication. It went on to become my “bible” of sorts and Heim came to be held in very high esteem by me, as well as a host of others, not only because of this book for for other personal reasons.
It was because of Heim that I went on to discover the history and traditions of Roman Catholic Church heraldry in the Western and Eastern rites as well as a bit more about Anglican heraldry. This book revealed that it wasn’t only popes, bishops and dioceses that made use of armorial bearings but all the ranks and levels of clergy. It blew away the idea, comparable in secular heraldry, that coats of arms are only for the mighty and powerful; the upper echelon of society. Heim explained that it is not only those at the highest end of the elaborate hierarchy within the Church who are entitled to use heraldic ensigns but all the clergy. Wanting very much to be a priest but never presuming to aspire to the episcopate I had imagined that just as only knights, barons and princes used coats of arms in the secular realm so, too, the lower rank of clergy to which I aspired would not be permitted a coat of arms. Now, I had come to realize that I couldn’t be more wrong. I realized that as a priest I could have and use a coat of arms!
This was a big deal (to me anyway).
In 1987 I was living in Latrobe, PA in a Benedictine monastery and studying in the seminary for the priesthood. The diocese in which that monastery was located, Greensburg, PA, was receiving a new bishop. All the printed matter concerning his installation contained his new coat of arms which I immediately recognized had been emblazoned by Bruno Heim. The explanation went on to say the coat of arms had been designed by a Dr. Geza Grosschmid, Ph.D. of Duquesne University in Pittsburgh. I resolved to contact Dr. Grosschmid, a long-time friend and collaborator of Abp. Heim it turns out as I was later to discover, to see if he could teach me more. Thus began an sort of unofficial “apprenticeship” for me that lasted until his untimely death in 1992. He was the one who helped to direct and focus my studies, critique my designs (with an eye he gained from working with Heim) and expand the scope of my research. Through him I gained a connection, albeit a slight one, to Heim.
Heraldry with its origins in the XII C. we know began as something employed by those who engaged in battle as a means of identification. It entered the Church primarily via its use on armorial seals employed by the clergy in their capacity as magistrates. We shall not go into a lengthy explanation of either of those origins today as it has been treated extensively elsewhere and in several other talks given in this venue, including more than one by me! Canon Law regulates the use of seals in no less than fifteen separate Canons and, by extrapolation, that provides some regulation of armorial bearings as well. In addition, various Rules, Instructions and Regulations of the Roman Curia, as well as various official Instructions and Letters Motu Priorio of the Supreme Pontiffs have “regulated” heraldry in the Church.
However, two important points remain inescapably true: 1) The Catholic Church does not “grant” arms to the clergy of the Church (and respects the jurisdiction of those heraldic authorities in existence over the clerical as well as the lay people within their jurisdictions) and 2) there is NO heraldic authority (as a body) within the Roman Catholic Church. The various regulations concern themselves primarily with the external ornaments in a heraldic achievement as these indicate rank, office or special privilege. The Church does NOT concern itself with regulating the design on the shield (i.e. the blazon) which explains the appalling state of so much Catholic ecclesiastical heraldry.
For example, there is the decree of Innocent X in 1644 which forbade the use of secular marks of dignity (like crowns) in the arms of cardinals and the further decree of Benedict XV in 1915 extending that prohibition to all bishops (and by interpretation to all prelates…but not to all clergy, interestingly enough); the Motu Proprio of St. Pius X “Inter Multiplices Curas” of 1905 that regulates the insignia of many of the prelates and the confirmation of the validity of that document in 1934 by Pius XI in the Apostolic Constitution “Ad Incrementum Decoris” as well as the Instruction of the Secretariat of State under Bl. Paul VI on the vesture, titles and insignia proper to cardinals, Bishops and Prelates of the Minor Orders issued in 1969 (which discontinued the use of mitre and crozier in the arms of Cardinals and Bishops).
But what of all the so-called “Junior Clergy”, those below the rank of bishop? Some maintain that there is no heraldry proper to them and they couldn’t be more wrong. Let’s briefly examine what has evolved over time to indicate in heraldry the varying ranks of the lower clergy within the Catholic Church.
PRIEST: In his excellent book Heim states plainly, “Those who object to a simple priest using an ecclesiastical hat (on his coat of arms) hold this position arbitrarily, and without the support of any ecclesiastical decision, code or regulation. It must be remembered that all priests belong to the same ecclesiastical order and are thus possessed of equal sacerdotal and other privileges.” (p.125) So, the priest ensigns the shield with a simple black galero that has two tassels pendant from it.
DEANS & MINOR SUPERIORS: These are priests who do not necessarily hold any ecclesiastical rank higher than that of priest but whose functions (office) place them in a special category. They make use of a black galero with four tassels pendant from it. The tassels may be arranged one hanging below the other or they may hang side by side from a median knot. This true for secular offices (like Dean or Rector) and also for offices held by Professed Religious, such as Provincial Superior or Prior.
CANONS: Whether Religious (Canons Regular) or secular Canons attached to a Collegiate or Cathedral church, none of which exist in the USA, they make use of a black galero with six tassels pendant on either side. Some contend that Canons Regular may use a galero of whichever color corresponds to the color of their habit. For example Norbertine Canons wear a habit that is all white so the galero and tassels would all be white. As the heraldic privilege is attached to the rank of Canon and not to a particular Religious Community I don’t agree with such a custom. Nevertheless, it exists as a valid argument.
MAJOR SUPERIORS: Here we mean those clerics who exercise Ordinary Jurisdiction over persons in the internal and external forum, hence, canonically considered prelates. These would include Vicars General, Vicars Episcopal and Abbots. They all make use of a black galero from which hangs twelve black tassels from black cords. The same rule about the color of the habit determining the color of the galero, cords and tassels used for Canons Regular is also frequently applied to Abbots as well but I don’t agree for the same reason as above.
In addition, the Abbot employs the use of a veiled crozier placed vertically behind the shield. The veil or sudarium, dates from a time when abbots did not yet enjoy the privilege of all the pontificals, including pontifical gloves, and the veil served to protect the staff of the crozier from soil and perspiration. It remains now in heraldry only and marks one of the few exceptions to the use of the crozier in the coats of arms of persons.
There is also the office of Ordinary of a specific Ordinariate (such as the newly formed Anglican Ordinariates). Such Ordinaries, although not bishops, enjoy the use of pontifical insignia. Therefore, it was suggested by some, including myself, that they should make use of external ornaments that include the black galero with twelve black tassels and the crozier (to indicate their status as an Ordinary) but without the sudarium to differentiate it from the crozier of an Abbot.
It is worth noting that many who hold these offices, Abbots excepted, often are promoted to a rank of one of the three kinds of Roman Prelates and in such cases would make use of a galero proper to that rank.
MONSIGNORI: These are the clergy who have received Roman Honors from the Pope and, as such, are technically members of the Pontifical Household. There are three levels or ranks and all are addressed as “Reverend Monsignor”.
Prothonotaries Apostolic: They are further divided into Prothonotaries Apostolic “de numero” (participatium) and Prothonotaries Apostolic Supernumerary. The Former make up the College of Notaries of the Church and also serve as Canons of the Papal Basilicas in Rome; the latter are those prelates so honored around the world. They all make use of a purple galero from which twelve amaranth red tassels hang from amaranth red cords.
Prelates of Honor: This middle level makes use of a purple galero with twelve purple tassels hanging from purple cords.
Chaplains to His Holiness: This lowest level make use of a black galero from which hang twelve purple tassels from purple cords.
DEACONS: There is no officially sanctioned external heraldic ornament for Permanent Deacons in the Catholic Church. This is partly so because when heraldry first grew and flourished the office of Permanent Deacon did not exist in the Church. Rather, by that time it had receded to being the final step on the way to priesthood and, as such, only Transitional Deacons existed. It was not considered necessary to devise a heraldic emblem for an office held only temporarily. With the revival of the Permanent Diaconate in 1970 the matter should probably well have been addressed but has not been.
There are some authors who contend that on the authority of the Holy See Deacons are to make use of a crest of a ciborium surrounded by a humeral veil like mantling and include on the shield a chief with a bend to suggest a stole worn diagonally in the manner of Deacons. This is FALSE. Such a contention is made up out of whole cloth entirely and enjoys no sanction from the Church. It is ludicrous to suggest that after replacing the secular crest with the ecclesial galero the Church would then devise a crest specific to a particular rank of clergy, especially when a heraldic crest is specific to an individual. In addition, it makes no sense to think that the Church which, again, does not concern itself with the blazon on the shield, would now mandate a chief to be added to the armorial blazon of the arms of Deacons especially when one considers that married men may be ordained to the Diaconate and this could very well mean that such a chief would then be borne by their children, who may not be Deacons, when they inherit the arms from their father.
In the Church of England (and by extension the whole Anglican Communion) there is a provision for Deacons to ensign the shield with a black galero that has no tassels or cords. This was determined by a 1976 Earl Marshal’s Warrant. There are those who contend that such an ensign should be adopted for use by Deacons in the Roman Catholic Church as well. I have not yet fully made up my mind. I don’t oppose the idea from a heraldic or artistic standpoint. As an external ornament it would not be “inheritable” by a Deacon’s heirs but I would rather the Holy See issue an Instruction to clarify the matter or otherwise it remains simply borrowing from another heraldic tradition.
When asked I recommend that armigerous Deacons do one of the following: a) Make use of the shield and motto alone. There is no hard and fast rule that one MUST employ helm, mantle and crest in a heraldic achievement. Indeed the only thing “necessary” is the shield. b) Make use of a “secular” manner of a coat of arms with helm, mantle and crest, especially if the arms are destined to be inherited. c) Compromise by making use of both an ecclesiastical and a secular version of the coat of arms. d) Employ some kind of heraldic augmentation to the shield which would be removed when the arms are inherited (such as an escutcheon in pretense or a canton) or incorporate a charge into the design of the arms that alludes to Diaconal ministry but would not seem inappropriate or offensive when the arms are used by later generations not unlike charges that allude to the occupation of the original bearer but do not indicate the occupation of subsequent generations who inherit the coat of arms.
The Reverend John Gerald Barton Andrew OBE, DD, who was born in Yorkshire, England, was a priest in the Church of England and served as domestic chaplain to Archbishop of Canterbury Michael Ramsey, a position from which he was called to Saint Thomas in NY. He had a distinguished tenure, in which his preaching, pastoral presence and leadership of the liturgy drew large congregations to the Church, an achievement especially notable during an era of general decline in the Episcopal Church. He was awarded honorary degrees from several Episcopal/Anglican seminaries in recognition of his work.
John Andrew was a friend and confidant of many church leaders both within and outside Anglicanism. He was a particular friend of Terence Cardinal Cooke and was a promoter of ecumenical relations between the Anglican and Roman Catholic churches.
Father Andrew’s ministry was remarkable for his ability in social conversation, humor, and joyousness – for which reasons many were eager to claim him as their friend. The secret of his influence was a gift he received and passed on from Archbishop Ramsey – namely, his transparent faith in Jesus and the miracles of the Gospel.
After a brief retirement to England, Father Andrew returned to New York in 1999 where he eventually returned to Saint Thomas at his successor’s invitation to be the “junior curate” as Rector Emeritus.
John Andrew, faithful priest and XI Rector of Saint Thomas Church Fifth Avenue, entered into glory at 5:20am (EDT) on Friday, 17th October 2014 at New York Presbyterian Hospital.
On Wednesday evening, Father Andrew had dinner with Bishop John O’Hara, of the Roman Catholic Archdiocese of New York. On his way home, Father Andrew suffered a massive cardiac episode and collapsed. He was taken to New York Presbyterian Hospital but never regained consciousness.
Himself an enthusiastic heraldist John designed so many coats of arms for people that were accepted by the College of Arms in London that he was given the unofficial nickname of “Manhattan Pursuivant”. Requiescat in Pace.
Back in 2012 a priest who, like me, grew up on Long Island and who, unlike me served as a priest of the diocese of Rockville Centre and also went on to serve the U.S. Air Force as a chaplain rising to the rank of Colonel, was honored by the then Pope, Benedict XVI, with the rank of Chaplain to His Holiness. This is the lowest of the three grades of prelates in the papal household who are collectively addressed as “Monsignor” (Italian for “My Lord”). Fr. Mark Rowan contacted me and asked if I could assist him with the design of a coat of arms. I jumped at the chance to help out a fellow Long Islander as well as a chance to assist someone who was serving not only the Lord but our country. Below is the end result:
The main background of the field is a shade of blue called, in heraldry, Bleu Celeste. It is borrowed from the coat of arms of the U.S. Air Force. Obviously, it alludes to the blue of the sky. On this is the single charge of the open globe combined with a Latin cross (one where the lower arm is longer than the other three) in silver. This charge is taken from the arms of the Archdiocese for the Military Services, USA. Superimposed over this is a small black roundel, called a “pellet”. This, in turn, has three small silver hills. It is borrowed from the coat of arms of the diocese of Rockville Centre, NY. The three small hills are, in turn, taken from the arms of Pope Pius XII who founded the diocese of Rockville Centre in 1957. That diocese is composed of territory taken from the diocese of Brooklyn so the black tincture represents the marshes, which recalled to the Dutch their homeland in Breuckelen on the Vecht in the Province of Utrecht. The Dutch who settled Brooklyn at first called it “Breuck-Landt,” meaning “broken land,” or “marshland,” inasmuch as a great deal of land was broken up by patches of water.
The upper third of the shield (called the “chief”) is separated from the rest of the background by a line whose shape is referred to as “nebuly”. This type of line in heraldry is used to suggest clouds. This same dividing line is also used in the coat of arms of the U.S. Air Force. Here, along with the bleu celeste, it alludes to Msgr. Rowan’s service as a Chaplain. The bumps or nebuli are six in number. This is a reference to the fact that Msgr. Rowan has served or provided support on six different continents in the course of his service as a Chaplain and has also administered six of the seven sacraments. (The seventh sacrament, holy orders, is reserved to bishops). On the gold (or yellow) colored chief stands a red winged lion that is the symbol of his patron saint, St. Mark, the Evangelist. The lion holds, in his right front paw a green trefoil, more commonly known as a shamrock, which is the symbol of Msgr. Rowan’s Irish ancestry.
The galero, or ecclesiastical hat, is used in Church heraldry in place of the more martial helmet, mantling and crest. Originally a pilgrim’s hat it was worn and used in heraldry by Cardinals. Later, it was adopted by the lesser prelates. Eventually a system of both colors and number of tassels was devised to indicate the various ranks within the hierarchy. Msgr. Rowan’s arms use a black galero like any priest but the cords and tassels are purple indicating he is a member of the papal household. This galero indicates the bearer is a Chaplain to His Holiness according to the Motu Proprio, “Inter Multiplices” of Pope St. Pius X in 1905.
On a scroll below the shield Msgr. Rowan has chosen the motto, “Christ Be Beside Me” which is taken from the prayer known as “St. Patrick’s Breastplate”. After I completed this design and Msgr. Rowan approved the artwork was quickly and expertly executed by Mr. Sandy Turnbull of Australia. Mr. Turnbull is a member of the Australian Heraldry Society.