Category Archives: External Ornaments

John Cardinal Ribat, MSC, KBE

(Sir) John Ribat, MSC, KBE currently the Archbishop of Port Moresby, Papua New Guinea, will be elevated to the Sacred Purple and created Cardinal of the Holy Roman Church on November 19, 2016. We’re not concerned with his coat of arms as they would have appeared upon his ordination to the episcopacy as Auxiliary Bishop of Bereina, PNG in 2001. Rather, since 2008 when he succeeded as Archbishop of Port Moresby he has born the arms:

Quartered; 1) Argent, the Sacred Heart of Jesus enflamed superimposed on the Greek letters Chi and Rho all Gules, 2) Azure, the monogram of Our Lady Or, 3) Azure an open book Or the pages charged with the Greek letters Alpha and Omega Gules, 4) Argent, a branch of betel nut Proper.

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These arms had been rendered for him by Renato Poletti, a Roman lawyer who, like many amateur heraldic enthusiasts, dabbles in heraldic design and produces his artwork on computer. He took it upon himself, unsolicited, to produce a new rendering of the Cardinal-designate’s coat of arms with the external ornaments of a Cardinal (above). However, Archbishop Ribat had already been contacted by Mr. Richard d’Apice of the Australian Heraldry Society to discuss a re-working of the emblazonment of his arms to reflect his new honor. Such projects have frequently been undertaken by Mr. d’Apice before as well as the designs of new coats of arms for many prelates and laypeople in his own Australia. Mr. d’Apice, as he often does, consulted with me to seek some advice and input.

While I do not particularly like the design of the arms I advised that it would be best at this point for a man who has been a bishop for fifteen years and an archbishop for eight to retain the arms he has been using. The deplorable habit so many bishops have today of completely redesigning their coats of arms every time they move or are promoted is to be avoided at all costs, even at the cost of maintaining a coat of arms of an inferior design. Simply to change one’s personal arms because there has been a change in office or rank goes against the whole point of heraldry as a mark of personal identification. While external ornaments correctly change to indicate a change in rank and personal arms may be marshaled with other coats of arms simply deciding after several years that one would like to adopt a different coat of arms is, in a word, wrong.

However, it is often the case that a different artist can emblazon a coat of arms in a manner that will make it both aesthetically more pleasing as well as heraldically more bearable (pun intended). This is the case with the arms of Cardinal Ribat. Mr. d’Apice and I agreed that perhaps the best thing we could do was to advise His soon-to-be Eminence to have the arms rendered by the artist with whom we usually work, Mr. Sandy Turnbull, also a member of the Australian Heraldry Society who also works in computer generated artwork. The result of Mr. Turnbull’s efforts may be seen below.

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The overall shape of the achievement and the rendering of the charges, in particular the fact that they fill the field in each quarter better, as well as the depiction of the branch of betel nut are definitely an improvement. The placement of the pallium (which, for the record, I oppose in any heraldic achievement) is also better. In addition, the color palette and vibrancy of the colors is, in my opinion, also superior. The Cardinal-designate was so pleased that he communicated to Mr. d’Apice through his Vicar General that Mr. Turnbull’s rendering will be used, in particular, on his letterhead and official documents. It is indeed difficult to make a silk purse out of a sow’s ear but, on occasion, the solution to what to do about a less than happy heraldic design is simply to emblazon the arms in a better fashion.

Abbot Elias Lorenzo, OSB

The delegates to the general chapter of the American-Cassinese Congregation, from June 19-24, 2016 elected Father Elias Lorenzo OSB, monk of St. Mary’s Abbey, Morristown, NJ as their new Abbot-President (Abbot-Praeses). For seven years Abbot President Elias had been Prior at Collegio Sant’Anselmo, Rome. Thursday, June 23, 2016, the Rt. Rev. Douglas R. Nowicki OSB, Archabbot of St. Vincent Archabbey, Latrobe, PA, motherhouse of the congregation, conferred the abbatial blessing during the chapter. Abbot Elias returned to Sant’Anselmo for the Congress of Abbots, September 2016 and thereafter he will reside in Morristown.

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Shortly after his election, Abbot Elias contacted me to ask that I assist him in designing his coat of arms. The explanation I also provided for him is:

The shield is divided by a line shaped like a chevron. This creates the general shape alluding to a mountain, in this case Mount Carmel, the mountain associated with the prophet Elijah from whom the name Elias is derived. The large tongue of fire in the center of the lower portion of the shield (referred to as “in base”) combined with the mountain allude to St. Elias.

In addition, the blue and silver (white) checked pattern also has a multi-layered meaning. The American-Cassinese Congregation was founded by Benedictines from St. Michael’s Abbey in Bavaria. The motherhouse of the Congregation, St. Vincent Archabbey in Pennsylvania, makes use of the blue and silver fusils (a kind of elongated diamond pattern) from the coat of arms of Bavaria in its own coat of arms. Several other monasteries in the Congregation which are daughter houses or grand-daughter houses of St. Vincent also make use of this pattern. One such abbey is St. Mary’s in Morristown, New Jersey. At this monastery Abbot Elias entered monastic life, made his profession of vows and was ordained. In his coat of arms the blue and silver (white) fusils have been turned sideways forming a grid of blue and white squares or checks. The grid pattern suggests the gridiron on which St. Lawrence was roasted alive as the means of his martyrdom. This is an allusion to the Abbot’s surname, “Lorenzo” which in Italian means “Lawrence”. The grid of blue and white squares combined with the fire represents St. Lawrence while at the same time the blue and white squares are a slightly differenced reference to the coat of arms of St. Mary’s Abbey as well as Bavaria in general as the homeland of the Congregation’s founders.

At the center of the flame there is a red rounded cross. This cross is taken from the coat of arms of Sant’Anselmo in Rome where, for seven years before his election as Abbot-President, the armiger was serving as Prior of the monastic community.

Above the chevron in the upper portion of the shield (referred to as “in chief”) there are two blue crescents. The crescent has long been associated with Our Lady in particular under her title of the Immaculate Conception. That title is also the one by which Mary is the Patroness of the United States of America. While the Congregation is made up of American monasteries as well as some communities outside the U.S. it was, nevertheless, founded in the U.S. so the reference to the patroness of that country is fitting. In addition, crescents appear in the coat of arms of St. Mary’s Abbey and the coat of arms of the Delbarton School, the Abbey’s principal apostolate, both of with which Abbot Elias is closely associated.

The motto below the shield is taken from Luke 1:37 and is translated as, “Nothing is impossible with God”.

The shield is also ensigned with those external ornaments that indicate the bearer is an abbot. The gold (yellow) crozier is placed vertically behind and extending above and below the shield. Attached to the crozier is a veil or sudarium. Widely used in the Middle Ages it is rarely seen in actual use today. It dates from a time when abbots were already making use of the crozier as a sign of their authority but had not been granted the privilege of full pontificals which would have included liturgical gloves. The purpose of the sudarium was originally practical; it shielded the metal of the crozier from dirt and perspiration from the hands. Later, it became merely symbolic and has been retained in heraldry as distinguishing the crozier of an abbot. The use of pontificals by an abbot is regulated in the Motu Proprio, “Pontificalia Insignia” of June 21, 1968 (Acta Apostolicae Sedis 60 (1968) 374-377 Not 4 (1968) 224-226). Because abbots make use of the crozier they may use it as an external ornament in their coats of arms. The prohibition against the use of croziers in heraldry found in the Instruction of the Secretariat of State of the Holy See, “Ut Sive” of 31 March, 1969 (Acta Apostolicae Sedis 61 (1969) 334-40) does not apply to abbatial heraldry. Above the shield is the ecclesiastical hat, called a galero which, in heraldry, replaces the martial helmet, mantling and crest. The galero is black with black cords pendant from it and twelve black tassels arranged in a pyramid shape on either side of the shield. “The hat with six pendant tassels (green, purple or black) on each side is universally considered in heraldry as the sign of prelacy. It, therefore, pertains to all who are actually prelates…Prelates who are regulars do not, as a rule, wear purple. (Abbots’) ceremonial garb is normally black and, in consequence, their heraldic hats are also black.” (Heim, Bruno B., Heraldry in the Catholic Church, 1978, page 114).

Clergy With More Than One Coat of Arms

We turn, this time, to the Church in Wales and the Church of England to see examples of a single armiger who employs more than one version of his coat of arms depending on the place, occasion, function or group.

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The first image (above) is the personal coat of arms of the Rt. Rev. Gregory Cameron, Bishop of St. Asaph in Wales. It is a an armorial achievement which is depicted in the traditional manner with shield, helm, mantle and crest. In addition, the bishop employs a version of his arms ensigned with the bishop’s mitre (below) as is the usual custom in the constituent churches of the Anglican Communion.

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Finally, there is also a version, as diocesan bishop, of his personal arms impaling those of his See.(below)

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The other example is the Rev. Canon Robin Ward, SSC, Principal at St. Stephen’s House, Oxford. The first example shows his personal arms as granted with helm mantling and crest. (below)

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The next image depicts an “ecclesiastical version” of the same arms ensigned with the ecclesiastical hat of a Canon according to the Earl Marshal’s Warrant of 1976.

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Finally, there is an example, though not used by him, of his arms “as Principal” impaling the arms of St. Stephen’s House.

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In both cases it’s just one armiger but his coat of arms can be depicted in different exemplifications.

Yet More on Variations

Again, a continuation of this examination of different versions, as opposed to merely different renderings of the exact same version, of the coat of arms of one armiger used at various times, for certain occasions, for a specific place or group or to either add to or subtract from the elaboration of the display. We turn once again to the glorious Imperial arms of the Emperor of Austria and King of Hungary, later to be the Austro-Hungarian Emperor.

First we have the “small” arms of the House of Habsburg-Lorraine (displaying the arms of Habsburg, Babenberg and Lorraine impaled together on the shield.

13726824_10208089859297016_8059400258853156733_nThe second image shows the “medium” common coat of arms of Austria Hungary with the shields of (counterclockwise): Hungary, Galicia, Lower Austria, Salzburg, Styria, Tyrol, Carinthia & Carniola, Silesia & Moravia, Transylvania, Illyria and Bohemia. This was used from 1867-1915.

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Third, we see the “small” arms of Hungary.

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Fourth is the “medium” coat of arms of Hungary also displaying: Croatia, Slavonia, Dalmatia, Bosnia & Herzegovina, Transylvania, the city of Rijeka and the Kingdom of Hungary on the inescutcheon.

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Next, the fifth example is the “medium” coat of arms of Austria.

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The sixth is the small common coat of arms of the dual monarchy from 1915-1918.

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Finally, the seventh is the “medium” common arms used 1915-1918.

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One Emperor: lots of versions of his coat of arms all of which are his.

More Variety

Another in this kind of series I’m doing on single armigers with various versions of their coats of arms. This time it is Elizabeth II, well, really the British Sovereign regardless of who it is. The first is a “small” version. You can see this one carved in stone on the facade of Buckingham Palace but it shows up most frequently on Letters Patent for a grant of arms.

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The second is a kind of “middle version” and it is versions like this frequently used by the government on documents and signage.

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The third is, of course, the “large” or full armorial achievement.

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Next is the Royal arms as used in Scotland (same sovereign but a different version of the arms).

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Fifth is the Royal arms OF Scotland as opposed to the Royal arms of the U.K. as used IN Scotland.

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Finally, one used by the sovereign for the Duchy of Lancaster. (By the way even though the Queen is a woman she is still the “Duke” of Lancaster).

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Varying Versions

A recent Facebook post of mine on the arms of three English Kings of Arms on a College of Arms devisal for the Cathedral Church of the Advent in Birmingham, Alabama piqued my interest about how some armigers employ different versions, not just renderings by different artists but actual different versions, of their armorial achievements. Sometimes this reflects added honors; sometimes the exercise of a new or different office (appointed or elected); sometimes it’s a version to be used specifically on certain occasions or under specific circumstances or only for use within a particular group, etc.

One of the Kings of Arms whose coat of arms appeared in that post was the late, great John Brooke-Little. Here we see his full achievement as Norroy & Ulster King of Arms:

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Brook-Little’s own personal coat of arms were used by him without any extras. Here the arms are rendered by Anthony Wood:

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In addition, we see that sometime he added quite a bit to the achievement to indicate offices held such as a bookplate depicting his coat of arms and banner as Richmond Herald (1967-1980) including both the Richmond Herald badge and the badge from when he had been Bluemantle Pursuivant (1956-1967):

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Finally I include one probably not seen by many: a version of his arms impaled with those of The Heraldry Society which he founded and served for many years as chairman and later as president. This last one was simply for use within that Society:

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All his life his own coat of arms remained as it is depicted in the second image. In other words he did not “change” his coat of arms. However, throughout his life and career he did employ various versions of his achievement some of which included personal honors, some ornaments of office and others additions for private use. This is a good thing to know about and an idea that many interested in heraldry, especially the various uses for a coat of arms, too often overlook. A coat of arms as a personal mark of identification may be employed in various ways to suit the various things one does in life. The armorial achievement does not have to be singular and include everything from every aspect of the life of the armiger. To be sure there are those who prefer this “maximum display” theory. However, an equally meritorious theory is one that makes use of varying versions or varying achievements suited to the time, place, group or activity in which the armiger is engaged.

Here is another example, again from the English College of arms, using the coat of arms of Sir Henry Paston-Bedingfeld, Bt. which are:

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Sir Henry, when he was still just plain old “Mister” served the College as Rouge Croix Pursuivant from 1983-1993 and the as York Herald from 1993-2010. In that latter capacity and prior to the death of his father and his inheriting the title “Baronet” he used the following achievement:

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Sir Henry was appointed Norroy & Ulster King of Arms in 2010 and served in that capacity until his retirement in 2014. Here is a version of the shield of his arms from that time:

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Finally, another example of a different version for private use and also only for a set period of time. From 2012-2013, for just a year Sir Henry served as Master of the Worshipful Company of Scriveners and impaled his arms with the arms of the Company for use in that capacity while at the same time also using the version above and the version in the first photo:

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Again we see that he maintained the personal arms he had inherited from his father and did not “change” his coat of arms. Rather, he chose to display it in varying versions to suit the role of the moment or group.

The world at large already, for the most part, sees heraldry as effete but there are many within the (for lack of a better term) heraldic community, that is to say, the rather small group of people in the world who account themselves heraldic enthusiasts, who, through their own ignorance, misunderstand the concept I’m illustrating here. The advent of the internet has increased the possibility for communication between such enthusiasts throughout the world but has also made for a rash of self-appointed heraldic “experts” who don’t wish to engage in any scholarly pursuit of the heraldic arts and sciences and, either accidentally or purposefully, seek to limit the possibilities for heraldic display accusing anyone who deviates from their own preconceived notions as guilty of self aggrandizement.

It strikes me as slightly ironic that in a modern world that eschews heraldry as an anachronistic pretense anyone possessing a coat of arms themselves could accuse others of self aggrandizement. Then again, ignorance and irony can, at times, be seen to be cousins.

St. Benedict’s Abbey, Still River

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The monastic community of St. Benedict in Still River, Massachusetts decided recently to modify their existing coat of arms which was originally designed by the late, great, Dom Wilfrid Bayne, OSB of St. Anselm’s Abbey in Rhode Island. The coat of arms was designed some sixty plus years ago for the St. Benedict Center on Bow and Arrow streets in Cambridge, MA which was the origin of the community that eventually grew into St. Benedict’s Abbey today. There was originally no external ornament in the achievement. The community simply bore a shield with the coat of arms.

The decision was undertaken recently to add an abbatial crozier as an external ornament to bring the achievement into conformity with what is usual for a monastery with the rank of Abbey. While it is the usual custom to depict a sudarium, or veil, pendant from the crozier in the coat of arms of an abbot usually when depicting the arms of an abbey, a corporate body, the sudarium is omitted.

Recent Commission

Below is a coat of arms for a woman that I was recently commissioned to do. The ribbon surrounding the woman’s oval shield has personal meaning to her and is decorative. The common practice in heraldry is that women don’t use helm and mantling in their achievements which leaves them looking rather empty artistically. Decorative knots, ribbons and wreaths are often employed to surround the shield. If you are wondering if you’re seeing things, yes, that is a whisk in the horse’s mouth. It alludes to the armiger’s love of cooking.

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Mother M. Angelica, RIP

On Easter Sunday, March 27, 2016, Mother M. Angelica Rizzo, PCPA passed away. She was the Abbess of the Poor Clares of Perpetual Adoration in Alabama and the Foundress and first CEO of EWTN, the global Catholic television and radio network.

Several years ago she adopted a coat of arms. (below in black and white and in color) It is significant in that despite Poor Clare abbesses not making use of a crozier they are, nevertheless, entitled to use one as a heraldic emblem with the veil attached correctly. In addition, the chaplet surrounding the shield indicates the arms of a Professed Religious and the crown of thorns surrounding the shield is also common in the heraldic achievements of female religious.

May she rest in peace.

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Coat of Arms of a Priest

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Above is the coat of arms for an American Benedictine monk and priest. Disappointed that there was not any external ornament in Catholic heraldry that would specifically and immediately identify a coat of arms as belonging to a Benedictine as, for example, the cross fleury behind the shield used by Dominicans, and cognizant that it was inappropriate simply to marshal his own arms to those of his Order (as far too many Religious mistakenly do) I was asked by him to come up with a design that reflected his membership in the Order of St. Benedict.

The principal charge, a raven, is a symbol of St. Benedict and the heart it holds in its beak is a reflection of both a personal devotion to the Sacred Heart of Jesus on the part of the armiger as well as an allusion to the motto which means “Bend my Heart” or “Incline my Heart” which is also inspired by a line in the Holy Rule of St. Benedict.

The background is a variation of the blue and silver fusils in bend that can be found in the arms of Bavaria. The monastery to which he belongs is one of several in the U.S. founded by Bavarian monks who came to the U.S. as missionaries in the mid 19th C. and it also forms part of the monastery’s own coat of arms. Here the fusils are placed in a straight vertical position rather than in bend and the field draws in close to create a single fusil in the center as the background for the raven.

This coat of arms was designed by me in 2014 and most recently and very beautifully rendered by the Italian heraldic artist, Marco Foppoli.

Bishop J. Gregory Kelly

On February 11 the Most Rev. (John) Gregory Kelly was ordained as Auxiliary Bishop of Dallas. The description of the coat of arms (from the diocesan website):

“Bishop Kelly’s arms are based on the Kelly family design where the shield is silver (white) and the charges are black. For difference, and for his deep devotion to the Blessed Virgin Mary, the chevron is now blue. The chevron is reminiscent of the mountains of Colorado, so dear to His Excellency’s youth and the chevron is charged with two estoiles (special, six pointed stars) that are taken from the mantle of the image of Our Lady of Guadalupe to remind all of the profound Hispanic influence in Texas, the “Lone Star State“, represented by the single star below the chevron. Above the chevron are a fleur-de-lis and a trefoil (the heraldic representation of a shamrock) to honor the Bishop’s Irish and French-Canadian heritage.”

Once again we see here an example of the increasingly popular (and completely WRONG!) trend of personalizing one of the external ornaments, in this case, with the addition of the triquetra on the episcopal cross (erroneously referred to as a “processional” cross in the description) to represent the Holy Trinity because it was the name of the seminary the bishop attended.

It is necessary to repeat that the only thing subject to having charges particular to the bearer is the shield. The external ornaments may NOT be personalized in a heraldic achievement of this type and all those who advocate such a practice are both incorrect and foolish! The heraldic artist is completely free, in future, to depict this bishop’s coat of arms with an episcopal cross of any shape and manner he might wish. This is what happens when armigers turn to those who do not know what they are doing for the devisal of their coats of arms.

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Artwork: P. Sullivan

Very Rev. Steven A. Peay, PhD

One year ago today the Very Rev. Steven A. Peay, PhD, an Episcopal priest of the Diocese of Albany and Honorary Canon Theologian for Evangelism at Christ Church Cathedral in Eau Claire, WI became the 20th Dean and President of Nashotah House Seminary in Nashotah, WI.

His coat of arms is pictured below. The blazon is:

Arms impaled; to dexter, quarterly Gules and Azure, overall on a Latin cross Or between two fountains in chief a triple blossom lily Proper; to sinister Or between three pommes a fess dancetty Gules. The shield is ensigned with the ecclesiastical hat of an Honorary Canon according to the Earl Marshal’s Warrant for the coats of arms of clergy in the Anglican Communion of 1976. Below the shield is a scroll with the motto, “Quomodo Prædicabunt Nisi Misit” (Romans 10:15)

In the arms of the seminary the lily represents both the Holy Trinity and the Blessed Virgin Mary, to whom the main chapel is dedicated. The two fountains allude to the seminary location between Upper and Lower Nashotah Lakes.

In the personal coat of arms of Fr. Peay the gold field and fess dancetty are taken from the coat of arms of Bl. John Henry Cardinal Newman. The bearer has long been an admirer of Newman’s work and writings. There is some irony in choosing this as Newman famously converted from the Church of England to Roman Catholicism and Fr. Peay, conversely, had been a Roman Catholic and was received into The Episcopal Church. Whereas Newman had three hearts surrounding the fess in his arms here, for difference, they have been changed to three pommes. In heraldry this term describes a green roundel. In this case they are chosen to resemble peas as an allusion to the bearer’s surname “Peay”.

The motto is a favorite scriptural quote that reflects the bearers long time teaching of historical theology and preaching to seminarians.

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Heraldic Achievements of the “Junior Clergy” in the Catholic Tradition

A Presentation delivered to the NYG&B Heraldry Committee and the College of Arms Foundation

January 28, 2016

Many people know that I have been involved in the study and creation of both the science and art of heraldry for over thirty years. Not surprisingly, my particular area of interest is the heraldic customs of the Roman Catholic Church. In fact, in many ways I owe my abiding interest in heraldry to the Church.

I became interested in heraldry as a boy, as many do, because we were studying the Middle Ages in school. Then, it was much more tied up in a romantic interest in chivalry and, as a result, it seemed like something from long ago and far away. After all I was an American (pronounce that ‘Mur-can’) and we had thrown off the shackles of tyranny by abolishing the monarchy on this side of the pond and tossed onto the dustbin of history all the trappings and frummery of kings, aristocracy and the like.

However, one day in the children’s section of my public library I came across a biography of the then reigning pope, now Bl. Paul VI. The book contained a beautiful line drawing of his coat of arms. My eldest brother, some ten years my senior, who was a font of knowledge for me on all manner of things told me, when I remarked on it, that it was the usual practice for all popes to have coats of arms. In fact, he went on to explain that all bishops and dioceses had coats of arms and he even pointed out to me the examples from our own church and parochial school where heraldic images could be found.

It was as if someone had opened a door to a secret garden for me. Suddenly, heraldry no longer seemed long ago or far away. Even as a boy I had already felt a vocation and the Church was very much a part of my daily life. Now, thanks to that little book and my brother’s copious general knowledge I had discovered that heraldry was alive and well and living in the Church all over the world…including right here in the USA. Now two things which occupied a great deal of my thought and interest; my religion and coats of arms, found a happy marriage and from that point on (I was about eleven years old at the time) I was hooked on what would go on to be the enduring passion and avocation of a lifetime.

Jumping ahead to my high school years I began to be a little frustrated with learning more about Church heraldry because most of the source material was limited to secular heraldry and almost all of it either about English or Scottish heraldic customs. (not that there’s anything wrong with THAT!) In the majority of these books the mention of ecclesiastical heraldry at all was scant and, frequently, limited to a brief discussion of the heraldic practices of the Church of England. I kept wondering why no one had ever written a book about heraldry as used in the Catholic Church. This was several years before I had even heard of Woodward’s “Treatise” or Galbreath’s “Papal Heraldry”. Then in 1979 I came across, again in that same wonderful public library to which I will always be so grateful, a book entitled, “Heraldry in the Catholic Church: It’s Origins, Customs and Laws” by the late Archbishop Bruno Heim. I couldn’t believe my eyes! Here in one volume which I later discovered was the first English printing of an expanded version of his earlier work, “Coutumes et Droits Heraldiques de l’Eglise” (published in 1949). It was the book I had been hoping and wishing for. The extraordinary “Year of Three Popes” (1978) during which Heim had designed the coats of arms of John Paul I and St. John Paul II occasioned its publication. It went on to become my “bible” of sorts and Heim came to be held in very high esteem by me, as well as a host of others, not only because of this book for for other personal reasons.

It was because of Heim that I went on to discover the history and traditions of Roman Catholic Church heraldry in the Western and Eastern rites as well as a bit more about Anglican heraldry. This book revealed that it wasn’t only popes, bishops and dioceses that made use of armorial bearings but all the ranks and levels of clergy. It blew away the idea, comparable in secular heraldry, that coats of arms are only for the mighty and powerful; the upper echelon of society. Heim explained that it is not only those at the highest end of the elaborate hierarchy within the Church who are entitled to use heraldic ensigns but all the clergy. Wanting very much to be a priest but never presuming to aspire to the episcopate I had imagined that just as only knights, barons and princes used coats of arms in the secular realm so, too, the lower rank of clergy to which I aspired would not be permitted a coat of arms. Now, I had come to realize that I couldn’t be more wrong. I realized that as a priest I could have and use a coat of arms!

This was a big deal (to me anyway).

In 1987 I was living in Latrobe, PA in a Benedictine monastery and studying in the seminary for the priesthood. The diocese in which that monastery was located, Greensburg, PA, was receiving a new bishop. All the printed matter concerning his installation contained his new coat of arms which I immediately recognized had been emblazoned by Bruno Heim. The explanation went on to say the coat of arms had been designed by a Dr. Geza Grosschmid, Ph.D. of Duquesne University in Pittsburgh. I resolved to contact Dr. Grosschmid, a long-time friend and collaborator of Abp. Heim it turns out as I was later to discover, to see if he could teach me more. Thus began an sort of unofficial “apprenticeship” for me that lasted until his untimely death in 1992. He was the one who helped to direct and focus my studies, critique my designs (with an eye he gained from working with Heim) and expand the scope of my research. Through him I gained a connection, albeit a slight one, to Heim.

Heraldry with its origins in the XII C. we know began as something employed by those who engaged in battle as a means of identification. It entered the Church primarily via its use on armorial seals employed by the clergy in their capacity as magistrates. We shall not go into a lengthy explanation of either of those origins today as it has been treated extensively elsewhere and in several other talks given in this venue, including more than one by me! Canon Law regulates the use of seals in no less than fifteen separate Canons and, by extrapolation, that provides some regulation of armorial bearings as well. In addition, various Rules, Instructions and Regulations of the Roman Curia, as well as various official Instructions and Letters Motu Priorio of the Supreme Pontiffs have “regulated” heraldry in the Church.

However, two important points remain inescapably true: 1) The Catholic Church does not “grant” arms to the clergy of the Church (and respects the jurisdiction of those heraldic authorities in existence over the clerical as well as the lay people within their jurisdictions) and 2) there is NO heraldic authority (as a body) within the Roman Catholic Church. The various regulations concern themselves primarily with the external ornaments in a heraldic achievement as these indicate rank, office or special privilege. The Church does NOT concern itself with regulating the design on the shield (i.e. the blazon) which explains the appalling state of so much Catholic ecclesiastical heraldry.

For example, there is the decree of Innocent X in 1644 which forbade the use of secular marks of dignity (like crowns) in the arms of cardinals and the further decree of Benedict XV in 1915 extending that prohibition to all bishops (and by interpretation to all prelates…but not to all clergy, interestingly enough); the Motu Proprio of St. Pius X “Inter Multiplices Curas” of 1905 that regulates the insignia of many of the prelates and the confirmation of the validity of that document in 1934 by Pius XI in the Apostolic Constitution “Ad Incrementum Decoris” as well as the Instruction of the Secretariat of State under Bl. Paul VI on the vesture, titles and insignia proper to cardinals, Bishops and Prelates of the Minor Orders issued in 1969 (which discontinued the use of mitre and crozier in the arms of Cardinals and Bishops).

But what of all the so-called “Junior Clergy”, those below the rank of bishop? Some maintain that there is no heraldry proper to them and they couldn’t be more wrong. Let’s briefly examine what has evolved over time to indicate in heraldry the varying ranks of the lower clergy within the Catholic Church.

PRIEST: In his excellent book Heim states plainly, “Those who object to a simple priest using an ecclesiastical hat (on his coat of arms) hold this position arbitrarily, and without the support of any ecclesiastical decision, code or regulation. It must be remembered that all priests belong to the same ecclesiastical order and are thus possessed of equal sacerdotal and other privileges.” (p.125) So, the priest ensigns the shield with a simple black galero that has two tassels pendant from it.

DEANS & MINOR SUPERIORS: These are priests who do not necessarily hold any ecclesiastical rank higher than that of priest but whose functions (office) place them in a special category. They make use of a black galero with four tassels pendant from it. The tassels may be arranged one hanging below the other or they may hang side by side from a median knot. This true for secular offices (like Dean or Rector) and also for offices held by Professed Religious, such as Provincial Superior or Prior.

CANONS: Whether Religious (Canons Regular) or secular Canons attached to a Collegiate or Cathedral church, none of which exist in the USA, they make use of a black galero with six tassels pendant on either side. Some contend that Canons Regular may use a galero of whichever color corresponds to the color of their habit. For example Norbertine Canons wear a habit that is all white so the galero and tassels would all be white. As the heraldic privilege is attached to the rank of Canon and not to a particular Religious Community I don’t agree with such a custom. Nevertheless, it exists as a valid argument.

MAJOR SUPERIORS: Here we mean those clerics who exercise Ordinary Jurisdiction over persons in the internal and external forum, hence, canonically considered prelates. These would include Vicars General, Vicars Episcopal and Abbots. They all make use of a black galero from which hangs twelve black tassels from black cords. The same rule about the color of the habit determining the color of the galero, cords and tassels used for Canons Regular is also frequently applied to Abbots as well but I don’t agree for the same reason as above.

In addition, the Abbot employs the use of a veiled crozier placed vertically behind the shield. The veil or sudarium, dates from a time when abbots did not yet enjoy the privilege of all the pontificals, including pontifical gloves, and the veil served to protect the staff of the crozier from soil and perspiration. It remains now in heraldry only and marks one of the few exceptions to the use of the crozier in the coats of arms of persons.

There is also the office of Ordinary of a specific Ordinariate (such as the newly formed Anglican Ordinariates). Such Ordinaries, although not bishops, enjoy the use of pontifical insignia. Therefore, it was suggested by some, including myself, that they should make use of external ornaments that include the black galero with twelve black tassels and the crozier (to indicate their status as an Ordinary) but without the sudarium to differentiate it from the crozier of an Abbot.

It is worth noting that many who hold these offices, Abbots excepted, often are promoted to a rank of one of the three kinds of Roman Prelates and in such cases would make use of a galero proper to that rank.

MONSIGNORI: These are the clergy who have received Roman Honors from the Pope and, as such, are technically members of the Pontifical Household. There are three levels or ranks and all are addressed as “Reverend Monsignor”.

Prothonotaries Apostolic: They are further divided into Prothonotaries Apostolic “de numero” (participatium) and Prothonotaries Apostolic Supernumerary. The Former make up the College of Notaries of the Church and also serve as Canons of the Papal Basilicas in Rome; the latter are those prelates so honored around the world. They all make use of a purple galero from which twelve amaranth red tassels hang from amaranth red cords.

Prelates of Honor: This middle level makes use of a purple galero with twelve purple tassels hanging from purple cords.

Chaplains to His Holiness: This lowest level make use of a black galero from which hang twelve purple tassels from purple cords.

DEACONS: There is no officially sanctioned external heraldic ornament for Permanent Deacons in the Catholic Church. This is partly so because when heraldry first grew and flourished the office of Permanent Deacon did not exist in the Church. Rather, by that time it had receded to being the final step on the way to priesthood and, as such, only Transitional Deacons existed. It was not considered necessary to devise a heraldic emblem for an office held only temporarily. With the revival of the Permanent Diaconate in 1970 the matter should probably well have been addressed but has not been.

There are some authors who contend that on the authority of the Holy See Deacons are to make use of a crest of a ciborium surrounded by a humeral veil like mantling and include on the shield a chief with a bend to suggest a stole worn diagonally in the manner of Deacons. This is FALSE. Such a contention is made up out of whole cloth entirely and enjoys no sanction from the Church. It is ludicrous to suggest that after replacing the secular crest with the ecclesial galero the Church would then devise a crest specific to a particular rank of clergy, especially when a heraldic crest is specific to an individual. In addition, it makes no sense to think that the Church which, again, does not concern itself with the blazon on the shield, would now mandate a chief to be added to the armorial blazon of the arms of Deacons especially when one considers that married men may be ordained to the Diaconate and this could very well mean that such a chief would then be borne by their children, who may not be Deacons, when they inherit the arms from their father.

In the Church of England (and by extension the whole Anglican Communion) there is a provision for Deacons to ensign the shield with a black galero that has no tassels or cords. This was determined by a 1976 Earl Marshal’s Warrant. There are those who contend that such an ensign should be adopted for use by Deacons in the Roman Catholic Church as well. I have not yet fully made up my mind. I don’t oppose the idea from a heraldic or artistic standpoint. As an external ornament it would not be “inheritable” by a Deacon’s heirs but I would rather the Holy See issue an Instruction to clarify the matter or otherwise it remains simply borrowing from another heraldic tradition.

When asked I recommend that armigerous Deacons do one of the following: a) Make use of the shield and motto alone. There is no hard and fast rule that one MUST employ helm, mantle and crest in a heraldic achievement. Indeed the only thing “necessary” is the shield. b) Make use of a “secular” manner of a coat of arms with helm, mantle and crest, especially if the arms are destined to be inherited. c) Compromise by making use of both an ecclesiastical and a secular version of the coat of arms. d) Employ some kind of heraldic augmentation to the shield which would be removed when the arms are inherited (such as an escutcheon in pretense or a canton) or incorporate a charge into the design of the arms that alludes to Diaconal ministry but would not seem inappropriate or offensive when the arms are used by later generations not unlike charges that allude to the occupation of the original bearer but do not indicate the occupation of subsequent generations who inherit the coat of arms.

Archbishop Zuppi of Bologna

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The coat of arms of the new Archbishop of Bologna, the Most Rev. Matteo Zuppi.

The shield depicts the Book of the Gospels, a river and the cross of Constantine. The book is open to John 4:34-35.  Jesus at Jacob’s well with the Samaritan woman said , “My food is to do the will of him who sent me and to finish his work. Do you not say perhaps four more months and then the harvest? Behold, I say to you, lift up your eyes and look at the fields! They are ripe for harvest.” The river evokes the Tiber and Rome. The sign of water and the river runs through the Scriptures from Genesis to Revelation. The Cross with Alpha and Omega is a sign evoking Christ crucified and risen, the beginning and end of all things. This cross is above the triumphal arch of Santa Maria in Trastevere in Rome where Archbishop Zuppi has lived for most of his priestly ministry.

The scroll below shows the motto chosen by Archbishop Zuppi “Gaudium Domini Fortitudo Vestra.” The joy of the Lord is your strength. (Neh 8:10)

The pallium is both unnecessary and very ill-placed.

External Ornaments in Heraldry

The last post on the arms of the new Territorial Abbot of St. Maurice started an interesting conversation in the comments section. Namely, about the fact that the Abbot’s arms are ensigned with only the crozier that indicates the coat of arms belongs to an abbot. Many dislike it when the arms of a cleric do not employ the use of the distinctive galero, or broad-brimmed hat, which usually replaces both the helm and crest (with their accompanying torse and mantling) found in the heraldic achievements of lay people. This ecclesiastical hat is depicted in varying colors and with varying numbers of tassels to indicate the rank of the armiger. Both the Roman Catholic Church and the Church of England have developed elaborate systems for the use of the galero. Many other constituent churches of the Anglican Communion employ the system devised for the Church of England and approved by Earl Marshal’s Warrant in the 1960s.

However, while it is true that the galero certainly makes the coat of arms of a clergyman instantly recognizable as such it is not true that the galero is always and everywhere mandatory for clergy. In fact, there are no external ornaments that are mandatory in heraldry. A coat of arms, simply put, may consist of the shield alone. The motto, which many clerics spend way too much time on devising, is not a necessary component to a coat of arms for example.

In the case of a bishop the one single external ornament that marks the coat of arms as that of a bishop is the episcopal cross placed behind the shield. Full stop. There is no other external ornament necessary and quite a few bishops have chosen to display the episcopal cross (which is not to be confused, as it often is, with the liturgical processional cross) alone in their heraldic achievement. The green galero with twelve tassels is not exclusive to them so it is not the necessary element to indicate the arms of a bishop. Similarly, archbishops use the archiepiscopal cross which has two horizontal bars and is sometimes somewhat misleadingly referred to as the patriarchal cross, in their coats of arms. The green galero with twenty tassels is used almost exclusively by archbishops but it, too, is not a necessary or mandatory external ornament.

When it comes to cardinals the situation changes somewhat in that the red galero with its thirty tassels is, pretty much, the only external ornament that indicates the armiger is a member of the College of Cardinals.

For other clergy, again, the situation remains that the galero is usually employed and certainly makes it clear that the coat of arms belongs to a cleric rather than a laic but the privilege of ensigning the shield with various ornaments isn’t always absolutely necessary. In the case of an abbot it is the (usually veiled) crozier that indicates the arms of an abbot or abbess, the latter being easily distinguished by the lozenge or oval shape of the shield. If a coat of arms is ensigned with a veiled crozier then it is indicating the armiger is a cleric with the rank of abbot whether the black galero with twelve tassels is displayed or not. This is so because the black galero with twelve tassels may also be used by Vicars General; Vicars Episcopal; Non-Episcopal Ordinaries, Moderators of the Curia, Titular Abbots, Prelates of Chivalric Orders as well as Superiors General of Religious Orders and Clerical Religious Congregations. However, only an abbot may also employ a veiled crozier*. Thus it is the crozier that indicates the coat of arms belongs to an abbot, not the galero.

Similarly, the green galero with twelve tassels may be used by Territorial Abbots, Permanent Apostolic Administrators and Vicars or Prefects Apostolic who lack the episcopal character. However, only a bishop or archbishop may also ensign the shield with the episcopal or archiepiscopal cross.

It is worth mentioning that in some places bishops and abbots still use the mitre as well as the cross or crozier in ensigning their shields rather than the galero despite the preference as indicated by Papal Instruction for the use of the galero.

As I said jokingly to one of my sympathetic correspondents, “You don’t have to have all the doo-dads on your coat of arms when, frequently, there is only a single ornament that is the true indication of rank”.

*NOTE: Recently, the Church has established Ordinariates for former Anglicans who wish to come into the Roman Catholic Church. These are headed by Ordinaries who, while exercising Ordinary jurisdiction over the churches under their charge, do not possess the episcopal office. In some cases they were formerly bishops in some branch of the Anglican Communion. Of the three existing today they, too, ensign their shields with the proper galero of rank (usually that of a Prothonotary Apostolic, the highest rank of “monsignor” which is a purple hat with twelve red tassels) as well as a purposely UN-veiled crozier to distinguish it from the crozier of an abbot. This is because they exercise Ordinary jurisdiction of which the crozier is a symbol and they are entitled to use the pontificals liturgically so they actually carry a crozier at Mass but the veil on the crozier is particular to monastics which these Ordinaries are not.

Another Example of What NOT To Do

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Above is the coat of arms of Jan Piotrowski who will be installed on November 29 as the Bishop of Kielce, Poland. The bishop’s arms contain perfectly good charges and are arranged nicely with good composition with one exception. The episcopal cross (often mistakenly thought of as a processional cross) which is the one external ornament that indicates the arms belong to a bishop, since other prelates may use the green galero with 12 tassels, is depicted as passing in front of the shield and piercing it with the bottom of the cross protruding from behind the shield. It is as if the cross is depicted as both a charge on the field and an external ornament at the same time. This is most incorrect. Charges must never extend beyond the edges of the shield; external ornaments should not be placed in a position to obscure any of the shield; objects cannot be depicted as piercing the shield; external ornaments are to be just that: external to the shield. I’m sure the person who designed this and/or depicted it thought he was being very clever and innovative. Instead, it’s just wrong. EPIC FAIL.

A Possibility if Scotland Votes For Independence (UPDATED)

Just today the news has been spreading that, for the first time, the polls are showing that those who seem to favor voting for Scottish independence are in the majority, albeit an ever so slight one (within the margin of error, in fact). The vote is less than two weeks away and what once seemed like a proposition that was surely not going to pass now looks like it may have a fighting chance. It will be interesting to see the result of the vote. Polls can be deceiving and in the time remaining it may swing the other way agin. I’m not interested in discussing the politics involved. However, there is a possibility, and it is just that: merely a possibility, that there could be some heraldic ramifications for the Queen if Scotland becomes independent.

At present, the plan is that even if Scotland votes for independence it would remain a constitutional monarchy. Scottish First Minister, Alex Salmond, has indicated that there is no plan to declare a republic, at least not immediately. Rather, Her Majesty would still be Queen of Scotland and act as the Scottish Head of State in an independent Scotland. However, such a scenario could remove Scotland from the United Kingdom. So, as the Queen is in some sixteen countries already she would be the sovereign of Scotland and she would continue to be the sovereign of the U.K. with the difference that the U.K. would no longer include Scotland. This would not be unique. The Queen is Queen of Canada, Queen of Australia and Queen of New Zealand, for example. None of those countries is in the U.K but she is, nonetheless, sovereign of those nations.

With an independent Scotland the United Kingdom would consist of England (including Wales) and Northern Ireland. Currently the U.K is described as a united kingdom of “Great Britain and Northern Ireland” meaning all of the territory on the island of Britain as well as the northern part of the the separate island where Ireland is located. (NOTE: the Channel Islands are possessions of the Queen but not part of the U.K.) I suppose it could be argued that if she remains the Queen of Scotland then she could still be said to be Queen of Great Britain. However, the point of this referendum is that now Great Britain and N. Ireland is all one country and the Scottish people will be voting on whether or not they want Scotland to be a separate country. This would make it a separate country with its own monarch who happens to be the same person as the monarch of the U.K. as is the case with Canada, Australia, etc. While those working for an independent Scotland have assured the voters that there is no plan at present to dump the monarchy that does not mean it might not be considered at some future time, such as after the passing of the present Queen. In fairness, it should be pointed out that it would also be possible to have a politically independent Scotland while maintaining a monarchial union, that is to say, that Scotland would continue to be part of a United Kingdom with its own separate government.

So, all of this could, I say could, potentially have heraldic ramifications. The current coat of arms used by HM reflects, in its quarterings, the various lands that make up the United Kingdom: England, Scotland and Northern Ireland. Wales does not have a separate quartering because it is considered to be part of England, although, in fairness, perhaps not by all the Welsh! Many are probably familiar with the fact that the Queen uses a slightly different coat of arms when in Scotland. In that version the Scottish quarter receives pride of place, as does the Scottish supporter (the unicorn), the crest is different and the collar encircling the shield is that of the Order of the Thistle instead of the Garter. Nevertheless, this is a different version of the arms of the United Kingdom. The quarters for England and N. Ireland are still included. However, the Queen also has a separate coat of arms in right of Canada and also makes use of badges and other heraldic insignia in her other realms.

This begs the question of what may, again I say may, happen to the royal arms if Scotland becomes an independent country and is no longer part of the United Kingdom. Officials at Buckingham Palace have indicated that the Queen may find it better to appoint a Governor-General to represent her in Scotland as there is in places like Canada, Australia and New Zealand. In such a case then perhaps HM will make use of the Scottish royal arms all alone as would be her lawful right as sovereign of an independent Scotland?

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In addition, modifications would need to be made to the royal arms as used in the U.K. This would mark the first major change in the royal arms since the accession of Queen Victoria in 1837 at which time the inescutcheon of Hanover was removed from the royal arms because the Salic Law prevented a woman from succeeding to the throne of Hanover. It would also mark the first time there was a significant change in the four quarterings of the arms since 1801 when the quarter for France was removed from the arms of George III. The quarter for Scotland would be removed from the royal arms as it would no longer be part of the U.K. and, very likely the thistle would be removed from the compartment at the base of the achievement. It might also be possible that the unicorn supporter might be replaced. So instead of the current royal arms (below left) we could conceivably end up with something more like (below right)

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Again, it is worth noting that in this hastily prepared image I did not take the time to remove the thistle from the compartment or to replace the unicorn supporter. While the former would almost certainly be done it is really uncertain that the supporter would be changed so that there would be two lion supporters. The last time one of the supporters in the royal arms was changed was 1603 when James I succeeded Elizabeth I and replaced the dragon with a unicorn. It could be argued that leaving the unicorn supporter in the royal arms even if Scotland becomes independent is acceptable. It would also not be unthinkable simply to have two lion supporters as in the image below (left). Personally, I’d like to see the reintroduction of the Welsh dragon supporter especially as Wales doesn’t get a quarter of its own on the shield. (Image below right). But, I am getting waaaaaaay ahead of things. All of this would have to be discussed and worked out properly in consultation with the Earl Marshal and HM College of Arms in London as well as the Court of Lord Lyon in Edinburgh. It seems, however, that there would be little reason to include a quarter for Scotland in royal arms of the sovereign of the U.K. if Scotland is no longer in that same U.K. Otherwise, quarterings for all of HM realms and territories would already be included in the royal arms and, of course, such is not the case.

Image 4     Image 6

Indeed, it will be interesting and, by all recent accounts, now much more exciting to see the outcome of the September 18 referendum. Most people will, rightly, be concerned with the political, the economic, and the social aspects of an independent Scotland. It will also be interesting to see if and how the admittedly minor heraldic aspect of it all is resolved as well.