On March 18 the Most Reverend Edward J. Weisenburger (64), originally a priest of Oklahoma City, former Bishop of Salina, Kansas, and most recently Bishop of Tucson, Arizona, will be installed as the 10th Bishop and 6th Archbishop of Detroit, Michigan.
Thankfully, Archbishop Weisenburger has chosen to impale his personal arms with the traditional version of the archdiocesan coat of arms adopted in 1937 to indicate a sense of continuity with his predecessors. Excellent choice!
On March 11, His Eminence Robert Cardinal McElroy (71), Cardinal Priest of San Frumenzino ai Prati Fiscali, previously Bishop of San Diego (2015-2025) and originally a priest and Auxiliary Bishop (2010-2015) of San Francisco, was installed as the 8th Archbishop of Washington, DC.
At his appointment as Auxiliary Bishop he assumed a coat of arms which he then substantially changed when he moved to San Diego. In 2022 when he was created Cardinal I was privileged to assist him in preparing his coat of arms and at that time some further revisions and improvements to the design were made. At this most recent move, his personal arms, unchanged any further, were marshaled to those of the archdiocese and the episcopal cross was changed to an archiepiscopal cross.
From the website of the archdiocese we find the following:
“Arms impaled. In the dexter: Quarterly Azure and Gules, a cross bottony over all quarterly Or and Argent; 1, a crescent Argent; 2, three mullets of six points fesswise in chief Argent; 3, as many mullets of five points fesswise in chief Argent; 4, a head erased affronté and winged all Argent. In the sinister: Per fess Azure and Vert, in chief the stylized silhouette of Mission San Francisco de Assis above, in base, that of Mission San Diego both Argent; in base below to dexter a dove turned to sinister volant wings addorsed and to sinister, an oak leaf both Argent scales Or.
The shield is ensigned with an archiepiscopal cross Or in pale behind the shield and surmounted by a cardinal’s galero with cords and fifteen tassels on either side in five rows of one, two, three, four and five all Gules.
On a scroll below the shield is the motto: “Dignitatis Humanae.”
The arms of the Archdiocese of Washington were devised in 1947 by William F. J. Ryan and modified in 2001 by Anthony W. C. Phelps, when the cross bottony was substituted for the original cross of chain links in silver. Cardinal McElroy’s arms were devised originally by Rev. Timothy Pelc. The present blazon of his arms was done by Rev. Guy Selvester. The rendering of the impaled arms was done by Georgina Wilkinson.”
On January 14, 2025 the Most Rev. Jeffrey Grob (63), a priest and, since 2020 an Auxiliary Bishop of Chicago, will return to his native Wisconsin and be installed as the 12th Archbishop of Milwaukee, Wisconsin. The armorial bearings he assumed in 2020 were slightly modified and impaled with those of Milwaukee and are:
The blazon is: Arms impaled. In the dexter: Gyronny of eight Gules and Argent, at the counterpoint a hurt charged with an eagle displayed abaissé Argent. In the sinister: Azure in base an antique plow Or; in chief between two fleur-de-lis a crescent all Argent. The shield is ensigned with an archiepiscopal cross Or and an archbishop’s galero with cords and twenty tassels flanking the shield disposed in four rows of one, two, three and four all Vert. On a scroll below the shield is the motto, “Jesus The Vine”.
The armorial bearings of Archbishop Grob impale the coat of arms of his archiepiscopal See with his personal coat of arms. The coat of arms is composed of a shield with its charges (symbols), a motto and the external ornamentation. The shield is described (blazoned) in terms that are archaic to our modern language, and this description is presented as if given by the bearer with the shield being worn on the arm. Thus, where it applies, the terms dexter (right) and sinister (left) are reversed as the device is viewed from the front.
It is customary in heraldry that the arms of a Diocesan Bishop, or Ordinary, are joined side by side on the same shield with the arms of his See. In this case, these are the arms of the Archdiocese of Milwaukee. Such marshaling is called impalement and employs the same method used when joining the coats of arms of two people who are married. In this way, the coat of arms, like the episcopal ring, is symbolic of the archbishop being “married” to his archdiocese.
The arms of the Archdiocese of Milwaukee are composed of a field composed of eight sections in alternating colors of red and silver (white). The colors are taken from the flag of Switzerland, the birthplace of Milwaukee’s first Archbishop, John Henni. The four red sections meet at the center in a symbolic reference to the meeting of waters, the Milwaukee and Menomonee rivers and Lake Michigan in Milwaukee. Over the center point is a blue roundel called a “hurt” in heraldry. This, in turn, is charged with a silver (white) eagle with its wings spread out. This is a symbol of St. John, the titular patron of the cathedral church.
The personal coat of arms of Archbishop Grob symbolize his origins, his personal devotion and the place in which he has spent his ministry as a priest and auxiliary bishop. The field is blue and the main charge is a large gold (yellow) antique plow. This not only alludes to the ministry of spreading the Gospel as symbolized by plowing a field to prepare for seed to be sown but is an allusion to the bishop’s early life growing up on a Wisconsin dairy farm.
Above the plow are a silver (white) crescent, a symbol of Our Lady under her title of the Immaculate Conception who is the patroness of the USA. The two silver (white) fleur-de-lis represent several things. First, they are a symbol of St. Joseph to whom the bishop has a special devotion as a kind of patron saint because he was born on the Solemnity of St. Joseph (March 19). The fleur-de-lis is a stylized version of the lily and St. Joseph is often depicted holding a staff from which lilies are blossoming. Second, they allude to St. John XXIII who used them in his own coat of arms. The bishop has a devotion to this great 20th Century saint. Finally, there are two fleur-de-lis in the coat of arms of the Archdiocese of Chicago where the bishop had served as a priest and bishop.
The external ornaments include a gold archiepiscopal cross with two horizontal bars (sometimes referred to as a patriarchal cross) placed vertically behind the shield decorated with red jewels. This is often mistaken for a processional cross like the one used in liturgical processions. However, like other heraldic ornaments the archiepiscopal cross has its origins in something which is no longer actually used. At one time all bishops had, in addition to the processional cross at the head of the procession, another cross carried directly in front of them by a cleric. This other cross was a sign of the office of bishop. It originated as a custom that such a cross was carried before archbishops only. Later, the cross was adopted for use by all bishops so archbishop’s added a second horizontal bar to their crosses to distinguish them from the episcopal cross of simple bishops. While no longer actually used it has remained a symbol of the archiepiscopal office in heraldry.
Similarly, the broad-brimmed green galero was, at one time, worn by bishops in outdoor processions and cavalcades. No longer used it remains a heraldic symbol of the office of bishop and takes the place of the helmet, mantling and crest that would appear in the coat of arms of a layman. In Catholic heraldry the color and number of tassels on the galero indicates the rank of the bearer. The double barred archiepiscopal cross and the green galero with twenty tassels signifies the coat of arms of an archbishop according to the Instruction of the Holy See, “Ut Sive” issued in 1969.
The motto chosen by Archbishop Grob appears on a scroll below the shield, “Jesus The Vine”.
It was my privilege and my pleasure to design the archbishop’s original coat of arms in 2020 as well as to modify them (the original plow-blade alone was replaced with an entire antique plow) and marshal them to the arms of his See.
Today, the Holy Father announced to transfer of Robert Cardinal McElroy (70), the Bishop of San Diego, to succeed Wilton Cardinal Gregory (77) as Metropolitan Archbishop of Washington, DC.
I did not design the Cardinal’s coat of arms but I did prepare the current emblazoning on his elevation to the College of Cardinals.
In addition to a new impalement and the addition of an archiepiscopal cross it will be interesting to see if the Cardinal modifies his personal arms at all. The two charges in chief represent two California historic Mission Churches in San Francisco (where he served as a priest) and in San Diego (where he has been serving as diocesan bishop).
Of course I’m no fan of bishops modifying their arms when they move but I could see how he might wish to eliminate these two very Californian references. On the other hand, they both also serve to honor the places of his origin and previous ministry. So, retaining them could also be a good thing. Time will tell.
Below is how his coat of arms may appear after he is installed in Washington:
It has been very gratifying as a heraldist to have one project that I have been able to stay with through all its permutations. On October 31, the Most Rev. Richard G. Henning (60) who has served for the last 17 months as Bishop of Providence, R.I. and who was also Coadjutor of Providence for a further four months before that, and who was previously Auxiliary Bishop of Rockville Centre, N.Y., his native diocese where he became a priest in 1992, will be installed as the 10th Bishop and 7th Metropolitan Archbishop of the See of Boston, Massachusetts.
Back in 2018, the then Bishop-elect Henning contacted me to design a coat of arms for him. That’s not an unusual thing for me (I have designed coats of arms for three other bishops from Rockville Centre) but this one was more personal. I’m also a Long Island native and Archbishop Henning and I attended the same high school, Chaminade in Mineola, and we graduated together in the class of 1982. While not close friends, we have been acquainted with one another since we were teenagers. I was very happy to design his coat of arms for him. He entered the task with great enthusiasm and I think the coat of arms that we ended up with was simple, bold and very clear, all marks of good heraldry. On a personal not: at his episcopal ordination which I attended, the new Bishop, in his post-Communion remarks, thanked me publicly for assisting him in preparing his coat of arms. As I told him afterwards, that was very gratifying because in 39 years of doing this kind of work no bishop had ever done that before. I think it speaks volumes about what kind of person he is.
In late 2022 after he received the news of his appointment as Coadjutor of Providence I actually reached out to him to let him know that, as a Coadjutor, his coat of arms wouldn’t need any changes but that at some point in the future when he succeeded to the See, he’d have to modify his arms by marshaling them to the arms of the Diocese of Providence. He then asked me to begin on that right away because it was not certain when his succession would occur and he wanted to be prepared for that eventuality. I also thought that was “done and dusted” as they say and he was now set for the rest of his life.
However, in August of this year I was surprised and delighted to hear that the Holy Father had appointed him Archbishop of Boston. For the third time he contacted me. He said that several people in Boston assisting him with the needs of his transition had proposed people to prepare his coat of arms. But, he politely declined all those and said that he already had someone in mind. Again, I was really very pleased and honored at that. I see my designs as sort of my intellectual property. True, the coat of arms, once designed, is given over to the armiger to whom it truly belongs, but I feel like I still have a stake in it. So, I was very glad that I’d be able to assist Archbishop Henning yet again.
He retains the arms he first assumed in 2018. For this version, the escallop shell has been redrawn to a slightly more round shape and the bordure wavy has been slightly reduced in order to make more room for the shell which now occupies a much smaller field on one half of the shield. This is impaled with the arms of the See of Boston, designed by the great Dom Wilfrid Bayne, OSB of Portsmouth Abbey, R.I. in 1944. Because of the preponderance of blue in both coats of arms, the division line between the two is rendered in dark blue. It was decided that a black line looked a bit too jarring and the solution used for the same problem with the arms of the See of Providence which also has a blue field—a light, “bleu celeste” line—was seen as undesirable this time around. The blazon and explanation of the arms is as follows:
“BLAZON: Arms impaled. In the dexter: Azure, a Latin cross fleurettée Or, in base barry wavy of five Azure and Argent, issuing therefrom a mound of three coupeaux Or; In the sinister: Azure, within a bordure wavy parted wavy Argent and Gules an escallop shell Argent. The shield is ensigned with an archiepiscopal cross Or and an archbishop’s galero with cords and twenty tassels flanking the shield disposed in four rows of one, two, three and four all Vert. On a scroll below the shield is the motto, “Put Out Into The Deep”.
EXPLANATION: The armorial bearings of Archbishop Richard Henning impale the coat of arms of his archiepiscopal See with his personal coat of arms. These evoke his birthplace, his ministry and his personal devotion. The coat of arms is composed of a shield with its charges (symbols), a motto and the external ornamentation. The shield is described (blazoned) in terms that are archaic to our modern language, and this description is presented as if given by the bearer with the shield being worn on the arm. Thus, where it applies, the terms dexter (right) and sinister (left) are reversed as the device is viewed from the front.
It is customary in heraldry that the arms of a Diocesan Bishop, or Ordinary, are joined side by side on the same shield with the arms of his See. In this case, these are the arms of the Archdiocese of Boston. Such marshaling is called impalement and employs the same method used when joining the coats of arms of two people who are married. In this way, the coat of arms, like the episcopal ring, is symbolic of the archbishop being “married” to his archdiocese.
The arms of the Archdiocese of Boston are composed of a blue field on which are placed a gold (yellow) cross fleurettée, that is a Latin cross the arms of which are decorated on the ends with fleurs-de-lis. This is in honor of the titular of the cathedral, the Holy Cross as well as the first Bishop of Boston being from France. The cross is above a gold (yellow) mound composed of three smaller hills as a reference to Boston’s original name: Trimountaine which is, itself, a reference to the three hills on which the city is said to have been built. At the bottom the five wavy lines of blue and silver (white) alludes to Boston being a port city and that it is populated by people who arrived here from across the sea.
Bishop Henning’s personal coat of arms is composed of a design depicted in red (Gules), white (Argent) and blue (Azure) which are the national colors of the United States.
Both the blue background and the single escallop shell allude to the sea as evoking the Bishop’s own background and the shell is also borrowed from the coat of arms of the See of Rockville Centre, the diocese in which he was born and raised and which he served as a priest and auxiliary bishop. In addition, this same field of blue also recalls the blue field of the coat of arms of the See of Providence where he served as Coadjutor Bishop and later Diocesan Bishop. The shell image also recalls the Bishop’s heritage in the Diocese of Brooklyn, dedicated to its patron, St. James. The episcopal ordination of Bishop Henning took place on the eve of the Feast of St. James. In concert with the Bishop’s motto, the shell is a traditional symbol of baptism and pilgrimage. It is in the depths of these waters that Christians find their salvation in Jesus Christ.
The white wavy line surrounding the blue field is also taken from the arms of Rockville Centre and it alludes to the diocese’s location on Long Island, NY. Furthermore, it indicates the sea as the place where the barque of St. Peter, an image used to evoke the Church, is located.
The blue background also evokes the Bishop’s devotion to the Blessed Virgin Mary and his years of service as a Professor and Rector at the Seminary of the Immaculate Conception in Huntington, NY. The red wavy portion of the border evokes the Bishop’s devotion to the Most Sacred Heart of Jesus and his former service as the Director of the Sacred Heart Institute for the Ongoing Formation of the Catholic Clergy.”
It was, indeed, my profound pleasure , and my honor, once again to assist my old classmate, Archbishop Henning, with the preparation of his coat of arms.
On September 14, the Feast of the Exaltation of the Holy Cross, the Benedictine Abbots from all over the world meeting in Congress at Sant’Anselmo in Rome elected the Most Rev. Jeremias Schröder, OSB (59) as the 11th Abbot-Primate of the Order.
Abbot Jeremias was elected the Archabbot of St. Ottilien in Germany from 2000. At that time the office of Præses (President) of the Congregation of St. Ottilien was ex officio joined to that of Archabbot. In 2012 it was decided to separate the two offices. Archabbot Jeremias resigned as Archabbot of the Archabbey and then continued as President of the Congregation of St. Ottilien until 2024. He succeeds Abbot-Primate Gregory Polan (74) who is an American and monk of Conception Abbey in Missouri.
The Abbot-Primate does not have juridical authority over the Order but serves as the titular head of the worldwide Benedictine Confederation of monks and nuns.
Using the armorial bearings he assumed as Archabbot, Abbot-Primate Jeremias would be entitled to impale his personal coat of arms with that used by the Order of St. Benedict.
“May 29 saw the ordination and installation of the Most Rev. Michael Martin, OFMConv (62) as the fifth Bishop of Charlotte, North Carolina.
The diocesan website describes his personal arms, “To the viewer’s right is the Franciscan coat of arms. Featuring the traditional Franciscan Tau cross with two arms crossing one another, it is rich in symbolism. The two arms, one Christ’s and the other St. Francis of Assisi’s, both bear the stigmata. They symbolize God’s love and Francis’s loving response to the Word made incarnate, Taberski explained. It is an image found throughout the ministries, friaries, missions and sites served by the Franciscan order.
On the right side of the shield, the top (known as the “chief”) and the bottom (the “base”) feature references to George Calvert and his son Cecil Calvert – the first and second barons of Baltimore. The Calverts were among the first Catholics to arrive in colonial America. They established the then Province of Maryland as a safe place for English Catholics to emigrate to since they were no longer able to freely practice their faith at home. In the coat of arms, the use of six vertical stripes – alternately gold and black, with the diagonal stripe in color – recalls Bishop Martin’s hometown of Baltimore.”
A nice simple design but perhaps the arms of Calvert would have looked better depicted once in the main part of the field with the Franciscan symbols occupying a chief?“
Well, my friend and frequent collaborator, Mr. Sandy Turnbull of the Australian Heraldry Society, read that post and decided to have a bit of fun and create a new emblazonment of Bp. martin’s coat of arms that followed my advice. I’d say the result (below) speaks for itself. I was right! The whole achievement does look better as I suggested. See? One can’t just throw things onto a shield and call it heraldry. How the design is arranged—to be aesthetically pleasing as well as heraldically correct—is a large part of good heraldic design.
The varied armorial bearings of James Cardinal Gibbons. I often speak about the incorrect practice of a prelate deciding to change or modify his existing coat of arms. Even when arms are assumed (as opposed to granted by a heraldic authority) the bearer should not feel free to completely change them. Sometimes arms are augmented to reflect a new honor received or a change in status. However, completely changing a coat of arms, once assumed, should be avoided.
Gibbons was made Vicar Apostolic of North Carolina which did not yet have its own diocese, in 1868 and served there until he was made Bishop of Richmond, Virginia from 1872-1877. He bore the first coat of arms in both of those places. When he was made archbishop of Baltimore in 1877 he simply modified the external ornaments to reflect his promotion but still used the same shield depicting the seated Virgin Mary. Over the course of the next 44 years of his tenure in Baltimore he then changed his coat of arms no less than three times!
He adopted the arms showing the Holy Spirit descending from a cloud over the globe and also made use of an impalement depicting a pall (pallium). This would have been before the archdiocese had a coat of arms for itself and Gibbons was simply doing with this variant what many an archbishop had done. Namely, using an impalement with a pallium to indicate the status of a metropolitan archbishop.
In 1911, however, he changed his arms entirely again and adopted the coat of arms he bore until his death in 1921. These were done for him by Pierre Chaignon La Rose and I would think that what brought about the last change was the adoption of an archdiocesan coat of arms with which Gibbons’ personal arms were impaled. No doubt La Rose, who was fond of “correcting” coats of arms he didn’t like, convinced Gibbons to adopt the last design which was based on the arms of Gibbons used in Ireland (by a family the cardinal may or may not have had any connection to) differenced by the escallop shell, a symbol of St. James.
I have to admit his original coat of arms wasn’t very good and the final one he ended up with was rather good. But, the process of making many and varied changes throughout his life is not good at all.
The Most Rev. Joseph E. Strickland (65), originally a priest of Dallas, Texas, later incarnated to Tyler, Texas and since 2012 Bishop of Tyler was removed from that office on November 11, 2023 by the Roman Pontiff.
Back in 2012 when he was appointed as Fourth Bishop of Tyler I had the happy task of designing his coat of arms. Now that he has ceased to be the Bishop of Tyler his coat of arms will be modified to reflect that reality. He remains a bishop in the Church and, as such, retains the use of his armorial bearings. His coat of arms at the time of his ordination and installation was:
Now that he has been removed as Ordinary of Tyler, his armorial bearings will appear as this:
On October 12, the Most Rev. Stephen Maekawa, OP (55) a priest of the Order of Preachers (i.e. the Dominicans) living and working in Alaska was ordained a bishop and installed as the 10th Bishop of Fairbanks, Alaska.
His coat of arms is:
According to the diocesan website:
“In the right side of the shield (to the observer’s left), we find represented the coat of arms of the Diocese of Fairbanks. At the base, the North Star is suspended on a blue field over the mountains of Alaska, which appear in white. In the upper section, between two red roses on a field of gold, is the Sacred Heart of Jesus, titular symbol of the Cathedral of the diocese. The roses, representing St. Therese of Lisieux, patroness of the Alaska Missions, recall her promise, “After my death I will let fall a shower of roses.
In the left side of the shield (to the observer’s right) is the personal coat of arms of Bishop Maekawa. The black and white cross is the from the coat of arms of the Order of Preachers founded by St. Dominic in 1216. The waves represent the waters of baptism and the family name Maekawa which means “before the river.” The episcopal motto “Duc in Altum” is Jesus’ command to the Apostle Peter, “Put out into the Deep” which reminds us to trust in the Lord Jesus believing that all creation belongs to God: “The earth is the Lord’s and all it holds, the world and those who dwell in it.” (Ps 24:1)“
I think, unsurprisingly, the bishop has chosen a simple coat of arms reflecting his Religious community. It harmonizes well with the diocesan arms with which it is impaled. A nice design that doesn’t try to do too much–perhaps the single biggest error made by most new American bishops.
Throughout the course of my priesthood, after my time as a Parochial Vicar concluded and I began to be placed in charge of my assignments I also began the practice of 1) devising armorial bearings for the different places in which I have served and 2) marshaling those newly-devised coats of arms with my own. Having jurisdiction over the church or parish was then illustrated heraldically.
In the image above the first coat of arms (upper left) is my personal coat of arms assumed at ordination in 1997. The next image (upper right) shows my arms impaled with those of the Shrine of the Blessed Sacrament in Raritan, NJ where I served as the Sixth Rector (hence the four tassels instead of only two) from 2009-2015. The image at lower left shows my arms impaled with those of St. Joseph Church in Washington, NJ where I served as Administrator and then as the Twenty-Second Pastor from 2015-2023. During the last part of that time I was also Dean of the Morris Canal Deanery. The final image (lower right) shows my coat of arms impaled to the newly-devised parish coat of arms of St. Mary, Star of the Sea in South Amboy, NJ where I will serve as the Ninth Pastor from 2023 onwards.
Next week I’m moving to a new assignment as Pastor of St. Mary Church in South Amboy, NJ. The parish was established in 1851 dedicated to St. Mary, Star of the Sea. In 1853 property for the present church was purchased and in 1854 the appointment of its first resident pastor occurred.
While the parish still is, and always has been, dedicated to Our Lady under the title of “Star of the Sea” it has always been known simply as St. Mary’s. That’s actually rather common. People like short hand and nicknames and many churches dedicated to various titles of Mary are known by their parishioners simply as St. Mary’s.
As I prepare to begin my tenure as Pastor I looked to designing armorial bearings as a symbol for the parish. This has been my custom for years. So, naturally I took as a starting point the canonical patronal title of the parish—St. Mary, Star of the Sea—to devise the coat of arms. That title lends itself very well to a clear and simple design evoking the parish’s patroness.
I know the parish will always be known with great affection as St. Mary’s. I hope we can also foster the occasional use of the beautiful name of its patroness, Star of the Sea (in Latin: Stella Maris).
As Pastor of the parish I will impale my own armorial bearings with those of the parish.
In 2018, the Most Rev. Richard Henning, a native and a priest of Long Island’s Diocese of Rockville Centre, NY (and a high school classmate of mine) became Auxiliary Bishop of that diocese. I was pleased and honored to assist him with the design of his personal coat of arms to be adopted upon ordination to the episcopate.
Last year, the Holy Father appointed him to be the Coadjutor Bishop of Providence, Rhode Island, just across Long Island Sound from his former diocese. A coadjutor bishop is appointed to share in the authority of the diocesan bishop in running the diocese and has the right of automatic succession to the See when the previous bishop dies or retires. (NOTE: there used to be such a thing as coadjutor without the right of succession, but such appointments are no longer made). Bishop Henning succeeded to the See of Providence on the first of May of this year upon the retirement of Bishop Thomas Tobin becoming the IX Bishop of Providence. So his armorial bearings have been altered to impale his personal arms with those of the See:
The arms of the Diocese of Providence are composed of a blue field on which are placed three silver (white) crosses with arms that appear to terminate in anchors. These crosses, heraldically known as “moline crosses,” are used to suggest an anchor. By employing the symbol of the State of Rhode Island this signifies that the Diocese of Providence encompasses all of the state it was established to serve. The crosses, three in number to signify The Trinity, are rendered in the traditional colors of water, blue and silver (white), because of the importance that water plays in the life of “The Ocean State.” These colors are also the traditional colors for the representation of the Blessed Virgin Mary, who, in her title of Our Lady of Providence, is Patroness of the Diocese and of the See City.
Bishop Henning’s personal coat of arms is composed of a design depicted in red (Gules), white (Argent) and blue (Azure) which are the national colors of the United States.
Both the blue background and the single escallop shell allude to the sea as evoking the Bishop’s own background and the shell is also borrowed from the coat of arms of the See of Rockville Centre, the diocese in which he was born and raised and which he served as a priest and auxiliary bishop. The shell image also recalls the Bishop’s heritage in the Diocese of Brooklyn, dedicated to its patron, St. James. The episcopal ordination of Bishop Henning took place on the eve of the Feast of St. James. In concert with the Bishop’s motto, the shell is a traditional symbol of baptism and pilgrimage. It is in the depths of these waters that Christians find their salvation in Jesus Christ.
The white wavy line surrounding the blue field is similarly taken from the arms of Rockville Centre and it alludes to the diocese’s location on Long Island, NY. Furthermore, it indicates the sea as the place where the barque of St. Peter, an image used to evoke the Church, is located.
The blue background also evokes the Bishop’s devotion to the Blessed Virgin Mary and his years of service as a Professor and Rector at the Seminary of the Immaculate Conception in Huntington, NY. The red wavy portion of the border evokes the Bishop’s devotion to the Most Sacred Heart of Jesus and his former service as the Director of the Sacred Heart Institute for the Ongoing Formation of the Catholic Clergy.
This situation was one of those times that chance presented a challenge. The bishop wanted to impale his arms with those of the See as is customary in N. America. In addition, he had no good reason to change the diocesan arms and no desire–correctly–to change his personal arms. Impaling them side-by-side presented an aesthetic challenge because they both employ blue fields. In addition, it is customary not to continue a bordure all the way around the field when the arms are impaled. Rather, there is a kind of dimidiation employed whereby the bordure is discontinued along the impalement line. In order to make the division between the two coats of arms more visible, and slightly less confusing a division line of very light blue (blue celeste, if you will) was employed for aesthetic reasons. This is really more of an artistic style choice rather than a heraldic one. Once again, it was my pleasure to assist him with this project.
The Most Rev. Edward Cullen, a priest of Philadelphia who served as Auxiliary Bishop there from 1994-1997 and who went on to become the Third Bishop of Allentown, PA from 1997-2009, passed away on May 9, 2023 at age 90. RIP.
The coat of arms he assumed upon becoming a bishop in 1994 is simple enough. Because so many bishops want to include as much symbolism as they can he decided against symmetry by having the garb and the star next to each other. The problem is that symmetry is an important aspect of heraldic art. It might have been better to place the star in the center between two garbs. Even though that increases the number of charges it provides for a more symmetrical look and avoids the appearance of a bunch of charges merely splayed across a shield. The garb may only represent one thing but having two of them would still have looked better.
Some might say, “But then it is as if they represent two separate things.” Only if you are being tiresomely literal. Solely for the sake of symmetry and a better composition and appearance, two garbs with a star between them would have been a better choice.
It is unfortunate that the personal arms and the diocesan arms both had fields Gules. But, sometimes that kind of thing happens. It would not have been a good idea to change the field in the personal arms to something else. Occasionally, the luck of the draw created some unfortunate combinations when marshaling arms together. That’s just the way it is. In such situations a bishop could consider not impaling his arms with those of the See or the artist could get creative with the depiction of the coat of arms by doing something like employing a division line of a color other than merely black to separate the two impalements.
Overall he had a nice coat of arms but with a little bit of help it could have been even better.
On April 4, the Holy Father accepted the resignation due to health reasons of the Most Rev. Michael Jackels, (68) Archbishop of Dubuque Iowa. His personal arms reflect his baptismal patron, St. Michael the archangel, combined with the unicorn from his paternal family’s coat of arms. When he first became a bishop his assumed arms impaled these two elements which was an odd choice. When he was translated to Dubuque he impaled his arms with those of the archdiocese and marshaled the other two elements in a manner that worked out to be aesthetically pleasing.
The Most Rev. Louis Tylka (51) a priest of Chicago who became Coadjutor Bishop of Peoria in 2020 succeeded to the See on March 3 after the retirement of Bishop Jenky. The armorial bearings I originally designed for him in 2020 will now be displayed as impaled with the coat of arms of the See of Peoria.
On December 29, 2020 His Holiness Pope Francis appointed the Most Rev. Dermot Farrell (66), a priest of the Diocese of Meath and since 2018 Bishop of Ossory, Ireland to be the 51st Metropolitan Archbishop of Dublin. He succeeds Abp. Diarmuid Martin.
He had already assumed a coat of arms as Bishop of Ossory. The image below is not official but was a cut and paste job by me to see what his arms as archbishop will look like. In Ireland the archbishops of Armagh (who is the Primate of All Ireland) and of Dublin (who is the Primate of Ireland) use arms of the See that appear identical because this stems from a time when all archbishops tended to use arms depicting a pall (pallium) and a cross as symbols of being an archbishop. The archiepiscopal insignia then later became associated with certain metropolitical & archiepiscopal sees and it remains so to this day, including some (like the Church of Ireland Diocese of Dublin, or the Anglican Archbishop of Canterbury) where it seems particularly incongruous. This is because the pallium is worn by Roman Catholic Metropolitan Archbishops as a symbol of sharing in the ministry of the Bishop of Rome (the Pope) and, as such, they receive it from him as a sign of their office.
Below we see what Archbishop Farrell’s coat of arms may well look like (or something close to this). I note that his predecessor, App. Martin, did not use a coat of arms.
Here are the armorial bearings of the Archbishops of Washington, DC almost all of whom have been elevated to Cardinal with the notable exception of the first one, Archbishop Michael Curley who was also the Archbishop of Baltimore. At first the Archdiocese of Washington was part of the Archdiocese of Baltimore. Later, a dual archdiocese of Baltimore-Washington was created with Curley leading it. Eventually, Washington became a separate archdiocese but Curley was still appointed its archbishop making him, simultaneously, the archbishop of the oldest American diocese (Baltimore) and the newest at that time (Washington). A short time later Washington, DC received its own residential archbishop with the appointment of Patrick O’Boyle.
There is no coat of arms for Theodore McCarrick who is no longer a cardinal or even a cleric. A blank shield is used in place of his armorial bearings but his time in Washington in still noted because under Mr. McCarrick’s tenure the armorial bearings of the archdiocese were changed and that change, despite McCarrick’s disgrace, has been employed by his two successors as well. One can only hope that at some point in the future the original coat of arms of the archdiocese will be adopted again.
Archbishop Michael Curley (the archdiocesan arms hadn’t been adopted yet and Curley impaled his arms with those of Baltimore)Patrick Cardinal O’BoyleWilliam Cardinal BaumJames Cardinal HickeyArchdiocesan arms changed by Mr. Theodore McCarrickDonald Cardinal WuerlCardinal-Designate Wilton Gregory
