Category Archives: Fr. Guy’s designs

Monsignor Francis Kelly, P.A., K.H.S.

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The arms (above) I recently completed for Monsignor Francis Kelly, PA a Canon of St. Peter’s Basilica in Rome. Msgr. Kelly is a priest of the Diocese of Worcester, Massachusetts who, prior to his current service worked for many years in Washington, DC for the NCEA and was also on the faculty and later became rector of Pope St. John XXIII National Seminary in Weston, Massachusetts. After his time there he spect eight years as the Superior at the Casa Santa Maria in Rome which is the graduate division of the Pontifical North American College. In 2013 he was named Prothonotary Apostolic and a Canon of St. Peter’s Basilica by Pope Benedict XVI. I met Msgr. Kelly in 1996 when I was sent for one year of studies at Pope John Seminary. We have been friends since then.

The blazon is:

Azure, between two lions rampant respectant Or, armed and langued Gules the Greek letters Chi and Rho Argent; in base a star of six points Argent. The shield is placed on the cross of the Equestrian Order of the Holy Sepulchre and is ensigned by the galero of a Prothonotary Apostolic Purpure with cords and twelve tassels disposed in three rows of one, two and three pendant on either side of the shield Gules. On a scroll below the shield is the motto: “To Live For Him”.

The blue field and gold lions are taken from the coat of arms traditionally associated with the name “Kelly”. In that coat of arms the lions are chained and they face a tower. For differencing the chains have been omitted and the tower has been replaced with the Greek letters that are a monogram for the name Christ and a star of six points. These indicate the armiger’s devotion to Christ and Our Lady.

The armiger is a Knight of the Order of the Holy Sepulcher and its cross is placed behind the shield. The purple galero with red cords and tassels indicates a Roman prelate with the rank of Prothonotary Apostolic, the highest of the three grades of prelates addressed as “Monsignor”. The members of the Chapter of the Papal Basilica of the Vatican hold this rank.

The motto expresses a sentiment the armiger has endeavored to embody throughout his entire priesthood.

Sacerdotal Coat of Arms

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The coat of arms recently completed for a very patient priest in the USA who was ordained in May of 2015. The blazon is:

“Gules, an ancient harp below an ancient crown all Or; on a chief Azure fimbriated Or between two thuribles Or with two wisps of smoke rising on either side Argent, the Sacred Heart of Jesus Or, enflamed Or wounded and enfiled by a crown of thorns Sable. The shield is displayed on the cross of the EOHS and suspended below the shield is a badge of a Chaplain of Magistral Grace of the SMOM. Ensigning the shield is a priest’s galero with cords and two tassels pendant on either side all Sable. On a scroll below the shield is the motto, “Surge Domine“.

The field is composed of two colors: a red field with a blue chief so the chief is separated from the field by a gold (yellow) fimbriation to avoid violating the tincture “rule” (which, as Heim proved in his book, Or and Argent isn’t so much a rule as a custom).

The principal charge, a crowned ancient harp, alludes to the patron of the bearer, David, the King who by tradition is considered the composer of many of the Psalms. The charges on the chief allude to the bearer’s devotion to the Most Sacred Heart of Jesus and the sacred liturgy. The two thuribles with smoke rising from them represent the liturgy itself. There are references in both Scripture and Tradition of the rising incense being like our prayers in worship ascending to the Lord. In addition, incense represents a sacrificial offering such as one finds in the Holy Sacrifice of the Mass.

The shield is ensigned with a black priest’s galero. In addition, the shield is placed on the cross of the Equestrian Order of the Holy Sepulcher in which the bearer received the rank of Knight Grand Cross prior to his ordination. The badge of the Sovereign Military and Hospitaller Order of St. John of Jerusalem, Rhodes and Malta is suspended below the shield as the bearer was a Knight in that order prior to ordination as well. Upon being ordained a priest the armiger was “translated” from being a lay knight to being a Chaplain of Magistral Grace.

On a scroll below the shield is the motto, “Surge Domine”.

Coat of Arms for a Priest

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The arms (above) were recently designed and emblazoned by me for an American priest who is also a member of the Equestrian Order of the Holy Sepulchre.

The priest has a devotion to St. Anthony, his baptismal patron, and is a Third Order Dominican. The gyronny of eight that makes up the field is taken from the arms of the Order of Preachers. In addition, the black and white recalls the arms of the city of Lisbon where St. Anthony was born. The plate charged with a red cross at the center alludes to the arms of the city of Padua, where St. Anthony died and is buried. In addition, this charge represents the sacred Host used at Mass because the armiger has advanced studies in the sacred liturgy. Finally, the counterchanged wavy bar in base alludes to three things: the lake at Mundelein where the liturgical studies were undertaken at the Liturgical Institute there; his home state, Michigan, which is situated in the Great Lakes; a charge in the arms of the diocese in which he serves.

The shield is ensigned with the motto meaning “In Spirit and in Truth”, the priest’s galero and the cross of the Equestrian Order of the Holy Sepulchre.

Bishop Rodríguez

Today, November 4, in Denver, CO the Most Rev. Jorge Humberto Rodríguez-Novelo is to be ordained Titular Bishop of Azura and Auxiliary Bishop of Denver.

His coat of arms was designed by the Vicar General of the Archdiocese. However, early on in the process, very shortly after the bishop’s appointment was announced, the director of the Office of Worship of the Archdiocese contacted me to ask if I might be willing to act as a consultant during the design phase of the project which I was happy to do. In fact, I explained, this is really and truly the area of heraldry where I am most at home. I am far from a great artist but my real expertise is in the designing of a good coat of arms. I can tell you all the “whys and wherefores” about what goes into a good design. Once again, we see that heraldry is both an art and a science. It is not primarily the realm of the heraldic artist. Rather, first and foremost the whole thing must start with someone who is knowledgeable about the rules, customs and history of heraldry as well as have a good eye for composition, balance and proportion. I am far more at ease with the work of the herald than that of the heraldic artist.

Since its beginnings, and right down to our own day, the work of heralds has involved the devising, granting and recording of coats of arms. However, it has also included expertise in genealogy and family history, protocol and ceremony. In addition, it is rare that the herald actually renders the artistic depictions of the arms he designs. That task is left to those with expertise in drafting and art who are usually contracted independently by the herald or by the armiger to create beautiful emblazonments.

I have always been one of those who comes down firmly in this debate on the side of the herald, not the artist, as the person who does the “real work” of heraldry. This is not to disparage heraldic artist, whose work is not only painstaking and highly detailed but requires tremendous skill as well as training. But, the simple truth is that one can still paint a coat of arms while at the same time knowing absolutely nothing about the science of heraldry whereas one cannot claim to be competent at designing a coat of arms simply because one can paint or draw well. The heraldic world is best served when both act together in tandem to produce beautiful and correct heraldry.

Over the last thirty-three years my focus has been on learning as much as I can about the science of heraldry and only dabbling as an amateur in producing heraldic artwork. I do not now, nor have I ever, claimed otherwise. So, when a person contacts me to ask me to paint their coat of arms I usually balk but when they ask me to consult on a design I’m right in my comfort zone, as well as my “competency zone”.

In the case of the coat of arms of Bishop Rodríguez there were several elements of his life and ministry he wished to represent in his coat of arms. In Denver they came up with an initial design, very much a work in progress and then asked for my in put. The bishop wanted to represent Christ the King, priestly ministry, the local church in Colorado and Our Lady of Guadalupe. This is the first draft:

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After some discussion back and forth I made several proposals that sought to unify the imagery and create a single, more simple, more bold design. The first thing to be avoided was falling into the trap of quartering the field and then filling each quarter with things. It was also important to avoid the use of the color brown as this is not one of the tinctures used in heraldry. Since the symbol for Christ the King occupied the first quarter and was, in a sense, the principal element to be represented we first moved to create a large compound charge of the crowned Chi-Rho. This, then alludes to Christ, the King as well as to priestly service as all priests share in the High Priesthood of Jesus. Then it was a simple matter to allude to the Rocky Mountains of Colorado by a division line in the field and to add the rose as a fitting heraldic charge that is frequently used as a reference not only to Our Lady in general but to Guadalupe in particular. This is because of the roses that bloomed in December which were brought by Juan Diego to his bishop who asked for “proof” of the apparitions. I originally proposed placing the red rose on the silver chief or changing it to a golden rose. However, the bishop really wanted the rose depicted in the traditional red so we cheated a little on the tincture rule (avoiding a color on a color or a metal on a metal) by blazoning the rose as “Proper” which does permit such violations in the case of charges that are depicted Proper. After some of my suggestions were considered a second draft was prepared in Denver which also changed the general shape of the episcopal cross behind the shield and the galero and tassels in order to give the whole achievement a look that was unique. This draft met with the new bishop’s approval. So, the arms he has assumed today are:

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These arms were designed and emblazoned by Fr. Randy Dollins with me acting as design consultant.

 

Abbot Elias Lorenzo, OSB

The delegates to the general chapter of the American-Cassinese Congregation, from June 19-24, 2016 elected Father Elias Lorenzo OSB, monk of St. Mary’s Abbey, Morristown, NJ as their new Abbot-President (Abbot-Praeses). For seven years Abbot President Elias had been Prior at Collegio Sant’Anselmo, Rome. Thursday, June 23, 2016, the Rt. Rev. Douglas R. Nowicki OSB, Archabbot of St. Vincent Archabbey, Latrobe, PA, motherhouse of the congregation, conferred the abbatial blessing during the chapter. Abbot Elias returned to Sant’Anselmo for the Congress of Abbots, September 2016 and thereafter he will reside in Morristown.

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Shortly after his election, Abbot Elias contacted me to ask that I assist him in designing his coat of arms. The explanation I also provided for him is:

The shield is divided by a line shaped like a chevron. This creates the general shape alluding to a mountain, in this case Mount Carmel, the mountain associated with the prophet Elijah from whom the name Elias is derived. The large tongue of fire in the center of the lower portion of the shield (referred to as “in base”) combined with the mountain allude to St. Elias.

In addition, the blue and silver (white) checked pattern also has a multi-layered meaning. The American-Cassinese Congregation was founded by Benedictines from St. Michael’s Abbey in Bavaria. The motherhouse of the Congregation, St. Vincent Archabbey in Pennsylvania, makes use of the blue and silver fusils (a kind of elongated diamond pattern) from the coat of arms of Bavaria in its own coat of arms. Several other monasteries in the Congregation which are daughter houses or grand-daughter houses of St. Vincent also make use of this pattern. One such abbey is St. Mary’s in Morristown, New Jersey. At this monastery Abbot Elias entered monastic life, made his profession of vows and was ordained. In his coat of arms the blue and silver (white) fusils have been turned sideways forming a grid of blue and white squares or checks. The grid pattern suggests the gridiron on which St. Lawrence was roasted alive as the means of his martyrdom. This is an allusion to the Abbot’s surname, “Lorenzo” which in Italian means “Lawrence”. The grid of blue and white squares combined with the fire represents St. Lawrence while at the same time the blue and white squares are a slightly differenced reference to the coat of arms of St. Mary’s Abbey as well as Bavaria in general as the homeland of the Congregation’s founders.

At the center of the flame there is a red rounded cross. This cross is taken from the coat of arms of Sant’Anselmo in Rome where, for seven years before his election as Abbot-President, the armiger was serving as Prior of the monastic community.

Above the chevron in the upper portion of the shield (referred to as “in chief”) there are two blue crescents. The crescent has long been associated with Our Lady in particular under her title of the Immaculate Conception. That title is also the one by which Mary is the Patroness of the United States of America. While the Congregation is made up of American monasteries as well as some communities outside the U.S. it was, nevertheless, founded in the U.S. so the reference to the patroness of that country is fitting. In addition, crescents appear in the coat of arms of St. Mary’s Abbey and the coat of arms of the Delbarton School, the Abbey’s principal apostolate, both of with which Abbot Elias is closely associated.

The motto below the shield is taken from Luke 1:37 and is translated as, “Nothing is impossible with God”.

The shield is also ensigned with those external ornaments that indicate the bearer is an abbot. The gold (yellow) crozier is placed vertically behind and extending above and below the shield. Attached to the crozier is a veil or sudarium. Widely used in the Middle Ages it is rarely seen in actual use today. It dates from a time when abbots were already making use of the crozier as a sign of their authority but had not been granted the privilege of full pontificals which would have included liturgical gloves. The purpose of the sudarium was originally practical; it shielded the metal of the crozier from dirt and perspiration from the hands. Later, it became merely symbolic and has been retained in heraldry as distinguishing the crozier of an abbot. The use of pontificals by an abbot is regulated in the Motu Proprio, “Pontificalia Insignia” of June 21, 1968 (Acta Apostolicae Sedis 60 (1968) 374-377 Not 4 (1968) 224-226). Because abbots make use of the crozier they may use it as an external ornament in their coats of arms. The prohibition against the use of croziers in heraldry found in the Instruction of the Secretariat of State of the Holy See, “Ut Sive” of 31 March, 1969 (Acta Apostolicae Sedis 61 (1969) 334-40) does not apply to abbatial heraldry. Above the shield is the ecclesiastical hat, called a galero which, in heraldry, replaces the martial helmet, mantling and crest. The galero is black with black cords pendant from it and twelve black tassels arranged in a pyramid shape on either side of the shield. “The hat with six pendant tassels (green, purple or black) on each side is universally considered in heraldry as the sign of prelacy. It, therefore, pertains to all who are actually prelates…Prelates who are regulars do not, as a rule, wear purple. (Abbots’) ceremonial garb is normally black and, in consequence, their heraldic hats are also black.” (Heim, Bruno B., Heraldry in the Catholic Church, 1978, page 114).

Two New Auxiliaries for Sydney

On August 24 two new auxiliary bishops to the archbishop of Sydney will be ordained. I had a hand in designing both of their coats of arms along with Mr. Richard d’Apice and they were rendered by Mr. Sandy Turnbull. Both of these men are members of the Australian Heraldry Society. The two bishop are The Most Rev. Anthony Randazzo (49) a Sydneysider who is a priest of the Archdiocese of Brisbane. He will be Titular Bishop of Quiza. (arms below)

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And the Most Rev. Richard Umbers (45) born in New Zealand, a priest of the Personal Prelature Opus Dei who will be Titular Bishop of Thala. (arms below)

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St. Benedict’s Abbey, Still River

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The monastic community of St. Benedict in Still River, Massachusetts decided recently to modify their existing coat of arms which was originally designed by the late, great, Dom Wilfrid Bayne, OSB of St. Anselm’s Abbey in Rhode Island. The coat of arms was designed some sixty plus years ago for the St. Benedict Center on Bow and Arrow streets in Cambridge, MA which was the origin of the community that eventually grew into St. Benedict’s Abbey today. There was originally no external ornament in the achievement. The community simply bore a shield with the coat of arms.

The decision was undertaken recently to add an abbatial crozier as an external ornament to bring the achievement into conformity with what is usual for a monastery with the rank of Abbey. While it is the usual custom to depict a sudarium, or veil, pendant from the crozier in the coat of arms of an abbot usually when depicting the arms of an abbey, a corporate body, the sudarium is omitted.

Bishop of Parramatta

On June 16, 2016 the Most Rev. Vincent Long Van Nguyen, OFM Conv, formerly Auxiliary of Melbourne, was installed as Bishop of Parramatta, Australia succeeding Archbishop Anthony Fisher, OP of Sydney.

His coat of arms (below) was assumed in 2011 when he became a bishop and is now impaled with the arms of his See. The design of his personal arms was undertaken by me with Mr. Richard d’Apice, AM, KCHS and rendered then as now by Mr. Sandy Turnbull both of the Australian Heraldry Society.

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Recent Commission

Below is a coat of arms for a woman that I was recently commissioned to do. The ribbon surrounding the woman’s oval shield has personal meaning to her and is decorative. The common practice in heraldry is that women don’t use helm and mantling in their achievements which leaves them looking rather empty artistically. Decorative knots, ribbons and wreaths are often employed to surround the shield. If you are wondering if you’re seeing things, yes, that is a whisk in the horse’s mouth. It alludes to the armiger’s love of cooking.

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Coat of Arms of a Priest

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Above is the coat of arms for an American Benedictine monk and priest. Disappointed that there was not any external ornament in Catholic heraldry that would specifically and immediately identify a coat of arms as belonging to a Benedictine as, for example, the cross fleury behind the shield used by Dominicans, and cognizant that it was inappropriate simply to marshal his own arms to those of his Order (as far too many Religious mistakenly do) I was asked by him to come up with a design that reflected his membership in the Order of St. Benedict.

The principal charge, a raven, is a symbol of St. Benedict and the heart it holds in its beak is a reflection of both a personal devotion to the Sacred Heart of Jesus on the part of the armiger as well as an allusion to the motto which means “Bend my Heart” or “Incline my Heart” which is also inspired by a line in the Holy Rule of St. Benedict.

The background is a variation of the blue and silver fusils in bend that can be found in the arms of Bavaria. The monastery to which he belongs is one of several in the U.S. founded by Bavarian monks who came to the U.S. as missionaries in the mid 19th C. and it also forms part of the monastery’s own coat of arms. Here the fusils are placed in a straight vertical position rather than in bend and the field draws in close to create a single fusil in the center as the background for the raven.

This coat of arms was designed by me in 2014 and most recently and very beautifully rendered by the Italian heraldic artist, Marco Foppoli.

Very Rev. Steven A. Peay, PhD

One year ago today the Very Rev. Steven A. Peay, PhD, an Episcopal priest of the Diocese of Albany and Honorary Canon Theologian for Evangelism at Christ Church Cathedral in Eau Claire, WI became the 20th Dean and President of Nashotah House Seminary in Nashotah, WI.

His coat of arms is pictured below. The blazon is:

Arms impaled; to dexter, quarterly Gules and Azure, overall on a Latin cross Or between two fountains in chief a triple blossom lily Proper; to sinister Or between three pommes a fess dancetty Gules. The shield is ensigned with the ecclesiastical hat of an Honorary Canon according to the Earl Marshal’s Warrant for the coats of arms of clergy in the Anglican Communion of 1976. Below the shield is a scroll with the motto, “Quomodo Prædicabunt Nisi Misit” (Romans 10:15)

In the arms of the seminary the lily represents both the Holy Trinity and the Blessed Virgin Mary, to whom the main chapel is dedicated. The two fountains allude to the seminary location between Upper and Lower Nashotah Lakes.

In the personal coat of arms of Fr. Peay the gold field and fess dancetty are taken from the coat of arms of Bl. John Henry Cardinal Newman. The bearer has long been an admirer of Newman’s work and writings. There is some irony in choosing this as Newman famously converted from the Church of England to Roman Catholicism and Fr. Peay, conversely, had been a Roman Catholic and was received into The Episcopal Church. Whereas Newman had three hearts surrounding the fess in his arms here, for difference, they have been changed to three pommes. In heraldry this term describes a green roundel. In this case they are chosen to resemble peas as an allusion to the bearer’s surname “Peay”.

The motto is a favorite scriptural quote that reflects the bearers long time teaching of historical theology and preaching to seminarians.

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St. Joseph Parish, Washington, NJ

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The newly assumed coat of arms of St. Joseph Catholic Church (above) incorporates elements alluding to the location of the parish and the parish’s titular patron saint. The blazon is: Gules, two bars Argent and in chief three fleur-de-lis Argent. That is: on a red background there are two horizontal silver (white) stripes and above that three fleur-de-lis also silver (white).
The new coat of arms is based closely on the coat of arms of George Washington (pictured below) The blazon of that coat of arms is: Argent, two bars Gules and in chief three mullets of five points also Gules. The Borough of Washington and Washington Township in Warren County in Northwest New Jersey is named for Washington.

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In the arms of the parish the colors have been reversed for difference and the three mullets or stars have been replaced with three fleur-de-lis, a symbol in heraldry used most often to represent Our Lady but one which is also used to allude to St. Joseph, her husband. For some time now the parish already employed the fleur-de-lis as a kind of logo or parish symbol.
The new coat of arms was designed and rendered by me as I am serving as the Administrator of the parish.

New Arms for a New Priest

This coat of arms was designed for a man about to be ordained to the priesthood. He chose mostly red and gold to allude to the arms of Pope Benedict XVI who inspired him to pursue the priesthood. The Jerusalem cross is for his travels in the Holy Land and his care and concern for the Church in the Middle East. The escallop shell is from his family arms and also represents both baptism and pilgrimage. The chevron is a stylized carpenter’s square for St. Joseph, to whom there is a particular devotion, and is silver (white) to allude to Our Lady. The motto, from Psalm 104, says “Always Seek His Face”.

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Bishop O’Regan of Sale, Australia

On February 26 Patrick M. O’Regan will be ordained and installed as the IX bishop of Sale, Victoria, Australia. The ship at sea is a reference to the diocese of Bathurst where the bishop previously served as a priest. In chief are charges that allude to St. patrick and to the arms traditionally associated with families of the name O’Regan or Regan. The arms were designed by me and Mr. Richard d’Apice and rendered by Mr. Sandy Turnbull.

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Bishop Mark Edwards, OMI

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On December 17 Mark Stuart edwards, OMI will be ordained (along with Terence Curtin) as auxiliary bishop of Melbourne, Australia. Bishop Edwards is also the Titular Bishop of Garba.

His newly assumed arms (above) reflect his baptismal patron, St. Mark, as well as the Oblates of Mary Immaculate, the Religious community to which he belongs. In addition, Our Lady and Australia are alluded to on the chief.

These arms were designed by me and Mr. Richard d’Apice of the Australian Heraldry Society and emblazoned by Sandy Turnbull also of the Australian Heraldry Society.

Bishop Comensoli of Broken Bay, Australia

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The Broken Bay diocesan Arms display a lighthouse spreading the light of the gospel over the diocese. The detail echoes the detail of the Barrenjoey lighthouse which unites the two main land masses that comprise the regions of the diocese.

The arms and motto which Bishop Comensoli adopted at the time he was named Auxiliary Bishop of Sydney in 2011 are of a personal character and are blazoned: Azure, on a Latin cross inverted Or four seven-pointed mullets (or Commonwealth stars) Gules, in the first quarter a lion’s head erased Argent crined and langued Or and in the second a unicorn’s head erased Argent crined and armed Or respectant.

In layman’s terms, the arms may be described as: On a blue field, a gold cross inverted with a red seven-pointed (or Commonwealth) star at each extremity, in the upper left quarter, a silver lion’s head erased at the neck with gold mane and tongue and in the upper right quarter a silver unicorn’s head erased at the neck with gold mane and horn. The motto ‘Praedicamus Christum Crucifixum’ is a quotation from the Apostle Paul’s first epistle to the Corinthians (1Cor1.23), and can be translated as ‘We preach Christ crucified’.

The inverted Latin Cross symbolises the Bishop’s nominal patron, the Apostle Peter and the stars reflect the Southern Cross, which shines out over the Great South Land of the Holy Spirit. The lion and the unicorn respectively symbolise the mind and the heart of love. The meaning of these symbols, while of medieval provenance, is especially associated with the seminal work on Christian love by the English Jesuit, Martin C D’Arcy SJ, “The Mind and Heart of Love: Lion and Unicorn: A Study in Eros and Agape”. Bishop Comensoli will be installed as the Third Bishop of Broken Bay on Dec. 12.

The personal arms were designed by me and Mr. Richard d’Apice of the Australian Heraldry Society and originally emblazoned as well as marshaled with the arms of the diocese and emblazoned again by Mr. Sandy Turnbull also of the Australian Heraldry Society.

Archbishops of Sydney

With the recent installation of the IX archbishop of Sydney Australia, The Most Rev. Anthony Fisher, OP several have asked about the arms of the other archbishops, five of whom have also been cardinals. Here they are:

1. Bede (John) Polding, OSB

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2. Bede (Roger) Vaughan, OSB

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3. Patrick Francis Cardinal Moran

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4. Michael Kelly

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5. Norman Thomas Cardinal Gilroy, KBE

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6. James Darcy Cardinal Freeman, KBE

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7. Edward Bede Cardinal Clancy

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8. George Cardinal Pell, AC

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9. Anthony Colin Fisher, OP

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