Category Archives: Work of Other Artists

One of the Best…Ever

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The coat of arms of His Eminence, Francis Cardinal Spellman, Archbishop of New York from 1939-1967. The blazon is: Arms impaled; in the dexter Argent on a saltire Gules between four  Greek crosses Gules the sails of a windmill in saltire Argent (New York Archdiocese). In sinister Sable, on a fess Argent four ermine spots Sable; overall a bend Or goutee de sang; a chief of the Religion (Spellman).

The arms of the archdiocese employ a red X-shaped cross of St. Patrick, the patron of the archdiocese. On this is superimposed the sails of a windmill to recall the Dutch who first settled the city of New Amsterdam, later called New York. The four red crosses represent the four Gospels. Spellman’s own arms were not the first that he adopted when he was made a bishop. His original coat of arms depicted the Santa Maria, flagship of Christopher Columbus, under full sail. He used these when he was Auxiliary Bishop of Boston. After he was translated to New York Spellman adopted the arms we see here. Unfortunately, I do not know the meaning behind the ermine spots or the gold bend. I know the drops of blood were an allusion to the Precious Blood of Christ. As a Bailiff of the Order of Malta he includes both the chief of that order (Gules a cross throughout Argent) and places the shield on the cross of the order.

The external ornaments include the galero and the mitre as well as the archiepiscopal cross and the crozier. These arms were designed long before the 1969 Instruction of Pope Paul VI forbidding the use of mitre and crozier in the arms of bishops, archbishops and cardinals.

I have always like this particular coat of arms. It is an exmaple of good heraldry which is a rare find among the coats of arms of American prelates…of any era!

Coat of Arms of Archbishop Gänswein

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Having seen a Facebook post I wrote about this some time ago my friend and heraldic enthusiast and artist Xavi Garcia who writes the excellent blog Dibujo Heráldico posted recently about the coat of arms of the Prefect of the Pontifical Household (and former secretary to Pope Benedict XVI) Archbishop Georg Gänswein. It is the custom of the Prefect of the Pontifical Household to impale (combine on the same shield) his personal arms with those of the reigning pope. When Archbishop Gänswein was named an archbishop earlier this year he adopted personal arms that reflect St. George, his baptismal patron (the dragon being slain with a spear) and his devotion to Our Lady (the star). These were impaled with the arms of Pope Benedict (above). Now that Pope Francis has been elected and Archbishop Gänswein remains as Prefect of the Pontifical Household (at least for now) his arms are changed to be impaled with those of Pope Francis (below). Now there is a great deal of blue on one shield but that was not something that could have been forseen. Xavi has depicted the two coats of arms himself in his own style and I am happy to share them with you here. Check out his blog while you’re at it too!

(artwork: Xavi Garcia)

One of Bruno Heim’s Best

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Arguably one of the best coats of arms designed and emblazoned by the late Archbishop Bruno Heim was that of Pope John Paul I who reigned as pope for just 33 days from August to September of 1978. The coat of arms was slightly modified from the one he had borne before becoming pope. Upon his election Albino Cardinal Luciani chose the unique double name of John Paul combining the papal names of his two immediate predecessors. The coat of arms was put together to reflect this double name. In chief we see the lion of St. Mark that makes up the arms of the See of Venice. Cardinal Luciani served as Patriarch of Venice before being elected to the papacy. In addition, two of his predecessors as pope, St. Pius X and Bl. John XXIII also were Patriarchs of Venice before their respective elections as pope and both retained the chief of St. Mark in their coats of arms as pope. In the arms of John Paul I the chief of St. Mark not only recalls his own time in Venice but evokes the memory of Pope John XXIII. The collee, or stylized mountains or hillocks in base are from the coat of arms of Pope Paul VI whose family name, Montini, means “little mountains”. In between the mountains and the chief there are three stars. Paul VI had three fleur-de-lis in the same position in his arms and Cardinal Luciani’s original arms had three stars but the stars had only four points each. Here they have been modified to five-pointed stars which are a heraldic symbol of Our Lady, specifically of the Assumption. Despite the fact that Pope John Paul I adamantly refused to be crowned as pope the papal tiara nevertheless appears in its usual spot ensigning the shield along with the keys of St. Peter. Truly, this is one of Heim’s best designs. Sadly, it was not seen by many because of the brevity of the pontificate of the “smiling pope”.