Varying Versions

A recent Facebook post of mine on the arms of three English Kings of Arms on a College of Arms devisal for the Cathedral Church of the Advent in Birmingham, Alabama piqued my interest about how some armigers employ different versions, not just renderings by different artists but actual different versions, of their armorial achievements. Sometimes this reflects added honors; sometimes the exercise of a new or different office (appointed or elected); sometimes it’s a version to be used specifically on certain occasions or under specific circumstances or only for use within a particular group, etc.

One of the Kings of Arms whose coat of arms appeared in that post was the late, great John Brooke-Little. Here we see his full achievement as Norroy & Ulster King of Arms:

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Brook-Little’s own personal coat of arms were used by him without any extras. Here the arms are rendered by Anthony Wood:

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In addition, we see that sometime he added quite a bit to the achievement to indicate offices held such as a bookplate depicting his coat of arms and banner as Richmond Herald (1967-1980) including both the Richmond Herald badge and the badge from when he had been Bluemantle Pursuivant (1956-1967):

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Finally I include one probably not seen by many: a version of his arms impaled with those of The Heraldry Society which he founded and served for many years as chairman and later as president. This last one was simply for use within that Society:

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All his life his own coat of arms remained as it is depicted in the second image. In other words he did not “change” his coat of arms. However, throughout his life and career he did employ various versions of his achievement some of which included personal honors, some ornaments of office and others additions for private use. This is a good thing to know about and an idea that many interested in heraldry, especially the various uses for a coat of arms, too often overlook. A coat of arms as a personal mark of identification may be employed in various ways to suit the various things one does in life. The armorial achievement does not have to be singular and include everything from every aspect of the life of the armiger. To be sure there are those who prefer this “maximum display” theory. However, an equally meritorious theory is one that makes use of varying versions or varying achievements suited to the time, place, group or activity in which the armiger is engaged.

Here is another example, again from the English College of arms, using the coat of arms of Sir Henry Paston-Bedingfeld, Bt. which are:

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Sir Henry, when he was still just plain old “Mister” served the College as Rouge Croix Pursuivant from 1983-1993 and the as York Herald from 1993-2010. In that latter capacity and prior to the death of his father and his inheriting the title “Baronet” he used the following achievement:

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Sir Henry was appointed Norroy & Ulster King of Arms in 2010 and served in that capacity until his retirement in 2014. Here is a version of the shield of his arms from that time:

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Finally, another example of a different version for private use and also only for a set period of time. From 2012-2013, for just a year Sir Henry served as Master of the Worshipful Company of Scriveners and impaled his arms with the arms of the Company for use in that capacity while at the same time also using the version above and the version in the first photo:

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Again we see that he maintained the personal arms he had inherited from his father and did not “change” his coat of arms. Rather, he chose to display it in varying versions to suit the role of the moment or group.

The world at large already, for the most part, sees heraldry as effete but there are many within the (for lack of a better term) heraldic community, that is to say, the rather small group of people in the world who account themselves heraldic enthusiasts, who, through their own ignorance, misunderstand the concept I’m illustrating here. The advent of the internet has increased the possibility for communication between such enthusiasts throughout the world but has also made for a rash of self-appointed heraldic “experts” who don’t wish to engage in any scholarly pursuit of the heraldic arts and sciences and, either accidentally or purposefully, seek to limit the possibilities for heraldic display accusing anyone who deviates from their own preconceived notions as guilty of self aggrandizement.

It strikes me as slightly ironic that in a modern world that eschews heraldry as an anachronistic pretense anyone possessing a coat of arms themselves could accuse others of self aggrandizement. Then again, ignorance and irony can, at times, be seen to be cousins.

St. Benedict’s Abbey, Still River

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The monastic community of St. Benedict in Still River, Massachusetts decided recently to modify their existing coat of arms which was originally designed by the late, great, Dom Wilfrid Bayne, OSB of St. Anselm’s Abbey in Rhode Island. The coat of arms was designed some sixty plus years ago for the St. Benedict Center on Bow and Arrow streets in Cambridge, MA which was the origin of the community that eventually grew into St. Benedict’s Abbey today. There was originally no external ornament in the achievement. The community simply bore a shield with the coat of arms.

The decision was undertaken recently to add an abbatial crozier as an external ornament to bring the achievement into conformity with what is usual for a monastery with the rank of Abbey. While it is the usual custom to depict a sudarium, or veil, pendant from the crozier in the coat of arms of an abbot usually when depicting the arms of an abbey, a corporate body, the sudarium is omitted.

Bishop of Parramatta

On June 16, 2016 the Most Rev. Vincent Long Van Nguyen, OFM Conv, formerly Auxiliary of Melbourne, was installed as Bishop of Parramatta, Australia succeeding Archbishop Anthony Fisher, OP of Sydney.

His coat of arms (below) was assumed in 2011 when he became a bishop and is now impaled with the arms of his See. The design of his personal arms was undertaken by me with Mr. Richard d’Apice, AM, KCHS and rendered then as now by Mr. Sandy Turnbull both of the Australian Heraldry Society.

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Newest Addition to the Library

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This arrived in the post today: Heraldisches Handbuch der Katholischen Kirche by Fr. Simon Petrus, O.Praem. It was published this year. A very handsome volume unfortunately not published in English but only in German. It is available from Battenberg publishers. (ISBN: 978-3-86646-128-4) It is also available through Amazon.

Archbishop Hebda

On May 14, Bernard Hebda, former bishop of Gaylord, Michigan and, most recently Coadjutor Archbishop of Newark (due to succeed in two more months on the resignation of Abp. Myers) was instead installed as the Archbishop of St. Paul-Minneapolis, Minnesota. His arms are:

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The blue, seven-pointed star at the top right of the shield signifies Mary and Archbishop Hebda’s placement of his pastoral ministry under her protection. The elderberry tree symbolizes Archbishop Hebda’s Polish ancestry. The tree is widely found in southeastern Poland, from where Archbishop Hebda’s paternal grandparents emigrated. The tree’s Polish name, “bez heb,” also serves as a visual pun of “Hebda.”

The tree also has a theological meaning; as one of the first plants to show signs of life after winter, it is also used to symbolize hope for a season of fertility and graces. According to an official document explaining the blazonry of Archbishop Hebda’s coat of arms, “Being strong and fruitful, the elderberry has also been identified with constancy and pastoral zeal, fundamental traits expected of any bishop.”

The seven green berries — reminiscent of rosary beads — at the top of the tree are a sign that he was named a bishop on Oct. 7, the feast of Our Lady of the Rosary. With the additional eight berries at the bottom of the tree, the total 15 berries symbolize Mary’s assumption, celebrated Aug. 15. The Norbertine monastery in Hebdów, Poland, was dedicated to the Assumption in the 12th century, and “Hebda” was a common name among those who lived and worked on the monastery’s lands. The four clusters of fruit on the elderberry tree are a sign of the cardinal virtues — prudence, justice, fortitude and temperance — which “sustain the pastoral activity of the bishop.” [NOTE: all of the previous paragraph and the symbolism it describes is really a bit of a stretch, heraldically.]

The checked pattern on the fess is adopted from the coat of arms of the Diocese of Pittsburgh, where Archbishop Hebda grew up and was ordained a priest July 1, 1989. According to the blazonry explanation, the placement of the tree on the chequy fess “recalls that Bishop Hebda has roots in the Diocese of Pittsburgh and has drawn his strength from that local Church.”

Recent Commission

Below is a coat of arms for a woman that I was recently commissioned to do. The ribbon surrounding the woman’s oval shield has personal meaning to her and is decorative. The common practice in heraldry is that women don’t use helm and mantling in their achievements which leaves them looking rather empty artistically. Decorative knots, ribbons and wreaths are often employed to surround the shield. If you are wondering if you’re seeing things, yes, that is a whisk in the horse’s mouth. It alludes to the armiger’s love of cooking.

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Bishop James Checchio of Metuchen, NJ

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On Tuesday, May 3, 2016 the Most Reverend James F. Checchio, a priest of the diocese of Camden, NJ and most recently until February of this year the Rector of the Pontifical North American College in Rome, will be ordained a bishop in the Church and installed as the fifth bishop of the diocese of Metuchen, NJ, the diocese in which I serve.

His newly adopted coat of arms is depicted, as is the usual custom in the United States for diocesan bishops, impaled with the arms of the diocese. The diocesan arms were designed in 1981 when the diocese was established and modified in 1998. The four quadrants, depicted in silver and gold, the colors of the flag of the Vatican City-State, represent the four counties of the diocese: Middlesex, Somerset, Hunterdon and Warren. The moline cross overall is taken from the arms of Trenton from which the diocese was separated in 1981. In the Trenton arms the cross is gold on a blue field. Originally, it was depicted in the Metuchen arms as black but that was changed in 1998. The red tongue of fire in the upper left alludes to both the Holy Spirit and to the name “Metuchen” which is a Lenne Lanape word meaning “land of firewood”. The crowned letter “M” in the lower right is a reference to St. John Paul II who, as pope, founded the diocese and whose arms depicted a letter “M” in the lower right corner. With the crown it is also a symbol of the Queenship of Mary, the patroness of the diocese. Originally the “M” was also black but when the late Bishop Vincent Breen asked me to undertake a redesign of the diocesan arms in 1998 the “M” was changed to blue along with the cross.

Bishop Checchio commissioned the Italian artist Renato Poletti to work with him on his personal arms and emblazon them marshaled to those of the diocese. The gold escallop shell is a reference to his baptismal patron, St. James the Greater and the silver crescent represents Our Lady under the titles of the Immaculate Conception the patroness of the cathedral of his native diocese of Camden, as well as of the Pontifical North American College and the United States of America. The chevron represents a roof beam and, as such, symbolizes protecting the flock which is the task of a bishop. The sheep and crook are an allusion to his work as rector of a seminary preparing men to be shepherds in priestly ministry.

The motto reads, “Let Us Be Reconciled to God” a fitting message for a bishop appointed during the Jubilee Year of Mercy.

Ad Multos Annos, Bishop Checchio!

 

St. Mark in Papal Heraldry

There were three popes in the 20th C. who had served as Patriarch of Venice prior to their election to the papacy. (and two were also later canonized!) They each decided to retain a chief “of Venice” (with the winged lion of St. Mark, a symbol of Venice) in their papal coats of arms. The three were St. Pius X, St. John XXIII and Pope John Paul I.

Archbishop Viganó

As he ends his tenure as Apostolic Nuncio to the United States of America we say farewell and THANK YOU to the Most Reverend Carlo Maria Viganó as he begins his well-earned retirement. By his manner and quiet diplomacy he has shone that, indeed, he does know Him in whom he has believed.

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Mother M. Angelica, RIP

On Easter Sunday, March 27, 2016, Mother M. Angelica Rizzo, PCPA passed away. She was the Abbess of the Poor Clares of Perpetual Adoration in Alabama and the Foundress and first CEO of EWTN, the global Catholic television and radio network.

Several years ago she adopted a coat of arms. (below in black and white and in color) It is significant in that despite Poor Clare abbesses not making use of a crozier they are, nevertheless, entitled to use one as a heraldic emblem with the veil attached correctly. In addition, the chaplet surrounding the shield indicates the arms of a Professed Religious and the crown of thorns surrounding the shield is also common in the heraldic achievements of female religious.

May she rest in peace.

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Coat of Arms of a Priest

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Above is the coat of arms for an American Benedictine monk and priest. Disappointed that there was not any external ornament in Catholic heraldry that would specifically and immediately identify a coat of arms as belonging to a Benedictine as, for example, the cross fleury behind the shield used by Dominicans, and cognizant that it was inappropriate simply to marshal his own arms to those of his Order (as far too many Religious mistakenly do) I was asked by him to come up with a design that reflected his membership in the Order of St. Benedict.

The principal charge, a raven, is a symbol of St. Benedict and the heart it holds in its beak is a reflection of both a personal devotion to the Sacred Heart of Jesus on the part of the armiger as well as an allusion to the motto which means “Bend my Heart” or “Incline my Heart” which is also inspired by a line in the Holy Rule of St. Benedict.

The background is a variation of the blue and silver fusils in bend that can be found in the arms of Bavaria. The monastery to which he belongs is one of several in the U.S. founded by Bavarian monks who came to the U.S. as missionaries in the mid 19th C. and it also forms part of the monastery’s own coat of arms. Here the fusils are placed in a straight vertical position rather than in bend and the field draws in close to create a single fusil in the center as the background for the raven.

This coat of arms was designed by me in 2014 and most recently and very beautifully rendered by the Italian heraldic artist, Marco Foppoli.

Abbess of Regina Laudis

The coat of arms used by the Third Abbess of the Abbey of Regina Laudis in Connecticut, Rev. Mother Lucia Kuppens, OSB. She was elected February 1 of 2015 and received the abbatial blessing on the following May 10th from the Archbishop of Hartford.

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The Abbess describes the design (executed by Mother Alma Egger, OSB) as follows:

The book symbolizes my maternal ancestry, one hundred percent Irish, from Galway in the west of Ireland. A strong Celtic influence permeated my home. From these roots I received my love of the word, of poetry, of learning, education, culture, and music. The book could be interpreted to represent Scripture, or The Rule, literature itself or the works of Shakespeare, the particular focus of my doctoral dissertation. On a practical level, the book refers to much of my work in the Abbey, which includes supporting others in their studies, hosting student groups, directing the Monastic Internship Program, and when called for, writing about the Abbey. My Clothing and Profession ceremonies were both on the Advent feast of “O Sapientia” in celebration of Wisdom. The book is open, conveying the imagination and intellect open to the Wisdom of the Holy Spirit.

The roof truss at the top of the shield symbolizes my paternal ancestry. The dominant national identity in my father’s family was Alsatian, from northeastern France, just a stone’s throw from the German border. They were a people who suffered and survived much in war, as their borders continually changed. From my father’s family comes a rootedness in the earth, an appreciation of manual work, a respect for practical solutions and love for what is essential in life. From him comes my attraction to the other main area of my monastic service, the Cellarer’s Office. Until fairly recently my father worked all over the Abbey helping repair and build things. Through my involvement with a Lay Oblate Community (The Closed Community) prior to entering the Abbey, I had many experiences of participating in building on the Abbey land, notably the Chapter House on the Hill. Since 2009 I have been working with others to renovate the original monastic buildings and envision this being a major work for the whole community for the next ten years.

Continuity with Lady Abbess and Abbess David is represented by the wavy line in the center that marks the pine hill, which was on both of their shields as well. The hill is the central feature of our land. It is where our church was built and it represents the spiritual center and heart of the monastery. The three stars, which also appeared on Abbess David’s shield represent the continued commitment to build the triadic nature of our authority structure composed of Abbess, Prioress, and Subprioress.

The consecration lamp is an ancient and rich symbol of consecrated virginity and therefore seemed an apt symbol for representing the light of St. Lucy, Virgin and Martyr. Each nun receives such a lamp, made by our potter, at the time of her Consecration, when the church bestows its blessing and affirmation on the fruitfulness of her vows. The burning oil lamp symbolizes the gift of self, consumed in the fire of love. Two flames rise from this lamp symbolizing for me that the gift of one’s love to Christ is never solitary, but is given in relationship to others. The consecration lamp unifies the whole shield, mediating between the speculative and practical polarities of my genealogy and bringing our attention to the meaning of the motto, which is taken from the Office of St. Scholastica, sister of St. Benedict and a consecrated virgin. As told in the Dialogues of St. Gregory the Great, one night she prevailed on her brother to disobey his Rule and instead of returning to his monastery, stay with her talking and praying. Though she did not tell him why, she knew her death was near. He refused her, but her tears of supplication to God caused a sudden storm that prevented St. Benedict from leaving. Thus in that moment, she prevailed over him and St. Gregory says of her, ‘Plus potuit quia plus amavit,’ which is translated: ‘She was able to do more because she loved more.’ The banner of the motto embraces the whole shield and all the symbols on it, signifying that all we do is possible only through love and the grace of God.

Why the decision to use a simple oval shield alone without the external ornament of the veiled crozier pale wise behind the shield is a mystery. It is the only heraldic ornament that would mark this as the coat of arms of an abbess. Without it, these are simply the arms of a woman and a motto. Similarly, the previous abbess’ coat of arms used no crozier but employed supporters! It causes one to wonder if there is a lack of proper heraldic knowledge amongst the nuns. It is a shame they have not been advised better.

The abbey itself has a fine coat of arms designed and emblazoned by the late great practitioner of the science and art of heraldry, Dom Wilfrid Bayne, OSB, a monk of Portsmouth Abbey in R.I.

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Bishop J. Gregory Kelly

On February 11 the Most Rev. (John) Gregory Kelly was ordained as Auxiliary Bishop of Dallas. The description of the coat of arms (from the diocesan website):

“Bishop Kelly’s arms are based on the Kelly family design where the shield is silver (white) and the charges are black. For difference, and for his deep devotion to the Blessed Virgin Mary, the chevron is now blue. The chevron is reminiscent of the mountains of Colorado, so dear to His Excellency’s youth and the chevron is charged with two estoiles (special, six pointed stars) that are taken from the mantle of the image of Our Lady of Guadalupe to remind all of the profound Hispanic influence in Texas, the “Lone Star State“, represented by the single star below the chevron. Above the chevron are a fleur-de-lis and a trefoil (the heraldic representation of a shamrock) to honor the Bishop’s Irish and French-Canadian heritage.”

Once again we see here an example of the increasingly popular (and completely WRONG!) trend of personalizing one of the external ornaments, in this case, with the addition of the triquetra on the episcopal cross (erroneously referred to as a “processional” cross in the description) to represent the Holy Trinity because it was the name of the seminary the bishop attended.

It is necessary to repeat that the only thing subject to having charges particular to the bearer is the shield. The external ornaments may NOT be personalized in a heraldic achievement of this type and all those who advocate such a practice are both incorrect and foolish! The heraldic artist is completely free, in future, to depict this bishop’s coat of arms with an episcopal cross of any shape and manner he might wish. This is what happens when armigers turn to those who do not know what they are doing for the devisal of their coats of arms.

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Artwork: P. Sullivan

Very Rev. Steven A. Peay, PhD

One year ago today the Very Rev. Steven A. Peay, PhD, an Episcopal priest of the Diocese of Albany and Honorary Canon Theologian for Evangelism at Christ Church Cathedral in Eau Claire, WI became the 20th Dean and President of Nashotah House Seminary in Nashotah, WI.

His coat of arms is pictured below. The blazon is:

Arms impaled; to dexter, quarterly Gules and Azure, overall on a Latin cross Or between two fountains in chief a triple blossom lily Proper; to sinister Or between three pommes a fess dancetty Gules. The shield is ensigned with the ecclesiastical hat of an Honorary Canon according to the Earl Marshal’s Warrant for the coats of arms of clergy in the Anglican Communion of 1976. Below the shield is a scroll with the motto, “Quomodo Prædicabunt Nisi Misit” (Romans 10:15)

In the arms of the seminary the lily represents both the Holy Trinity and the Blessed Virgin Mary, to whom the main chapel is dedicated. The two fountains allude to the seminary location between Upper and Lower Nashotah Lakes.

In the personal coat of arms of Fr. Peay the gold field and fess dancetty are taken from the coat of arms of Bl. John Henry Cardinal Newman. The bearer has long been an admirer of Newman’s work and writings. There is some irony in choosing this as Newman famously converted from the Church of England to Roman Catholicism and Fr. Peay, conversely, had been a Roman Catholic and was received into The Episcopal Church. Whereas Newman had three hearts surrounding the fess in his arms here, for difference, they have been changed to three pommes. In heraldry this term describes a green roundel. In this case they are chosen to resemble peas as an allusion to the bearer’s surname “Peay”.

The motto is a favorite scriptural quote that reflects the bearers long time teaching of historical theology and preaching to seminarians.

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Heraldic Achievements of the “Junior Clergy” in the Catholic Tradition

A Presentation delivered to the NYG&B Heraldry Committee and the College of Arms Foundation

January 28, 2016

Many people know that I have been involved in the study and creation of both the science and art of heraldry for over thirty years. Not surprisingly, my particular area of interest is the heraldic customs of the Roman Catholic Church. In fact, in many ways I owe my abiding interest in heraldry to the Church.

I became interested in heraldry as a boy, as many do, because we were studying the Middle Ages in school. Then, it was much more tied up in a romantic interest in chivalry and, as a result, it seemed like something from long ago and far away. After all I was an American (pronounce that ‘Mur-can’) and we had thrown off the shackles of tyranny by abolishing the monarchy on this side of the pond and tossed onto the dustbin of history all the trappings and frummery of kings, aristocracy and the like.

However, one day in the children’s section of my public library I came across a biography of the then reigning pope, now Bl. Paul VI. The book contained a beautiful line drawing of his coat of arms. My eldest brother, some ten years my senior, who was a font of knowledge for me on all manner of things told me, when I remarked on it, that it was the usual practice for all popes to have coats of arms. In fact, he went on to explain that all bishops and dioceses had coats of arms and he even pointed out to me the examples from our own church and parochial school where heraldic images could be found.

It was as if someone had opened a door to a secret garden for me. Suddenly, heraldry no longer seemed long ago or far away. Even as a boy I had already felt a vocation and the Church was very much a part of my daily life. Now, thanks to that little book and my brother’s copious general knowledge I had discovered that heraldry was alive and well and living in the Church all over the world…including right here in the USA. Now two things which occupied a great deal of my thought and interest; my religion and coats of arms, found a happy marriage and from that point on (I was about eleven years old at the time) I was hooked on what would go on to be the enduring passion and avocation of a lifetime.

Jumping ahead to my high school years I began to be a little frustrated with learning more about Church heraldry because most of the source material was limited to secular heraldry and almost all of it either about English or Scottish heraldic customs. (not that there’s anything wrong with THAT!) In the majority of these books the mention of ecclesiastical heraldry at all was scant and, frequently, limited to a brief discussion of the heraldic practices of the Church of England. I kept wondering why no one had ever written a book about heraldry as used in the Catholic Church. This was several years before I had even heard of Woodward’s “Treatise” or Galbreath’s “Papal Heraldry”. Then in 1979 I came across, again in that same wonderful public library to which I will always be so grateful, a book entitled, “Heraldry in the Catholic Church: It’s Origins, Customs and Laws” by the late Archbishop Bruno Heim. I couldn’t believe my eyes! Here in one volume which I later discovered was the first English printing of an expanded version of his earlier work, “Coutumes et Droits Heraldiques de l’Eglise” (published in 1949). It was the book I had been hoping and wishing for. The extraordinary “Year of Three Popes” (1978) during which Heim had designed the coats of arms of John Paul I and St. John Paul II occasioned its publication. It went on to become my “bible” of sorts and Heim came to be held in very high esteem by me, as well as a host of others, not only because of this book for for other personal reasons.

It was because of Heim that I went on to discover the history and traditions of Roman Catholic Church heraldry in the Western and Eastern rites as well as a bit more about Anglican heraldry. This book revealed that it wasn’t only popes, bishops and dioceses that made use of armorial bearings but all the ranks and levels of clergy. It blew away the idea, comparable in secular heraldry, that coats of arms are only for the mighty and powerful; the upper echelon of society. Heim explained that it is not only those at the highest end of the elaborate hierarchy within the Church who are entitled to use heraldic ensigns but all the clergy. Wanting very much to be a priest but never presuming to aspire to the episcopate I had imagined that just as only knights, barons and princes used coats of arms in the secular realm so, too, the lower rank of clergy to which I aspired would not be permitted a coat of arms. Now, I had come to realize that I couldn’t be more wrong. I realized that as a priest I could have and use a coat of arms!

This was a big deal (to me anyway).

In 1987 I was living in Latrobe, PA in a Benedictine monastery and studying in the seminary for the priesthood. The diocese in which that monastery was located, Greensburg, PA, was receiving a new bishop. All the printed matter concerning his installation contained his new coat of arms which I immediately recognized had been emblazoned by Bruno Heim. The explanation went on to say the coat of arms had been designed by a Dr. Geza Grosschmid, Ph.D. of Duquesne University in Pittsburgh. I resolved to contact Dr. Grosschmid, a long-time friend and collaborator of Abp. Heim it turns out as I was later to discover, to see if he could teach me more. Thus began an sort of unofficial “apprenticeship” for me that lasted until his untimely death in 1992. He was the one who helped to direct and focus my studies, critique my designs (with an eye he gained from working with Heim) and expand the scope of my research. Through him I gained a connection, albeit a slight one, to Heim.

Heraldry with its origins in the XII C. we know began as something employed by those who engaged in battle as a means of identification. It entered the Church primarily via its use on armorial seals employed by the clergy in their capacity as magistrates. We shall not go into a lengthy explanation of either of those origins today as it has been treated extensively elsewhere and in several other talks given in this venue, including more than one by me! Canon Law regulates the use of seals in no less than fifteen separate Canons and, by extrapolation, that provides some regulation of armorial bearings as well. In addition, various Rules, Instructions and Regulations of the Roman Curia, as well as various official Instructions and Letters Motu Priorio of the Supreme Pontiffs have “regulated” heraldry in the Church.

However, two important points remain inescapably true: 1) The Catholic Church does not “grant” arms to the clergy of the Church (and respects the jurisdiction of those heraldic authorities in existence over the clerical as well as the lay people within their jurisdictions) and 2) there is NO heraldic authority (as a body) within the Roman Catholic Church. The various regulations concern themselves primarily with the external ornaments in a heraldic achievement as these indicate rank, office or special privilege. The Church does NOT concern itself with regulating the design on the shield (i.e. the blazon) which explains the appalling state of so much Catholic ecclesiastical heraldry.

For example, there is the decree of Innocent X in 1644 which forbade the use of secular marks of dignity (like crowns) in the arms of cardinals and the further decree of Benedict XV in 1915 extending that prohibition to all bishops (and by interpretation to all prelates…but not to all clergy, interestingly enough); the Motu Proprio of St. Pius X “Inter Multiplices Curas” of 1905 that regulates the insignia of many of the prelates and the confirmation of the validity of that document in 1934 by Pius XI in the Apostolic Constitution “Ad Incrementum Decoris” as well as the Instruction of the Secretariat of State under Bl. Paul VI on the vesture, titles and insignia proper to cardinals, Bishops and Prelates of the Minor Orders issued in 1969 (which discontinued the use of mitre and crozier in the arms of Cardinals and Bishops).

But what of all the so-called “Junior Clergy”, those below the rank of bishop? Some maintain that there is no heraldry proper to them and they couldn’t be more wrong. Let’s briefly examine what has evolved over time to indicate in heraldry the varying ranks of the lower clergy within the Catholic Church.

PRIEST: In his excellent book Heim states plainly, “Those who object to a simple priest using an ecclesiastical hat (on his coat of arms) hold this position arbitrarily, and without the support of any ecclesiastical decision, code or regulation. It must be remembered that all priests belong to the same ecclesiastical order and are thus possessed of equal sacerdotal and other privileges.” (p.125) So, the priest ensigns the shield with a simple black galero that has two tassels pendant from it.

DEANS & MINOR SUPERIORS: These are priests who do not necessarily hold any ecclesiastical rank higher than that of priest but whose functions (office) place them in a special category. They make use of a black galero with four tassels pendant from it. The tassels may be arranged one hanging below the other or they may hang side by side from a median knot. This true for secular offices (like Dean or Rector) and also for offices held by Professed Religious, such as Provincial Superior or Prior.

CANONS: Whether Religious (Canons Regular) or secular Canons attached to a Collegiate or Cathedral church, none of which exist in the USA, they make use of a black galero with six tassels pendant on either side. Some contend that Canons Regular may use a galero of whichever color corresponds to the color of their habit. For example Norbertine Canons wear a habit that is all white so the galero and tassels would all be white. As the heraldic privilege is attached to the rank of Canon and not to a particular Religious Community I don’t agree with such a custom. Nevertheless, it exists as a valid argument.

MAJOR SUPERIORS: Here we mean those clerics who exercise Ordinary Jurisdiction over persons in the internal and external forum, hence, canonically considered prelates. These would include Vicars General, Vicars Episcopal and Abbots. They all make use of a black galero from which hangs twelve black tassels from black cords. The same rule about the color of the habit determining the color of the galero, cords and tassels used for Canons Regular is also frequently applied to Abbots as well but I don’t agree for the same reason as above.

In addition, the Abbot employs the use of a veiled crozier placed vertically behind the shield. The veil or sudarium, dates from a time when abbots did not yet enjoy the privilege of all the pontificals, including pontifical gloves, and the veil served to protect the staff of the crozier from soil and perspiration. It remains now in heraldry only and marks one of the few exceptions to the use of the crozier in the coats of arms of persons.

There is also the office of Ordinary of a specific Ordinariate (such as the newly formed Anglican Ordinariates). Such Ordinaries, although not bishops, enjoy the use of pontifical insignia. Therefore, it was suggested by some, including myself, that they should make use of external ornaments that include the black galero with twelve black tassels and the crozier (to indicate their status as an Ordinary) but without the sudarium to differentiate it from the crozier of an Abbot.

It is worth noting that many who hold these offices, Abbots excepted, often are promoted to a rank of one of the three kinds of Roman Prelates and in such cases would make use of a galero proper to that rank.

MONSIGNORI: These are the clergy who have received Roman Honors from the Pope and, as such, are technically members of the Pontifical Household. There are three levels or ranks and all are addressed as “Reverend Monsignor”.

Prothonotaries Apostolic: They are further divided into Prothonotaries Apostolic “de numero” (participatium) and Prothonotaries Apostolic Supernumerary. The Former make up the College of Notaries of the Church and also serve as Canons of the Papal Basilicas in Rome; the latter are those prelates so honored around the world. They all make use of a purple galero from which twelve amaranth red tassels hang from amaranth red cords.

Prelates of Honor: This middle level makes use of a purple galero with twelve purple tassels hanging from purple cords.

Chaplains to His Holiness: This lowest level make use of a black galero from which hang twelve purple tassels from purple cords.

DEACONS: There is no officially sanctioned external heraldic ornament for Permanent Deacons in the Catholic Church. This is partly so because when heraldry first grew and flourished the office of Permanent Deacon did not exist in the Church. Rather, by that time it had receded to being the final step on the way to priesthood and, as such, only Transitional Deacons existed. It was not considered necessary to devise a heraldic emblem for an office held only temporarily. With the revival of the Permanent Diaconate in 1970 the matter should probably well have been addressed but has not been.

There are some authors who contend that on the authority of the Holy See Deacons are to make use of a crest of a ciborium surrounded by a humeral veil like mantling and include on the shield a chief with a bend to suggest a stole worn diagonally in the manner of Deacons. This is FALSE. Such a contention is made up out of whole cloth entirely and enjoys no sanction from the Church. It is ludicrous to suggest that after replacing the secular crest with the ecclesial galero the Church would then devise a crest specific to a particular rank of clergy, especially when a heraldic crest is specific to an individual. In addition, it makes no sense to think that the Church which, again, does not concern itself with the blazon on the shield, would now mandate a chief to be added to the armorial blazon of the arms of Deacons especially when one considers that married men may be ordained to the Diaconate and this could very well mean that such a chief would then be borne by their children, who may not be Deacons, when they inherit the arms from their father.

In the Church of England (and by extension the whole Anglican Communion) there is a provision for Deacons to ensign the shield with a black galero that has no tassels or cords. This was determined by a 1976 Earl Marshal’s Warrant. There are those who contend that such an ensign should be adopted for use by Deacons in the Roman Catholic Church as well. I have not yet fully made up my mind. I don’t oppose the idea from a heraldic or artistic standpoint. As an external ornament it would not be “inheritable” by a Deacon’s heirs but I would rather the Holy See issue an Instruction to clarify the matter or otherwise it remains simply borrowing from another heraldic tradition.

When asked I recommend that armigerous Deacons do one of the following: a) Make use of the shield and motto alone. There is no hard and fast rule that one MUST employ helm, mantle and crest in a heraldic achievement. Indeed the only thing “necessary” is the shield. b) Make use of a “secular” manner of a coat of arms with helm, mantle and crest, especially if the arms are destined to be inherited. c) Compromise by making use of both an ecclesiastical and a secular version of the coat of arms. d) Employ some kind of heraldic augmentation to the shield which would be removed when the arms are inherited (such as an escutcheon in pretense or a canton) or incorporate a charge into the design of the arms that alludes to Diaconal ministry but would not seem inappropriate or offensive when the arms are used by later generations not unlike charges that allude to the occupation of the original bearer but do not indicate the occupation of subsequent generations who inherit the coat of arms.

New Bishop of Cremona

On January 30 the Most Rev. Antonio Napolioni will be ordained as the new Bishop of Cremona. His newly-adopted coat of arms (below) combines symbols of two popes he admires (the sun from the arms of Pope Francis and the fleur-de-lis from the arms of Bl. Paul VI), the rivers of Cremona and the mountains as a symbol of the journey of faith and, in particular, the Transfiguration. The motto, “Serve the Lord With Gladness” is from Psalm 99.

Stemma-vescovo-Antonio-Napolioni