Romero: Another Armigerous Saint (…well, Blessed anyway)

sc0239cd07a

After posting about the use of the coat of arms of the martyr, Blessed Oscar Romero, on the vestments used at the ceremony of his beatification last Saturday some noted how there really is no good image of his coat of arms available on the internet. So, I have undertaken to prepare something (above) which at least more clearly depicts the coat of arms as it seems to appear.

The coat of arms can be blazoned as follows: Per fess in chief per fess again the chief Azure a palm branch Or and below that chequy Or and Argent a triple-barred cross Sable; in base Argent a triple sprig of rosemary Proper. The shield is ensigned with a patriarchal cross pale wise behind the shield and a galero with cords and twenty tassels arranged on both sides in four rows of one, two, three and four all Vert. On a scroll below the shield the motto reads, “Sentire Cum Ecclesia”.

Blessed Oscar Romero

I noted with interest that the vestments worn by the bishops for the May 23 beatification ceremony for martyred Archbishop Oscar Romero were martyr’s red and emblazoned with the coat of arms of the slain archbishop. I’m not usually a big fan of heraldry on vestments but in this case I think it was a nice touch.

Image 8

Bishop Stowe of Lexington

On May 5 the Most Rev. John Stowe, OFMConv was ordained and installed as the third bishop of Lexington, Kentucky. His coat of arms is:

stowe_coat_of_arms

The explanation of his personal arms and motto (from the diocesan website):

On the right side are the personal arms of Bishop John. These are composed of a white field on which is seen a red eagle, the symbol of Saint John, Bishop John’s baptismal and religious patron. Below the eagle is a black Tau cross, emblematic of Saint Francis of Assisi, founder of Bishop John’s religious order. The color black represents the dominant color of the Franciscan habit. Upon the tau is a green “Mary’s Key,” seen hanging from the belt of the Blessed Virgin Mary as Our Lady of Consolation, the national shrine of which Bishop John was rector.

For his motto, Bishop John has adopted the Latin phrase, “ANNUNTIAMUS VERBUM VITAE”, translated as, “We announce the Word of life.”

New Arms for a New Priest

This coat of arms was designed for a man about to be ordained to the priesthood. He chose mostly red and gold to allude to the arms of Pope Benedict XVI who inspired him to pursue the priesthood. The Jerusalem cross is for his travels in the Holy Land and his care and concern for the Church in the Middle East. The escallop shell is from his family arms and also represents both baptism and pilgrimage. The chevron is a stylized carpenter’s square for St. Joseph, to whom there is a particular devotion, and is silver (white) to allude to Our Lady. The motto, from Psalm 104, says “Always Seek His Face”.

sc00053b16c

Bishop Dabrowski

On April 14 Fr. Jozéf Andrzej Dabrowski, C.S.M.A. will be ordained Auxiliary Bishop of London, Ontario, Canada which is one of the largest English-speaking dioceses in Canada. The new bishop, a member of the Congregation of St. Michael the Archangel was born in Poland in 1964.

15JAD

Bishop Cheri

Bishop Cheri Coat of Arms

Today Bishop Fernand Cheri, OFM was ordained as the auxiliary bishop of New Orleans, Louisiana. His coat of arms has so many things about it that go against accepted heraldic practices, to say nothing of good taste, that I won’t even begin to comment on it.

Except to say no…just…no.

Bishop Hanefeldt of Grand Island, Nebraska

On March 19 the Most Rev. Joseph Hanefeldt, a priest of the archdiocese of Omaha was ordained and installed as the 8th bishop of Grand Island, Nebraska. His personal arms (below) allude to his devotion to Our Lady and to St. Joseph. These will alternately be displayed impaled with those of the diocese as well.

hanefeldt_simple

 

Faenza-Modigliana

Stemma Toso

On March 15 the Most Rev. Mario Toso, SDB will be installed as the bishop of Faenza-Modigliana, Italy. His very attractive coat of arms makes reference to the motto he has chosen. The motto, “Caritas in Veritate” is taken from the first line of the encyclical of Pope Benedict XVI. The red wavy bars on the shield represent love and the gold background the splendor of the truth. Thus, the arms illustrate the motto, “Love in Truth”.

Is the “Swastika” Able To Be Rehabilitated?

swastika

I recently came across an article on Huffpost about the swastika, the ancient religious symbol co-opted by the National Socialist German Worker’s Party, more commonly known as the Nazis, and whether or not the symbol which has deep significance for Buddhists, Hindus and Jains (the populations of which are growing in the USA) could ever be rehabilitated or is forever associated with evil, hatred and genocide.

This is something that has long interested me as a devotee of heraldry. I have often said, long before I knew about the religious significance of the swastika, that the Nazis chose a particularly striking symbol but that it was ruined for all time. In the summer of 1989 I was working in a parish in Baltimore that had been built in the 1920s before the Nazis came to dominate Germany and Europe. The floor tiles were plain but were interspersed with colored tiles depicting the cross in various forms. One such form was a swastika, or hooked cross (hakenkreuz) as the Germans called it. At first I was appalled seeing it there until I was told that it used to be seen simply as a form of the cross long before it became associated with the Nazis. From that point on I became interested in how this ancient symbol had been ruined forever and wondered if it might ever lose that connection with evil.

Fasces_(PSF)

After all, the other big symbol associated with Fascism was also an ancient one: the fasces. This symbol, dating from the time of the Roman Empire, was the symbol used by Mussolini and his blackshirts in Italy after their rise to power. For centuries it had already existed as a symbol of justice and of legislative power. The fasces were used in the ancient Roman Senate in the time of the Republic and also, later, carried before the Emperor. Yet, during and after World War II no one seemed to feel the need to destroy this ancient symbol. Indeed depictions of the fasces appear on the wall behind the dais in the United States House of Representatives to this very day.

obama-getty-imagines

And the famous statue of Abraham Lincoln in the Lincoln Memorial in Washington, DC does not depict Honest Abe seated between two books, as is often erroneously thought. Rather, he is seated on a chair the arms of which are composed of fasces!

Lincolns-Fasces

So, why did the fasces get a pass and not the hakenkreuz? Why was one symbol so closely associated with the totalitarianism and oppression of Fascism allowed simply to continue in its original use while another with equally ancient origins and religious significance for several different religions become vilified as a universally deplored symbol signifying hatred especially when one considers that it was only used as a Nazi symbol for about 20 years? It helps to look at what Adolf Hitler did with a pre-existing symbol and how that affected its transformation.

Hitler didn’t invent the swastika, we know that. In fact, as I have already mentioned swastika is the word used for this symbol coming from the Sanskrit word for “well-being” and used by Buddhists, Hindus and Jains who consider it an auspicious sign. It was also seen as a sign of well-being and prosperity by Mesopotamian, Mayan and other early indigenous cultures. However, as a form of the Christian cross with hooked ends it was referred to by Europeans as the hooked cross (hakenkreuz). The Nazis never used the word “swastika” for their party symbol. But why would they, a neo-pagan cult which rejected the basic tenets of Christianity, adopt a form of the cross as a symbol? One theory is rooted in, of all things, Adolf Hitler’s Roman Catholic upbringing.

Born in Austria, a country that remained staunchly Catholic even after the Reformation, the young Hitler was educated at Lambach Abbey School run by Benedictine monks. Day after day the boy was surrounded by decorative motifs placed on doors and gateways throughout the abbey by one of its former (and deceased) abbots, Theodor Hagn. The device Hagn had used to decorate the abbey (below) contained his initials, T-H and the abbreviation A-L for Abbey Lambach surrounding an ancient form of the cross: a hooked cross. It was thought by many that this symbol stayed in the mind of the impressionable boy and he recalled it years later when choosing a symbol for the party in which he was rapidly rising to the top as its leader.

Image 2

There is good reason to doubt this as the origin of the Nazi party symbol since party members had already been using the hakenkreuz as a symbol even before Adolf Hitler became a member. In addition, it is worth mentioning the ridiculous and false claims that the Nazis had that somehow they, as a “master race” were descended from the ancient Aryans for whom the swastika was a symbol used in their ancient culture. However, one thing is certain. Regardless of where Hitler got the symbol he is the one who decided on its particular depiction as the Nazi Party emblem. It was Hitler, the talentless frustrated artist who took the normally squared off swastika and tilted it on an angle. He then also insisted it be depicted in black on a white circle and the whole surrounded in red. Thus, did Hitler take an ancient form of the Christian cross (as well as an even more ancient symbol of well-being and auspiciousness to other religions of the world) and turn it into the forever recognizable armband and flag of the Nazis still associated with them long after their well-deserved demise.

800px-Flag_of_Germany_1933.svg

So, since the hakenkreuz had a particular depiction (tilted, black on white surrounded by red) and the swastika has a similar but distinct depiction, as it also has a distinct meaning, and since the world was content to allow the fasces to continue in use as understood to have a distinct original meaning why has the swastika become so reviled?

The simple answer is, I think, because it has, that’s why. Because it became associated with man’s inhumanity to man. It became associated with the senseless slaughter of millions motivated by nothing other than blind, irrational hatred. It became associated with the people who perpetrated one of the greatest, if not the greatest, crime against humanity ever recorded. It became associated with the terrifying hatred of others as less valuable and less than valuable as human beings to be seen, instead, as a lower form of life to be exterminated.

In addition, unlike the fasces which, in a sense, reverted to their formerly respected and respectable symbolism and adopted by no one else as a symbol of attempting a continuance of the misguided oppression of the Fascists the hakenkreuz, or swastika, continues to be used by groups who represent nothing other than hatred and racism. The Nazi party as a party may no longer exist but there remain pockets of those who still espouse its ideas and its twisted philosophies. They think of themselves as the natural heirs to the Third Reich and imagine that they, too, are somehow descended of the “master race” of Arayans. Their delusion is all the more frightening because it persists so long after its originators were vanquished.

Nevertheless, despite the clear association with hatred of the hakenkreuz, itself most unfortunate because it is a bastardization of the cross of Christ which, for faithful Christians, is the symbol of their faith and a sign of life and salvation and mercy and reconciliation, the swastika, a different though unfortunately similar symbol, remains one of auspice and well-being to millions of people around the world. I think it is precisely because of their migration to the Western world that this has become more of an issue. In places like India the swastika is as commonly seen as the cross is in Europe or America.

The article I mentioned in Huffpost mentions how most people who adhere to one of the religions that make use of the swastika don’t feel an urgent need to assert its rehabilitation. That’s not because they don’t think it’s a good idea. Rather, it just isn’t seen as an important fight right now. They are able to see and understand the horrible connotation that symbol has in the eyes of many. As one man interviewed in the article states, “(it isn’t) up to the Hindus or necessarily in their interest to change what the swastika means to the Jews. They should be allowed to be repulsed by it just like Hindus should be allowed to be bolstered by its auspiciousness.”

Perhaps, several hundred years from now people will be able to look at a swastika and primarily see the symbol of well-being that it is for Hindus and acknowledge as footnote that, for a time, it had been appropriated as a symbol by a bunch of thugs who tried to take over the world and that bad connotation hung on for a century or two. That would be progress, I think. As to whether or not the hakenkreuz (I’ll never incorrectly use the term “swastika” for the Nazi symbol again) will ever be rehabilitated in Western society I think that the answer is certainly not in my lifetime and, i suspect, not for quite some time after that as well. As long as Holocaust survivors still live and the immediate families of both Holocaust victims and survivors, whose lives were torn apart and irrevocably changed by that horrible event, still live how can it be? In addition, as long as hate-filled anti-Semites still appropriate the symbol as theirs how can it? The Nazis may have used it for only about 20 years but countless numbers of bigots continue to infuse the symbol with their racial, religious and cultural hatred. The Nazis may have, in my poor opinion, “ruined” the swastika by using the hakenkreuz for a time but others continue to ruin it, and to misuse it as symbol that strikes fear into the hearts of all good people even now.

Can the swastika ever be allowed to be used in the West without being associated with the Nazis? Can the hakenkreuz ever be rehabilitated as merely one form of the cross? Perhaps. But, not now…nor anytime soon.

Bishop Garcia

On March 3, the Most Rev. Daniel Elias Garcia was ordained as Titular Bishop of Capsus and Auxiliary Bishop of Austin, Texas. His adopted coat of arms (below) depicts his devotion to Our Lady (the roses), baptism (the shell), the Colorado River and Christ who is the First and the Last.

Dividing the field into two colors (green and gold) by a blue line isn’t really the best design choice. It would have been better if the whole field were gold. In addition, the description of the arms from the ordination program describes the “processional cross” as being in the form of a Jerusalem cross for apparently no reason. First of all it is not a processional cross. The external ornament in a bishop’s coat of arms more than any other that marks it as the coat of arms of a bishop (even more than a mitre or a galero) is the episcopal cross that stands vertically behind the shield. This type of cross, which resembles a processional cross, used to be carried directly in front of a bishop. Like the galero, also no longer in use, such episcopal crosses are no longer used but are retained as not only one of but actually as THE ensign of the coat of arms of a bishop. The galero is optional; the cross isn’t.

Second, it is not permitted to mandate that an external ornament like the episcopal cross, be depicted in a certain shape or style. The blazon concerns itself only with what is on the shield. That may indeed be mandated to be depicted in a particular way. No other artist is bound to depict the episcopal cross of Bp. Garcia’s arms as a Jerusalem cross. It may be his preference but it is not one to which others must adhere.

BishopGarciaBlazon

Bishop O’Regan of Sale, Australia

On February 26 Patrick M. O’Regan will be ordained and installed as the IX bishop of Sale, Victoria, Australia. The ship at sea is a reference to the diocese of Bathurst where the bishop previously served as a priest. In chief are charges that allude to St. patrick and to the arms traditionally associated with families of the name O’Regan or Regan. The arms were designed by me and Mr. Richard d’Apice and rendered by Mr. Sandy Turnbull.

Image 1

Coat of Arms of Pope Pius XII (Before and After)

Much has been written in recent years about the practice of a prelate modifying the design of his coat of arms when he moves from one position to another in the Church. Generally speaking I am against the practice. A coat of arms, even an assumed one, becomes a unique personal symbol and is associated with the person who bears the arms. To change the original design simply because one is taking up a new position or ministry is ill advised.

I am, of course, not referring to marshaling the personal arms with those of a jurisdiction (see, abbey, or even a parish). When a cleric is translated from one jurisdiction to another of course he will then marshal his personal arms to those of the new jurisdiction because, after all, impaling or quartering the personal arms with those of a jurisdiction is a means of displaying two or more separate coats of arms together on one shield. The arms of a diocese do not “become” part of the bishops personal coat of arms. They are displayed along with the personal arms of the incumbent during the tenure of his office as part of the overall achievement but that is all.

Rather, I am speaking of a cleric slightly modifying or even changing entirely the design on the shield of his personal coat of arms. In some cases the change is a result of unhappiness with the design originally adopted. Sometimes it is the case that a cleric is appointed to be a bishop and wishes to make use of his new coat of arms at his episcopal ordination which may be as soon as only six weeks away. So, a design is hastily adopted. later, when being translated to a new see the bishop has had time to second guess his original arms and wishes to tweak the design or even change it altogether. While this is understandable it still should be frowned upon. His new position doesn’t mean he is becoming an entirely new person.

Yet we see that this has and continues to happen. Even no less than Pope Pius XII (Eugenio Pacelli 1939-1958) bore arms that were slightly different before and after he became pope. When a bishop and cardinal his arms depicted a dove displayed (i.e. with its wings spread) holding an olive branch in its beak. This is a reference to the name Pacelli which means “peace”. The dove was perched on a trimount and sitting below the arc of a rainbow, an allusion to the story of Noah from the Scriptures.

Danesi20

However, after his election to the papacy there are some differences. The dove now has folded wings and sits perched on the trimount which is depicted on field and above waves of water. In addition, the rainbow is now gone. Perhaps Pius XII felt the reference to the story of Noah was redundant or superfluous? Perhaps he wished to express a global desire for peace since he was elected at a time when the world was on the brink of World War II? Perhaps he simply liked this newer design more? We shall never know yet here is a good example of arms modified when going from one position in the Church to another.

piua xii arms in pen and ink