Category Archives: Work of Other Artists

Jefferson City’s New Bishop

On October 28 the Most Rev. Ralph Bernard O’Donnell (56), a priest of the Archdiocese of Omaha since 1997, will be ordained a bishop and installed as the 5th Bishop of Jefferson City, Missouri.

The arms that he has assumed which are impaled to the recently redesigned arms of the See of Jefferson City were designed and emblazoned by Dom Pachomius Meade, OSB of Conception Abbey. He also worked on the redesign of the diocesan coat of arms.

Another UK Archbishop

After seeing my recent post about the coat of arms of the Archbishop of Southwark another readers reader of this blog pointed out to me the coat of arms of another prelate from the UK. Archbishop Paul Gallagher (71) is the Secretary for Relations with States & International Organisations, in the Secretariat of State of the Holy See.

Ordained for Liverpool in 1977 he entered the diplomatic corps of the Holy See in 1984. Gallagher previously served as Nuncio to Burundi, to Guatemala and to Australia. He had also served as an official in Tanzania, Uruguay and the Philippines and became an archbishop in 2004.

Archbishop of Liverpool (updated)

After recently posting the armorial achievement of the Archbishop of Southwark another reader of this blog was kind enough to send me the armorial bearings of the Most Rev. John Sherrington (67), the current Metropolitan Archbishop of Liverpool. Archbishop Sherrington, installed last May was previously an Auxiliary Bishop of Westminster and, prior to that, was a priest of the Diocese of Nottingham.

(artwork: Quentin Peacock)

Archbishop of Southwark, UK

One of my regular readers recently sent me this rendering of the armorial bearings of the Most Rev. John Wilson (57), the current Metropolitan Archbishop of Southwark. The archdiocese takes in everything in London south of the River Thames and the County of Kent. (London north of the Thames is the Archdiocese of Westminster, making London one of the only cities to contain not only more than one diocese but actually to contain two ARCHdioceses).

It is interesting to note the quartering with the pall (pallium). This mirrors the original use of the pall. In the days before diocesan coats of arms the pall was employed by any Metropolitan Archbishop as a heraldic charge indicating his status as a Metropolitan.

Update For a Promotion

In January of 2019 I posted about the very nice arms granted to a clergyman in the UK. Fr. Adam Gaunt had received beautiful Letters Patent for his fine coat of arms and was eager to share them with me.

I recently saw online that he posted about some modifications to the ornamentation of his arms reflecting the fact that he has recently been named a Canon of York in the Church of England. So the galero now has six red tassels pendant on either side.

(artwork by Danilo Martins)

Archbishop McKnight of Kansas City

The Most Reverend Shawn McKnight (56), a priest of Wichita and who from 2018-2025 served as Bishop of Jefferson City, Missouri, was installed today as the 12th Bishop and 5th Metropolitan Archbishop of Kansas City in Kansas.

His very simple and striking coat of arms arms was marshaled to those of Kansas City and very ably rendered by Matthew Alderman.

Bishop Lewandowski, CSsR of Providence

On May 20, the Most Rev. Bruce Lewandowski, CSsR (57), a Redemptorist and formerly Auxiliary Bishop of Baltimore, will be installed as the 10th Bishop of Providence, R.I. I had previously written about the bishop’s coat of arms when he was first made Auxiliary Bishop.

Now that he is moving to become a diocesan bishop his armorial bearings will now be marshaled to those of his diocese. The Bishop had employed his sister, a Felician Sister who “works in media” for her Province to design his coat of arms. As they were back then, so too, are they something of a dumpster fire, heraldically speaking.

In an interview for The Catholic Review, the Baltimore archdiocesan newspaper, in 2020 the Bishop said, “Why would I ask anyone else?” when asked why his sister was designing his coat of arms. I think I can answer that. How about: in order to turn to someone with knowledge of a specific topic that isn’t really a DIY project? How about that? In her own part of the same interview, Sr. Lewandowski remarked about some of the particular elements of her design:

The Holy Spirit is depicted as breaking the upper edge of the shield ‘as it is the privilege of the Holy Spirit to inspire new life and envision endless possibilities for the Church, God’s people,’ the description says. The designer noted that she was not sure if that was “allowed” but in her research she did not find any parameters that said it couldn’t be done that way.” (emphasis added)

All I can say is that must have been one quick and not very diligent Google search. Even the most cursory bit of online research should have clued her in to the fact that charges emerging through the edges of the field was a puerile and amateurish mistake. Quite frankly, I don’t see how she could have done any research and reached the conclusion that she did! There are numerous resources out there for someone unfamiliar with good heraldic practices, to say nothing of the huge online presence of groups and organizations that could have happily offered her assistance in her project.

But, this, instead, is the worst kind of so-called heraldry: heraldry as logo. (It summons up the bile just by thinking about it!).

In the same aforementioned article she said:

…she believes a bishop’s coat of arms should tell people who he is and what he stands for. And I believe it should be a more spiritual piece, not just a historical piece,” she said. “And a lot of the coats of arms that I’ve seen and that I kind of read into, it’s a real historical document, but it doesn’t always tell you who the bishop is. She said she tried to tie in Bishop-designate Lewandowski’s spirituality into the symbols she used.”

Well, she got the first part right. A coat of arms should tell people who the armiger is. But, then she rode that right off the rails with the second part. A coat of arms does not tell people what the armiger stands for. It is for identification alone. I have often mentioned that a coat of arms is not one’s C.V. in pictures. Similarly, it isn’t an expression of personal ideology; a manifesto of one’s own spirituality or (for the clergy) a catechetical tool that expresses one’s personal beliefs as a kind of pictorial homily. Unfortunately, that’s precisely how the Lewandowski kids decided to view this project, with disastrous results.

In the latest rendering the overcrowded and poorly composed original coat of arms now falls victim to, perhaps, my second favorite pet peeve: they were changed in order to combine well with the diocesan arms. That’s not an option, full stop. (I suppose Sister didn’t find anything in her research that said she couldn’t do that either!) In addition, the charges form the personal arms are still going beyond the divisions and boundaries of the shield and/or spilling over from one impalement to the other. Clearly, this is also the classic mistake of thinking that the diocesan arms now somehow “become” part of the bishop’s coat of arms rather than being an example of two distinct and separate coats of arms marshaled together on one shield so as to express the relationship between the two!

The list of things wrong with this just goes on and on, and on…

Suffice it to say that he had a poorly designed coat of arms to begin with which would have and could have benefitted greatly from some expertise and advice from an organization, an individual, or even a decent book on the subject in order to take the elements and arrange and depict them according to good heraldic practices. Now, that poorly designed coat of arms has been badly modified and marshaled inexpertly to the point that the diocesan coat of arms of the See of Providence is depicted incorrectly!

EPIC FAIL!

But…what do you expect when a coat of arms is approached as an exercise in graphic design to tell us who the armiger really is? I’ll leave that question unanswered, thank you.

What Do YOU Think of Pope Leo’s Coat of Arms?

This question has been posed to me by numerous people since the Holy See released the image of the Pope’s coat of arms as pope. My answer is simply this: it looks pretty much like I expected.

Pope Leo already had a very good coat of arms as a bishop. I’m glad to see he didn’t feel the need to entirely change the design as others have done in the past. A coat of arms is a means of identification. It identifies you. It becomes associated with you in such a way that it shouldn’t be changed cavalierly. A change of position should warrant the use of different external ornaments to signify the new rank, not a full scale change in what is on the shield itself. So, I’m happy to see that the Pope left alone the arms that he assumed as a bishop 11 years ago.

I was not surprised to see the papal tiara rendered in the form of a kind of mitre. This began with Pope Benedict XVI and continued with Pope Francis I. So, we have now seen this for twenty years and I assumed it would be continued. It is, perhaps, important to note that the tiara has not been replaced with a mitre. Rather, it is the papal tiara rendered as a kind of mitre/tiara hybrid. This occurred at all because of ignorance. The argument to Benedict XVI was that since the tiara is, practically speaking, no longer worn it should not be depicted in the coat of arms. Nothing could be farther from the truth. In fact, since it is no longer worn that’s all the more reason it should be used in the coat of arms. It remains a symbol of the papacy. Most of the world’s monarchs no longer actually wear a crown but the use of a crown heraldically remains. Cardinals and bishops no longer wear an actual galero but the galero remains a heraldic emblem. (It is worth noting here that the tiara with the keys remains the emblem of the Holy See.)

St. Paul VI, in his reforms of 1969, decreed that the mitre and crozier which used to be in the coats of arms of all bishops in addition to the galero and episcopal/archiepiscopal cross should no longer be used in the arms of such prelates. He reasoned that the crozier and mitre were still used liturgically as emblems of the episcopal office and their practical use made using them as heraldic symbols redundant and inappropriate. (NOTE: the same is also true for the pallium) Whereas, the episcopal cross and galero—used at one time—had fallen into practical disuse and so were very appropriate to be used purely as heraldic ornaments. By that logic the same is true of the papal tiara. Since recent popes have chosen not to be crowned the use of the tiara as a purely heraldic emblem makes all the more sense.

Yet, those advising Benedict XVI, principally among them Archbishop Piero Marini and the late Cardinal di Montezemolo, argued that the tiara should be modified in its appearance to show that it is no longer actually worn. This was bad advice then and it has now been codified into enduring, though still equally poor advice. Nevertheless, it was easy to anticipate that Pope Leo would simply follow suit. So…no real surprise there.

Similarly, the slight change in tincture of the division of the field in base from Argent (silver or white artistically) to a kind of beige or buff color shows an appalling lack of understanding of heraldry. This is also displayed in the description of this tincture as “light”. Just what, precisely, is THAT supposed to mean ?!?! There isn’t an actual blazon to help clarify this. The lack of a proper blazon could be because no one at the Vatican knows how to write one; they simply don’t find it important enough to care about; or they feel it would be too esoteric and unintelligible for the average person. One can only hope that the reason is one of the latter two rather than the former.

But there isn’t a lot of evidence to dissuade me. For example, the tiara and keys and motto banner are all clearly just a “cut & paste” job from the arms of Pope Francis I. Really? With all the many competent heraldic artists and heraldic experts available to them no one at the Vatican bothered to reach out to anyone and just figured this could all be handled “in house” by someone with a computer? Is that the most appropriate way to prepare a new pope’s coat of arms? it shouldn’t be a matter of who can get it done first but of who can do it best. What a shame that it has been deemed acceptable simply to cobble something together from existing images.

It’s also probably worth noting that—just like all bishops—all of the popes have had an episcopal motto. However, by longstanding tradition and custom a motto is not supposed to be included in the armorial achievement of the Pope. In his seminal work, Heraldry in the Catholic Church (1978) Archbishop Bruno Heim notes that, “It is widespread custom to put a motto under the shield. It is often held, wrongly, by those who know little about heraldry, that the motto is indispensable; yet it is an addition which does not properly belong to the armorial bearings themselves.” (page 80)

So we see that, all in all, the new Pope’s coat of arms is unsurprising in its composition, disappointing in its execution, and uninspiring in its depiction with numerous errors that could have been avoided with a little creativity and some consultation with people who know what they are doing.

For example, in the hands of an artist of some merit the same exact design can be rendered in a manner that looks considerably better just by the good use of composition and artistic style.

Take, for example, this sketch of the arms of Pope Leo XIV done on the evening of his election by the noted and competent heraldic artist, Marco Foppoli. We can see here that, in the hands of an expert with a great deal of experience, the original heraldic design can be rendered with the appropriate external ornaments in a way that maintains the simplicity that is desired while also creating a new and unique achievement for the armiger. Too bad that someone like Foppoli wasn’t consulted by officials at the Holy See.

Papal heraldry has been in a slow decline since the death of Archbishop Heim. It is sad but true. Unfortunately, at the outset of this new pontificate, there are no signs that this is going to change for the better anytime soon.

God Bless Pope Leo XIV!

Chamberlain of the Holy Roman Church

During the Sede Vacante the person in charge of the affairs of the Church is the Chamberlain (Camerlengo) of the Holy Roman Church. Since 2019 that man has been the (Irish-born) American, Kevin Cardinal Farrell, former Bishop of Dallas, Texas and also former Auxiliary Bishop of Washington, DC.

During the time of the Sede Vacante he functions as the caretaker of the Church and the Regent of the Vatican City-State. The symbol of the Church since the time of the existence of the Papal States, the crossed keys and ombrellino, are placed above his existing coat of arms in the achievement. These may always be used during his tenure in office but, practically speaking, most of those who are Camerlengo make use of these added ornaments only during the Sede Vacante. Special coins will be struck to mark this moment in the Church’s history bearing the arms of the Camerlengo.

This version of Farrell’s arms is by Marco Foppoli.

Novemdiales

In the midst of all the news out there about the death and burial of Pope Francis I didn’t bother to post anything. In addition, I was dealing with some personal matters during that time as well that prevented me from having the time for posting. We now find ourselves in the midst of the nine official days of mourning for a pope, the so-called Novemdiales. Now, the world waits the start of the Conclave which will commence on May 7.

I post here a funerary hatchment made by the Australian Heraldic Artist, Mr. Sandy Turnbull. May Pope Francis Rest in Peace.

Timothy Cardinal Radcliffe, OP

It took a bit of time but the arms used by Timothy Cardinal Radcliffe, OP the Dominican friar who was created cardinal just last autumn by the late pope and who will now be an elector in the upcoming Conclave, has now been published.

He has not been ordained a bishop so there is no episcopal cross behind the shield in the achievement. Overall, he has chosen very Dominican looking symbols and a differenced version of the arms of Radcliffe. A very handsome coat of arms.

Archbishop Weisenburger of Detroit

On March 18 the Most Reverend Edward J. Weisenburger (64), originally a priest of Oklahoma City, former Bishop of Salina, Kansas, and most recently Bishop of Tucson, Arizona, will be installed as the 10th Bishop and 6th Archbishop of Detroit, Michigan.

His immediate predecessor, Archbishop Allen Vigneron, had the archdiocese’s coat of arms redesigned into a logo-like emblem in 2017.

Thankfully, Archbishop Weisenburger has chosen to impale his personal arms with the traditional version of the archdiocesan coat of arms adopted in 1937 to indicate a sense of continuity with his predecessors. Excellent choice!

Abbess of Eichstätt (better late than never)

The Benedictine nuns of St. Walburga Abbey, Eichstätt elected Mother Elizabeth Hartwig, OSB as their abbess on October 28 of last year. On November 30 she received the abbatial blessing from the Rt. Rev. Barnabas Bögle, OSB, Abbot of Ettal.

Her assumed coat of arms depicts, in chief, the bread and roses that are symbols of her patroness, St. Elizabeth of Thuringia. In base the three wavy lines represent rivers from three places of importance in her life: the Elbe in Torgau where she grew up; the Saale in Jena where she studied; the Altmühl in Eichstätt where she became a nun. The motto says “We are bound together by the love of Christ”.

The coat of arms was designed by one of the nuns of the Abbey, Sister Caritas Dirr.

New Bishop in Oslo

The Most Rev. Frederik Hansen (45) was ordained a bishop on January 18 and became Coadjutor Bishop of Oslo, Norway with the automatic right of succession to Bishop Bernt Ivar Eidsvig, CRSA, who is currently 71. When he succeeds to the See, Bishop Hansen will be the 9th Bishop of Oslo.

In the interests of full disclosure, the new bishop, who spent some time working for the diplomatic corps of the Holy See and was in residence in a parish in my native diocese of Rockville Centre, NY contacted me upon his appointment to design his coat of arms. However, he later was informed that the diocese of Oslo had already secured the services of another heraldist, Archbishop Charles Scicluna of Malta.

The Bishop’s arms are quartered with those of the Diocese of Oslo, somewhat unusually for someone who is not yet the diocesan bishop but more of a “diocesan bishop-in-waiting”. This will, of course, save him the trouble of having a new rendering made when the time comes that he succeeds to the See. nevertheless, it is unusual because he does not yet possess jurisdiction over the See.

For his personal arms, seen in the second and third quarters, the heraldic colors, blue and silver, are from Drammen’s city coat of arms. The “IHS” is the monogram of the name “Jesus” and points to Jesus’ holy name and Bishop Hansen’s devotion to “the name above all names” (Phil 2,9–10) which is given to mankind for salvation (see Acts 4,12). The open book refers to Bishop Hansen’s work in church administration and in priestly formation and teaching. The two croziers allude to two Norwegian saint-bishops: St. Torfinn, bishop of Hamar, and St. Eystein, Primate-Archbishop of Nidaros.

Despite not having worked on this project I’d say the bishop was in good hands and has achieved an excellent result (pun intended).