New Bishop of Derry, Ireland

The Most Rev. Donal McKeown will be installed April 6 as the new bishop of Derry, Ireland. His arms (below) are briefly described on the diocesan website: The Bishop’s coat of arms takes some elements from the traditional McKeown family symbols – the salmon, which is an ancient Irish symbol of wisdom, and the red hand. However, the simple penal crosses now flank the One whose hands were pierced for the world’s salvation. The salmon reflects the words of the prophet Isaiah, who said “with joy you will draw water from the wells of salvation” (Is 12:3).

The Bishop’s motto “Veritas in Caritate” occurs in the Letter of Saint Paul to the Ephesians (4:15).

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Bishop of Porto, Portugal

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The arms (above) of António Francisco dos Santos, newly installed bishop of Porto, Portugal. It is a simple and elegant design. Some would be critical of the green collé on a blue field but the so-called “tincture rule” isn’t so much a hard and fast rule as much as it is a custom as frequently honored in the breach than in the observance. Read Bruno Heim’s book, “Or and Argent” if you don’t believe me. My only criticism would be that the episcopal cross behind the shield is depicted as a teeny tiny one. It could be larger. I also find the choice of an oval shield (usually used by women in heraldry) as interesting, but not necessarily wrong as its use is not exclusive to females.

 

Bishop Myron Cotta

Earlier today the Most Rev. Myron Cotta was ordained as the Auxiliary Bishop of Sacramento, California. His newly assumed arms are below.

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The field is divided by an inverted chevron alluding to a carpenter’s square for St. Joseph and the San Joaquin Valley. In chief there is an amphora charged with the letters “SC” for sacred chrism. The bishop’s given name, Myron, is the Greek word for the sacred oil.

In base there appears a monogram composed of the letters “I”, “M” and “H”. This stands for (if you can believe it) the Immaculate heart of Mary with the “M” taking the most prominent place. The bishop has a great devotion to Our Lady under this title.

The motto translates to “Grace and Mercy” and is in Portuguese to reflect the bishop’s ethnicity as being from the Azores.

Well, there is an overabundance of the use of letters in this achievement. Someone clearly never heard that the use of letters in heraldry is considered port design. The “SC” on the amphora is, in my opinion, unnecessary. The amphora alone is a sufficient symbol for sacred oil. Why not actually depict the Immaculate Heart of Mary instead of abbreviating it? The monogram is an example of extremely poor design. It’s weak and not self evident where the image of the Immaculate heart would have been. In addition, since most people don’t know that the name Myron means sacred oil they will naturally assume that the gigantic “M” in the coat of arms stands for Myron and not for Mary.

This was done by Paul Sullivan. Not one of his best efforts.

Bishop Zglejszewski

The coat of arms (below) of Bishop Andrzej Zglejszewski who will be ordained titular bishop of Nicives and Auxiliary Bishop of Rockville Centre, NY on March 25. The bishop is a native of Poland but emigrated to the USA before ordination and was ordained for the Long Island diocese.

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The following description is from the program of his ordination: The symbolism to be found in Bishop Zglejszewski’s coat of arms begins with the colors, also called tinctures. The major part of the shield is painted white (argent) over red (gules), which recalls the national flag and coat of arms of Poland, where the Bishop was born. The blue (azure) found in the top half of the border joins these first two tinctures to recall the national colors of the United States of America, to which he immigrated in 1987. The gold (Or) of the lower half joins the white to recall the colors of the Vatican City-State. Blue and gold, together recalling the sea and sand of the island diocese, are the primary tinctures of the coat of arms of the Diocese of Rockville Centre, where he was ordained a priest in 1990 and which he will now serve as Auxiliary Bishop. The color blue at the top of the shield recalls that Mary is Queen of Heaven and Help of Christians, who spreads her protective mantle over her children. Our Lady is also symbolized by the fleur-de-lis at the bottom of the shield. This stylized lily has been used for many centuries to recall her virginal purity. Placed on the shield together with three Crosses, it alludes also to Mary, the faithful disciple, standing at the foot of the Cross of her Son on Calvary.

The saltire or “X” shape in the center of the shield is also known as Saint Andrew‟s Cross, after the Apostle who, according to tradition, was crucified on a Cross in this shape. Saint Andrew is the Bishop’s baptismal patron. Like the shield itself, the saltire is divided across the middle, in an arrangement called counterchanging: where the shield is red, it is painted white, and is red where the shield is white. This coloration allows for another layer of symbolism, in each of the parts of the saltire. The white bottom half of the saltire becomes a depiction of the carpenter‟s square, a traditional symbol of Saint Joseph, the Husband of Mary. The carpenter’s square appears to cover and protect the fleur-de-lis, symbolizing Saint Joseph’s protection both of Our Lady and of the Universal Church. The top half of the saltire, painted red, reminds one of the Holy Spirit, and the grace that he brings by his descent upon the newborn Church at Pentecost. The Bishop has dedicated much of his ministry to the study and service of Divine Worship, and this part of the saltire also recalls the grace of the Sacraments which is given to the Church through the power of the Holy Spirit and the sacrifice of Christ on the Cross.

The two crosses on either side of the saltire are also counterchanged, and symbolize not only the crosses on Calvary but also the passion and martyrdom of Saint Agnes, the patron of the Diocese of Rockville Centre. This heroic young woman faced martyrdom at the age of 13 in Rome; tradition says she was turned in to the authorities by suitors she had spurned because she made a vow of virginity to Christ. She bore a double cross: the “white martyrdom” of purity, and the “red martyrdom” that involved the shedding of her blood.

Bishop Baldacchino

Below is an image from “The Florida Catholic” of the coat of arms of the newly ordained Auxiliary Bishop of Miami, the Most Rev. Peter Baldacchino. I am disappointed that the bishop chose to make no allusion to his baptismal patron, St. Peter, in the coat of arms. Similarly, I am disappointed that he passed up the obvious choice to have canting arms by depicting a baldacchino, or canopy, over an altar. In fact, it might have been interesting to depict the famous Bernini baldacchino of St. Peter’s Basilica as a way to combine the two. Instead, he has chosen a cluttered design filled with far too many charges in an attempt to create a “C.V. in pictures” which is precisely what a coat of arms is NOT.

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The description of the symbolism in the design is also from “The Florida Catholic”:

Dominating the coat of arms is Christ crucified. The Cross emerges as a sign of victory over death, represented by the waters of the baptismal font, the source of Christian life which communicates to every Christian the victory of Christ. The baptismal font is a reference also to his own rediscovery of baptism through the Neocatechumenal Way and to the work of evangelization: bringing people to live their baptism so that they may receive divine life.

Beneath the Cross and baptismal font is found an image of a palm tree upon which a lobster rests, a well-known symbol of the early Church, representing the mystery of salvation through baptism: a sea creature, accustomed to live in the waters of sin, through the work of the Holy Spirit, can leave behind its natural environment and live upon a palm tree, symbol of eternity and paradise.

Above the Cross hovers a dove, symbol of the Holy Spirit, who is the life of the Church, and without whom nothing can be done. In the upper part are found the moon, representing the Blessed Virgin Mary: “And a great sign was seen in heaven; a woman arrayed with the sun, and the moon under her feet, and upon her head a crown of twelve stars” (Rev 12:1); and the Cross of Malta, but also the star which leads the way to Christ. The palm tree is also a reference to the Archdiocese of Miami, and the lobster to the Turks and Caicos Islands, where Bishop Baldacchino ministered for 15 years. The coat of arms is completed by the three waves of the baptismal font representing the three rivers of the Archdiocese of Newark, where Bishop Baldacchino was ordained in 1996.

The motto translates to: “Where God is, there is joy”.

Bishop Christian Riesbeck, CC

On March 19, the Solemnity of St. Joseph which is the patronal feast day of Canada, the Most rev. Christian H. Riesbeck, CC will be ordained as Auxiliary bishop of Ottawa, Canada. His coat of arms (below) is explained as follows (taken from the website of the Companions of the Cross, the community to which the new bishop belongs):

The dove symbolizes the Holy Spirit, the principal agent of the Church’s evangelizing activity. The host in the dove’s beak points to the importance of the Eucharist as the center of the Church’s life. The roses represent the flowers given to St. Juan Diego in his tilma by Our Lady of Guadalupe, patroness of the Americas and Star of the New Evangelization, and they also commemorate Bishop Riesbeck’s ministry to a predominantly Hispanic parish in Houston, Texas for nine years as pastor.

The lilies are a symbol of St. Joseph, the patron saint of the universal Church, of Canada and of the Archdiocese of Ottawa, on whose feast day Bishop Riesbeck is ordained a bishop. Along with the blue colour, they also refer to the Blessed Virgin Mary and to the province of Quebec, Bishop Riesbeck’s birthplace. The cross at the bottom, symbol of Christ crucified, the Power and Wisdom of God – its red colour symbolizing the blood of Jesus – is taken from the emblem of the Society of the Companions of the Cross, Bishop Riesbeck, being the first member of the Society to be made a bishop. The arching division line represents the Church’s presence throughout the world.

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Bishop of Harrisburg, PA

On March 19, the Solemnity of St. Joseph, the Most Rev. Ronald W. Gainer, until now bishop of Lexington, Kentucky, will be installed as the 11th Bishop of Harrisburg, Pennsylvania the city which also serves as the capital of the Commonwealth of Pennsylvania. His coat of arms (below) is composed of the arms of the See of Harrisburg depicting a red cross on a silver field charged with a shamrock in honor of the titular of the cathedral, St. Patrick, below a black chief that is an allusion to the black fess charged with three plates from the arms of William Penn. The center plate is changed to a crescent from the arms of the Harris family from which Harrisburg gets its name.

The bishops personal arms are impaled with the arms of the See. The red field with the silver bar encircled by a gold ring are all taken from the arms of his native diocese of Allentown, PA. The tree above and the mountain with the double-barred cross below honor his parental heritage from Baden and Slovakia, respectively.

The motto is from John 1:16 and means “from His fullness, grace upon grace”. The artwork is by Paul Sullivan.

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New Auxiliary of Bamberg

On March 14 the Most Rev. Herwig Gössl (age 47) will be ordained as Auxiliary Bishop of Bamberg, Germany. His coat of arms (below) employs an interesting modern style in its depiction. The design incorporates symbols of the Transfiguration, the rivers associated with the places the bishop has lived and colors taken from the archdiocesan arms. Beneath the arms of the new bishop I also show the coat of arms of the current archbishop of Bamberg, Ludwig Schick.

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Parish of St. Catherine Labouré in Harrisburg, PA

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The arms naturally incorporate images found on the Miraculous Medal, which had been first entrusted to Catherine Labouré by the Blessed Virgin Mary.  The shield incorporates four images found on the Medal, the Marian monogram, the stars from Sacred Scripture (as ascribed to Mary in the Apocalypse: 12-13), and the Sacred Heart of Jesus and the Immaculate Heart of Mary side by side.  The shield is worked in blue and in gold.  On this gold field is found the Marian cipher, a letter “M” surmounted by a Christian Cross, an image presented to Saint Catherine by the Virgin Mary herself.  It is blue, as it represents the Blessed Mother specifically.

The blue field above represents the Blessed Virgin, of course, but more so in Her title of Our Lady of Grace.  Upon this field appear the Sacred Heart of Jesus and the Immaculate Heart of Mary, linked theologically as Mary always stood beside her Son.  These two images associated with the Miraculous Medal are surrounded by the twelve stars that surround Mary’s head as a halo in many Marian images, most definitely those associated with Her as Our Lady of the Miraculous Medal as seen on the reverse side of the medal itself.  Both hearts suffer and bleed for the world.

Saint Catherine supports the shield in her historic and colorful habit of a Daughter of Charity of Saint Vincent de Paul as it was worn at the time of her life on earth.  Saint Catherine stands on a compartment upon a green river bank above the blue waters of the Susquehanna River that runs through the state capital city to which the parish is near.  The shield rests upon a stone, specifically a keystone, the emblem of the Commonwealth of Pennsylvania.  Next to the keystone is found a floral spray composed of shamrocks honoring the patron saint of the Diocese of Harrisburg, Saint Patrick of Ireland; and mountain laurel, the official flower of the Commonwealth of Pennsylvania.

Design: J. Noonan  Art: L. Nicholson

Heraldic Vestments

Usually, I am not a big fan of heraldry being used as a decorative motif on vestments and pontificalia. Every now and again, however, it can work. The example below shows the Most Rev. John J. Myers, Metropolitan Archbishop of Newark, NJ. The chasuble he wears is decorated with a shield (partially obscured by his pallium) bearing his personal coat of arms as is the base of the mitre he is wearing. I think this is a good example of how heraldry can be used to decorate vestments in a way that is neither overpowering nor inappropriate.

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Bishop Deeley of Portland, ME

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The coat of arms of Most Rev. Robert Deeley installed on February 14 as the 12th Bishop of Portland, Maine.

The right side of the shield is divided by a wavy line to suggest water. This theme continues in the lower portion with alternating silver and blue waves, suggesting deep waters and his home see of Boston. Resting on the waters is a scallop or pilgrim’s shell, which, for Bishop Deeley, represents both baptism and a special homage to Pope Benedict XVI, who chose Bishop Deeley for the episcopacy and whose own shield also includes a shell. The silver color of the shell represents the purity of God. Above this is a lion, which Bishop Deeley considers to be emblematic of his family. The front half of the lion is rendered in black and the hindquarters are in red, with the claws and tongue taking the opposite colors.

The left side of the shield, representing the Diocese of Portland, features the diocesan coat of arms, which includes a field of blue with a scattering of gold pine cones. It is based on an ancient French royal family coat of arms and reflects the French roots of the diocese, which date back to 1604.

At the time of his episcopal ordination last year, Bishop Deeley chose as his motto “Veritatem Facere in Caritate,” which he translates as “living the truth in love” (Ephesians 4:15).

Design: J. Noonan
Artwork: L. Nicholson

Two New Korean Bishops

Two Auxiliary bishops of the Archdiocese of Seoul, Korea were ordained today. There coats of arms are interesting. They are Bishops Timothy Yu Gyoung-chon and Peter Chung Soon-taek, OCD. (that is, Order of Discalced Carmelites). The coat of arms of Bishop Timothy is unconventional bordering on the bizarre. It makes extensive use of writing and seems to have the motto on the shield itself. It also makes use of no external ornaments to indicate these are the arms of a bishop. On the other hand the coat of arms of Bishop Peter is more conventional in appearance. His arms are primarily composed of the coat of arms of the Order of Discalced Carmelites differenced by the exclusion of the two additional stars that usually appear in the upper left and right thirds of the shield. In addition, he employs a galero that is somewhat unique to Asian heraldry. The tassels are green as would be usual for a prelate with the rank of bishop. However, the hat is decidedly not green. Here it is a shade of red but sometimes a purple hat is used. This is to avoid the awkward and embarrassing situation that would arise from a bishop employing a green hat. To “wear a green hat” is a colloquial expression in many parts of Asia that means the man is a cuckold. To avoid this association with the well known expression many Asian bishops from various countries make use of a hat of some color other than green.

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Bishop Olson of Fort Worth

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On January 29 the Most Rev. Michael Fors Olson will be ordained and installed as the fourth bishop of Fort Worth, Texas. His personal arms depict a symbol for the Holy Trinity as an allusion to Holy Trinity Seminary in Irving, Texas where the bishop served as Rector. Below the sword and pan balance is symbolic of his baptismal patron, St. Michael. The blue fess in the center bears the spikenard flower taken from the arms of Pope Francis as well as two yellow roses (a allusion to Texas) representing Our Lady of Guadalupe and St. Thérèse the “Little Flower”. The motto means “The Splendor of the Truth”. The coat of arms of Bishop Olson were designed and marshaled to those of the diocese by Deacon Paul Sullivan.

Constantinian Order Reconciliation

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It was announced yesterday that the Duke of Noto (Spanish branch) and the Duke of Castro (Neapolitan branch) of the royal house of the Two Sicilies signed an accord which, while it does not completely solve the issue of the headship of the royal house more closely ties the two heads of the royal orders together in closer cooperation as co-grand masters with equal footing of the Sacred Military and Constantinian Order of St. George. This is a positive step toward healing a very long-standing rift.

(artwork by Carlos Navarro)