Category Archives: Bishops

Feast of St. Nicholas

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Some years back there was a discussion about the devisal of attributed arms for St. Nicholas of Myra (aka Santa Claus). My fellow heraldry enthusiast, Michael Quigley, proposed this design.

Attributed arms are created for individuals who didn’t bear a coat of arms themselves. Either, they are fictitious characters, they simply didn’t have a coat of arms or they may have lived prior to the development of heraldry.

St. Nicholas was definitely a real person but he lived from A.D. 270 – 343, roughly nine hundred years before heraldry existed.

This fanciful coat of arms employs an Eastern mitre and the traditional 3 gold coins associated with St. Nicholas from the story of him ransoming three children from being sold into slavery. It also uses deer (reindeer) supporters, fir twigs and the colors green and red so associated with the legend of Santa Claus and Western Christmas lore and custom.

December 6 is the feast of St. Nicholas.

Bishop Dennis Spies

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On November 6, 2024 the Most Rev. Dennis Spies, (56) a priest of the Diocese of Joliet in Illinois will be ordained as the Titular Bishop of Cenculiana and Auxiliary Bishop of Joliet. The Bishop-Elect’s appointment by the Pope was announced only on September 27 and he will very quickly be ordained to the office of bishop, well before Advent and the holiday season is upon us.

The armorial bearings he will be assuming are as follows:

The blazon of his coat of arms is: “Per saltire Or and Azure; overall two spears in saltire points upward tipped with fleurs-de-lis Counterchanged between, in chief and in base a heart facing the centerpoint Gules; and to dexter and sinister a garb of wheat, Or. Shield ensigned with an episcopal cross Or behind the shield and a bishop’s galero Vert cords and twelve tassels disposed in three rows of one, two and three all Vert. On a scroll below the shield the motto: “I Call You Friends”.

The main colors of the shield, blue & gold, are the colors primarily used in the coat of arms of the Diocese of Joliet. So, by means of their use the diocese the bishop has served as a priest (and now as a bishop) is alluded to. The shield is divided in a saltire (an “X” shape) and the two main charges are two spears crossed in saltire. The surname Spies is German in origin and in German and Dutch it is a metonymic occupational name for a spear maker. It is derived from Middle High German “spiez”, meaning ‘spear pike’ or an occupational name from the same word in the sense of a ‘soldier armed with a spear’. So, the two spears allude to the family name. They appear slightly different from the typical spear in that their heads, rather than depicting the usual blade, have heads that are shaped like the fleur-de-lis. This, too, is taken from the coat of arms of the Diocese of Joliet where two fleurs-de-lis appear. This is an ancient heraldic symbol of both the Blessed Virgin Mary and the Most Holy Trinity. Counterchanging (where the color of an object and the background are alternated) serves as a symbol of conversion…the daily conversion to which we are all called as followers of Christ.

Above and below are two red hearts symbolizing the Sacred Heart of Jesus and the Immaculate Heart of Mary. The hearts are depicted with their points toward the center of the shield. The two hearts–in a sense–“facing each other” symbolize the love that God has for all His creation and the love that His children return to Him by their faith and devotion. Love is both given and received. The disposition of the hearts indicates this.

A heart shape, although with different symbolism, also appears in the coat of arms of Bishop Hicks, the Diocesan Bishop whose ministry Bishop Spies will assist and support. It is an old custom in heraldry to borrow a charge from the coat of arms of a superior or patron as a way of honoring them. So, the heart shape being repeated in the coat of arms of Bishop Spies honors this custom.

To the left and right are two gold (yellow) garbs of wheat. The garbs of wheat are symbolic of agriculture generally and the Bishop grew up on a farm. In addition, they are also symbolic of the Eucharist, the center of our lives as Christians. So, they are a fitting symbol of both his background and his faith.

The motto below the shield is, “I Call You Friends” from John 15:15 where Jesus says, “I no longer call you slaves, because a slave does not know what his master is doing. I call you friends, because I have told you everything I have heard from my Father.”

The shield is also ensigned with those external ornaments that indicate the bearer is a bishop. The gold (yellow) cross is placed vertically behind and extending above and below the shield. This is often mistakenly thought to be a processional cross like those used in liturgical processions. That is not entirely right. In former times archbishops, and later all bishops, had a second cross mounted on a staff carried immediately in front of them while in procession or on solemn occasions. This cross was a symbol of their rank as bishop. While such an episcopal cross is no longer used practically it has been retained heraldically. In fact, there are other clerics who make use of the ecclesiastical hat with its many tassels but the one true heraldic emblem of a bishop, and the only essential one, is the episcopal cross placed behind the shield.

Above the shield is the ecclesiastical hat, called a galero which, in heraldry, replaces the martial helmet, mantling and crest. “The hat with six pendant tassels (green, purple or black) on each side is universally considered in heraldry as the sign of prelacy. It, therefore, pertains to all who are actually prelates.” (Heim, Bruno B., Heraldry in the Catholic Church 1978, page 114). The galero is green with green cords pendant from it and twelve green tassels arranged in a pyramid shape on either side of the shield. At one time in history bishops and archbishops wore green before adopting the more Roman purple we see today. In heraldry the green hat and tassels was retained for prelates with the rank of bishop according to the Instruction of the Secretariat of State, “Ut Sive” of March, 1969.

It was my great privilege and pleasure to work with Bishop Spies on the design and execution of his armorial bearings and also preparing the blazon and explanation.

Archbishop Henning of Boston

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It has been very gratifying as a heraldist to have one project that I have been able to stay with through all its permutations. On October 31, the Most Rev. Richard G. Henning (60) who has served for the last 17 months as Bishop of Providence, R.I. and who was also Coadjutor of Providence for a further four months before that, and who was previously Auxiliary Bishop of Rockville Centre, N.Y., his native diocese where he became a priest in 1992, will be installed as the 10th Bishop and 7th Metropolitan Archbishop of the See of Boston, Massachusetts.

Back in 2018, the then Bishop-elect Henning contacted me to design a coat of arms for him. That’s not an unusual thing for me (I have designed coats of arms for three other bishops from Rockville Centre) but this one was more personal. I’m also a Long Island native and Archbishop Henning and I attended the same high school, Chaminade in Mineola, and we graduated together in the class of 1982. While not close friends, we have been acquainted with one another since we were teenagers. I was very happy to design his coat of arms for him. He entered the task with great enthusiasm and I think the coat of arms that we ended up with was simple, bold and very clear, all marks of good heraldry. On a personal not: at his episcopal ordination which I attended, the new Bishop, in his post-Communion remarks, thanked me publicly for assisting him in preparing his coat of arms. As I told him afterwards, that was very gratifying because in 39 years of doing this kind of work no bishop had ever done that before. I think it speaks volumes about what kind of person he is.

In late 2022 after he received the news of his appointment as Coadjutor of Providence I actually reached out to him to let him know that, as a Coadjutor, his coat of arms wouldn’t need any changes but that at some point in the future when he succeeded to the See, he’d have to modify his arms by marshaling them to the arms of the Diocese of Providence. He then asked me to begin on that right away because it was not certain when his succession would occur and he wanted to be prepared for that eventuality. I also thought that was “done and dusted” as they say and he was now set for the rest of his life.

However, in August of this year I was surprised and delighted to hear that the Holy Father had appointed him Archbishop of Boston. For the third time he contacted me. He said that several people in Boston assisting him with the needs of his transition had proposed people to prepare his coat of arms. But, he politely declined all those and said that he already had someone in mind. Again, I was really very pleased and honored at that. I see my designs as sort of my intellectual property. True, the coat of arms, once designed, is given over to the armiger to whom it truly belongs, but I feel like I still have a stake in it. So, I was very glad that I’d be able to assist Archbishop Henning yet again.

He retains the arms he first assumed in 2018. For this version, the escallop shell has been redrawn to a slightly more round shape and the bordure wavy has been slightly reduced in order to make more room for the shell which now occupies a much smaller field on one half of the shield. This is impaled with the arms of the See of Boston, designed by the great Dom Wilfrid Bayne, OSB of Portsmouth Abbey, R.I. in 1944. Because of the preponderance of blue in both coats of arms, the division line between the two is rendered in dark blue. It was decided that a black line looked a bit too jarring and the solution used for the same problem with the arms of the See of Providence which also has a blue field—a light, “bleu celeste” line—was seen as undesirable this time around. The blazon and explanation of the arms is as follows:

“BLAZON: Arms impaled. In the dexter: Azure, a Latin cross fleurettée Or, in base barry wavy of five Azure and Argent, issuing therefrom a mound of three coupeaux Or; In the sinister: Azure, within a bordure wavy parted wavy Argent and Gules an escallop shell Argent. The shield is ensigned with an archiepiscopal cross Or and an archbishop’s galero with cords and twenty tassels flanking the shield disposed in four rows of one, two, three and four all Vert. On a scroll below the shield is the motto, “Put Out Into The Deep”.

EXPLANATION: The armorial bearings of Archbishop Richard Henning impale the coat of arms of his archiepiscopal See with his personal coat of arms. These evoke his birthplace, his ministry and his personal devotion. The coat of arms is composed of a shield with its charges (symbols), a motto and the external ornamentation. The shield is described (blazoned) in terms that are archaic to our modern language, and this description is presented as if given by the bearer with the shield being worn on the arm. Thus, where it applies, the terms dexter (right)  and sinister (left) are reversed as the device is viewed from the front.

It is customary in heraldry that the arms of a Diocesan Bishop, or Ordinary, are joined side by side on the same shield with the arms of his See. In this case, these are the arms of the Archdiocese of Boston. Such marshaling is called impalement and employs the same method used when joining the coats of arms of two people who are married. In this way, the coat of arms, like the episcopal ring, is symbolic of the archbishop being “married” to his archdiocese.

The arms of the Archdiocese of Boston are composed of a blue field on which are placed a gold (yellow) cross fleurettée, that is a Latin cross the arms of which are decorated on the ends with fleurs-de-lis. This is in honor of the titular of the cathedral, the Holy Cross as well as the  first Bishop of Boston being from France. The cross is above a gold (yellow) mound composed of three smaller hills as a reference to Boston’s original name: Trimountaine which is, itself, a reference to the three hills on which the city is said to have been built. At the bottom the five wavy lines of blue and silver (white) alludes to Boston being a port city and that it is populated by people who arrived here from across the sea.

Bishop Henning’s personal coat of arms is composed of a design depicted in red (Gules), white (Argent) and blue (Azure) which are the national colors of the United States.

Both the blue background and the single escallop shell allude to the sea as evoking the Bishop’s own background and the shell is also borrowed from the coat of arms of the See of Rockville Centre, the diocese in which he was born and raised and which he served as a priest and auxiliary bishop. In addition, this same field of blue also recalls the blue field of the coat of arms of the See of Providence where he served as Coadjutor Bishop and later Diocesan Bishop. The shell image also recalls the Bishop’s heritage in the Diocese of Brooklyn, dedicated to its patron, St. James. The episcopal ordination of Bishop Henning took place on the eve of the Feast of St. James. In concert with the Bishop’s motto, the shell is a traditional symbol of baptism and pilgrimage. It is in the depths of these waters that Christians find their salvation in Jesus Christ.

The white wavy line surrounding the blue field is also taken from the arms of Rockville Centre and it alludes to the diocese’s location on Long Island, NY. Furthermore, it indicates the sea as the place where the barque of St. Peter, an image used to evoke the Church, is located.

The blue background also evokes the Bishop’s devotion to the Blessed Virgin Mary and his years of service as a Professor and Rector at the Seminary of the Immaculate Conception in Huntington, NY. The red wavy portion of the border evokes the Bishop’s devotion to the Most Sacred Heart of Jesus and his former service as the Director of the Sacred Heart Institute for the Ongoing Formation of the Catholic Clergy.”

It was, indeed, my profound pleasure , and my honor, once again to assist my old classmate, Archbishop Henning, with the preparation of his coat of arms.

Remembering 9/11

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Even in the world of ecclesiastical heraldry the horrible events of 9/11/2001 are commemorated. The Most Rev. Josu Iriondo, Auxiliary Bishop of New York, was ordained a bishop late in 2001 during the aftermath of that horrible terrorist attack on the city. A well-known cross formed by the intersection of two steel I-beams in the wreckage of the twin towers made up the principal charge in his assumed coat of arms.

May we always remember the tragic loss of innocent lives in that fateful day.

Marshaling is Everything! (Bp. Martin UPDATED)

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You may recall that in a post about several new bishops’ installations I wrote the following about the coat of arms of Bp. Martin of Charlotte, N.C.:

“May 29 saw the ordination and installation of the Most Rev. Michael Martin, OFMConv (62) as the fifth Bishop of Charlotte, North Carolina.

The diocesan website describes his personal arms, “To the viewer’s right is the Franciscan coat of arms. Featuring the traditional Franciscan Tau cross with two arms crossing one another, it is rich in symbolism. The two arms, one Christ’s and the other St. Francis of Assisi’s, both bear the stigmata. They symbolize God’s love and Francis’s loving response to the Word made incarnate, Taberski explained. It is an image found throughout the ministries, friaries, missions and sites served by the Franciscan order.

On the right side of the shield, the top (known as the “chief”) and the bottom (the “base”) feature references to George Calvert and his son Cecil Calvert – the first and second barons of Baltimore. The Calverts were among the first Catholics to arrive in colonial America. They established the then Province of Maryland as a safe place for English Catholics to emigrate to since they were no longer able to freely practice their faith at home. In the coat of arms, the use of six vertical stripes – alternately gold and black, with the diagonal stripe in color – recalls Bishop Martin’s hometown of Baltimore.”

A nice simple design but perhaps the arms of Calvert would have looked better depicted once in the main part of the field with the Franciscan symbols occupying a chief?“

Well, my friend and frequent collaborator, Mr. Sandy Turnbull of the Australian Heraldry Society, read that post and decided to have a bit of fun and create a new emblazonment of Bp. martin’s coat of arms that followed my advice. I’d say the result (below) speaks for itself. I was right! The whole achievement does look better as I suggested. See? One can’t just throw things onto a shield and call it heraldry. How the design is arranged—to be aesthetically pleasing as well as heraldically correct—is a large part of good heraldic design.

Bishop Beckman of Knoxville, Tennessee

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The Most Rev. James Beckman, (61) a priest of the Diocese of Nashville since 1990 was ordained a bishop and installed as the Fourth Bishop of Knoxville on July 26. For reasons I don’t fully understand, his installation Mass took place in a local convention center despite the fact that only a few years ago in 2018 the diocese undertook to build a $30 million dollar new cathedral with an area of 28,000 feet and a seating capacity of 1,358. It begs the question: what was the new cathedral for?

The armorial bearings he assumes upon becoming a bishop are the following. The diocesan coat of arms, designed when the diocese was established in 1988 are a dumpster fire and the less said about them the better. After all, this bishop had no hand in designing them and he wisely conformed to the convention of not changing them since they have been in use for 36 years already.

According to information from the Diocesan website his personal arms contain what they do because…

“Bishop-elect Beckman is an avid hiker and has a deep appreciation for the beauty of God’s creation. His coat of arms reflects this part of his life, in which he has found much solace and communion with God in prayer. His personal arms display a symbolic natural setting on a field of green (vert), which also has ties to the bishop’s heritage, and to Sacred Scripture.

The bishop’s surname is German, and derives from the word beck, which means a stream or brook. This is depicted by the wavy vertical lines (pale wavy) painted white and blue (argent and azure) in the center of the shield. This also recalls the prophecy related by St. John the Evangelist about the City of God, the New Jerusalem, which he sees in a vision near the end of the Book of Revelation: “Then the angel showed me, the river of the water of life, bright as crystal, flowing from the throne of God and of the Lamb through the middle of the street of the city” (Rev 22:1).  

John also saw, “on either side of the river, the tree of life with its twelve kinds of fruit, yielding its fruit each month. The leaves of the tree were for the healing of the nations” (Rev 22:2).  The tree of life and its fruit are alluded to here by twelve leaves of the tulip poplar (Liriodendron tulipifera). This was chosen as the state tree of Tennessee in 1947.  It is an appropriate symbol for the state that comprises both the Diocese of Nashville, where Bishop-elect Beckman was born and served as a priest, and the Diocese of Knoxville, which he will serve as its bishop.

The charges were chosen for good reasons. The coat of arms is clear and uncomplicated. The only real down side is that they are impaled with the awful coat of arms of the See.

Bishop Forbes of Roseau

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On July 25, the Feast of St. James the Apostle, the Most Rev. Kendrick J. Forbes (48), a priest of the Archdiocese of Nassau, Bahamas was ordained a bishop and installed as the tenth Bishop of Roseau, Dominica in the Antilles (West Indies).

Upon his ordination to the episcopacy he has assumed the following coat of arms:

The personal coat of arms assumed by Bishop Forbes combines symbols that are meaningful to him reflecting his, origins, his spiritual life and priestly ministry. At present, the Bishop has elected to assume a personal coat of arms only. In the Catholic Church it is often customary for a diocesan bishop to combine his personal coat of arms side by side on the same shield with the coat of arms of his diocese in a form of marshaling called “impaling”. It represents his marriage to the diocese and his jurisdiction over it. However, this custom is far from a universal one and, at present, the Diocese of Roseau does not employ a unique coat of arms as a diocesan corporate symbol. 

The main part of the shield shows a light blue field on which there is a silver (white) anchor. On either side of the anchor are two eight-pointed stars. For centuries, the anchor has been a symbol of hope used in art, in the liturgy and in heraldry. The eight-pointed star is borrowed from the coat of arms of Pope Francis who named Bishop Forbes to the episcopate. There are two for balance and symmetry. The upper third of the shield is called a “chief” in heraldry and it depicts the black and gold (yellow) checkered pattern borrowed from the coat of arms of the Archdiocese of Nassau where Bishop Forbes was ordained and served as a priest before becoming a bishop.

The motto below the shield is,“Mane Nobiscum Domine” taken from Luke 24:29 meaning “Stay with us Lord.” 

It was both my privilege and my pleasure to design and to emblazon the bishop’s coat of arms for him.

Burlington’s Own Bishop McDermott

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The Most Rev. John J. McDermott (61), a priest of the Diocese of Burlington, Vermont who recently served—twice—as diocesan administrator in the interim times between bishops, was ordained a bishop and installed as the XI Bishop of Burlington on July 15th.

His assumed armorial bearings are understated and impale well with the rather nice coat of arms of the diocese.

According to information provided by the Diocese: “the Bishop’s personal coat of arms is divided horizontally by a wavy line (per fess wavy)into two sections painted respectively white and blue (argent and azure). Following high school, Bishop McDermott attended the United States Coast Guard Academy in New London, Connecticut, and this allusion to the sea refers to those days as they were important to his discernment to become a priest, as well as to the waters of Lake Champlain. 

Two six-pointed wavy stars (estoilles) appear, one in the “sky” to refer to Our Lady,the Star of the Sea, and the other in the “sea” itself. A six-pointed star is a traditional symbol not only of Our Lady but also of Saint Joseph, as a descendant of the royal house of King David. Its position here depicts the holiness of Saint Joseph as a reflection of that of his Immaculate spouse. 

Between the stars is a scallop shell, a traditional attribute of Saint John the Baptist, the Bishop’s baptismal patron saint. The shell is divided along the same wavy line as the shield, as if it were being dipped into the water at the moment of conferring Baptism. The shell and the stars are all painted counterchanged, that is, blue where the field is white, and white where the field is blue.“

A pleasant coat of arms which kept things nice and simple, that is to say, clear.

Caddy to Cairns (UPDATED!)

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The Rev. Joseph Caddy (64) a priest of the Archdiocese of Melbourne in Australia will be ordained a bishop on August 15 and installed as the 10th Bishop of Cairns, Australia.

His armorial achievement, to be assumed upon episcopal ordination, is as follows:

The existing arms of the diocese occupy the dexter impalement. The personal arms consist of the pelican in its piety. This is borrowed from the coat of arms of Corpus Christi College which was the seminary attended by the armiger. Its eucharistic imagery is also reflected in the motto which translates to, “He fills the hungry with good things”. The carpenter’s square in chief is a reference to his Baptismal patron, Joseph and because his father, grandfather, and one brother are/were all carpenters.

The three Passion nails meeting in base allude to the coat of arms traditionally used by the English Caddy family which depict three piles engrailed meeting in base. The square and the nails, then, are a reference to his given and family names.

I was happy to act as a consultant on the design of the bishop’s personal arms in conjunction with Mr. Richard d’Apice, AM, KCSG. The artwork was very nicely done by Mr. Sandy Turnbull of Australia. Both are members of the Australian Heraldry Society.

UPDATE: Thanks to a comment from a regular reader asking about the diocesan arms we made a change. His question prompted me to refer back to my collaborators. In turn, the Diocese of Cairns was contacted and I, myself, delved into the pretty good small library of my own which I have amassed over the last thirty years. It turns out that our original depiction showed an fimbriation that really shouldn’t have been there! So, it was back to the drawing board for Mr. Turnbull who promptly made the correction. The end result is the corrected , and I think improved, coat of arms for Bishop Caddy, well in time for his ordination & installation.

And all thanks to a reader of this blog!

Some Recent Installations/Ordinations in the U.S.

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During the last month there have been some vacant Sees filled in the United States. The Most Reverend Christopher Coyne (65) succeeded to the See of Hartford on May 1 becoming its fourteenth bishop (and sixth archbishop). A very fine achievement depicted in the style of the late Deacon Paul Sullivan…except I think it is ill-conceived to place a green cross on a blue field. Yes, there is the slightest fimbriation on the cross to protect against violation of the so-called tincture “rule”. Nevertheless, the overall appearance is odd…and the fimbriation, such as it is, is entirely too narrow to the point of being almost invisible!

The Most Rev. James Ruggieri (56) was ordained a bishop and installed as the fourteenth Bishop of Portland Maine on May 7.

According to the diocesan website, “The personal arms of Bishop Ruggieri are divided horizontally (per fess). The upper half is painted white (argent) and bears an anchor painted blue (azure). It recalls the birthplace and home of the Bishop in the Diocese of Providence, Rhode Island. That state’s flag and seal comprise a gold anchor and a scroll with the motto “Hope.”

The anchor is an ancient symbol of the theological virtue of hope, deriving from the words of the Letter to the Hebrews: “We have this hope as a sure and steadfast anchor of the soul …” (Hebrews 6:19). In this depiction, the stock of the anchor is positioned on the shank to resemble a Passion Cross, an equally ancient symbol of the theological virtue of faith. As Pope Benedict XVI pointed out, “Hope, in fact, is a key word in Biblical faith—so much so that in several passages the words faith and hope seem interchangeable. Thus, the Letter to the Hebrews closely links the “fullness of faith” (10:22) to “the confession of our hope without wavering” (10:23).

In the lower half of the shield is a depiction of the five loaves and two fish that the Lord Jesus multiplied to feed five thousand men and their families. The only pre-resurrection miracle that is recounted in all four Gospels (Mt 14:13-21; Mk 6:32-44; Lk 9:10b-17; Jn 6:1-15), it holds a special place in the story of the public ministry of Jesus and points to the institution of the Eucharist at the Last Supper. The Feeding of the Five Thousand also highlights the cooperation of the apostles – whose successor the bishop is – with the Lord, both in the ministry of charity, and as celebrants and guardians of the Holy Eucharist and the other sacraments.”

The episcopal cross is depicted incorrectly, but more about that to follow.

The Most Rev. William Battersby (64), Auxiliary Bishop of Detroit, was installed on May 20 as the eleventh Bishop of La Crosse, Wisconsin.

His coat of arms, while very simple, seems a bit overly given to the devotional. The explanation from the diocesan website says, “For the personal coat of arms of Bishop Battersby…at the top of the shield is a Celtic processional cross meant to honor Bishop Battersby’s Irish heritage. It is shaped like a traditional cross but with a ring, representing the sun, around the intersection of the stem and arms. The whole cross is decorated with ornate Gaelic patterns.

Bishop Battersby’s Coat of Arms includes the three Sacred Hearts. The hearts represent the Holy Family and symbolize the unending and boundless love for us. The wounded heart signifies his devotion to the Sacred Heart of Jesus. It also pays tribute to Sacred Heart Major Seminary where he prepared for the priesthood and at which he served as vice-rector and dean of seminarian formation at the time he was called to the episcopacy.

The second heart, the Immaculate Heart of Mary, signifies the trust and confidence that Bishop Battersby has in the Blessed Mother’s intercession and protection. The sword symbolizes the sorrows of Mary, the flames represent her burning love for Jesus and us, her children and the roses represent her purity. 

Bishop Battersby’s devotion to St. Joseph is represented in the third of the Sacred Hearts, the Chaste Heart of Joseph, inflamed with love and adorned with the white lily of purity, a symbol of his faith and steadiness.”

Again, I’ll say something about the episcopal cross below.

May 29 saw the ordination and installation of the Most Rev. Michael Martin, OFMConv (62) as the fifth Bishop of Charlotte, North Carolina.

The diocesan website describes his personal arms, “To the viewer’s right is the Franciscan coat of arms. Featuring the traditional Franciscan Tau cross with two arms crossing one another, it is rich in symbolism. The two arms, one Christ’s and the other St. Francis of Assisi’s, both bear the stigmata. They symbolize God’s love and Francis’s loving response to the Word made incarnate, Taberski explained. It is an image found throughout the ministries, friaries, missions and sites served by the Franciscan order.

On the right side of the shield, the top (known as the “chief”) and the bottom (the “base”) feature references to George Calvert and his son Cecil Calvert – the first and second barons of Baltimore. The Calverts were among the first Catholics to arrive in colonial America. They established the then Province of Maryland as a safe place for English Catholics to emigrate to since they were no longer able to freely practice their faith at home. In the coat of arms, the use of six vertical stripes – alternately gold and black, with the diagonal stripe in color – recalls Bishop Martin’s hometown of Baltimore.”

A nice simple design but perhaps the arms of Calvert would have looked better depicted once in the main part of the field with the Franciscan symbols occupying a chief? And again there is an incorrect episcopal cross!

So, my criticism of that, which I have often written about in this blog, is that, firstly, it is NOT a “processional” cross!! It is an episcopal cross—a heraldic symbol—which indicates the coat of arms belongs to a bishop. It is, in fact THE heraldic symbol indicating episcopal arms. The galero, while traditional, is not necessary, nor is a green galero with 12 tassels exclusive to the arms of bishops. But the inclusion of the episcopal cross is truly the sign—and the only essential one—to indicate that the achievement depicts the coat of arms of a bishop.

As an external ornament it is NOT subject to personalization. An armiger has a great deal of choice regarding what is depicted on the shield. However, the external ornaments are not subject to his whim, nor may they be used to convey further personal significance or symbolism. Rather, their purpose is to indicate rank in the overall achievement. The blazon may not specifiy a certain type, shape, color, ornamentation, or embellishment to the galero, or the episcopal cross. Each and every artist is free to depict the episcopal cross as he pleases.

This idea of extending the personal symbolism to the external ornaments is occurring more and more of late…as more and more people with very little background in, or knowledge of heraldry are being asked to design episcopal coats of arms. It is amateurish and a grossly mistaken thing to do.

New Coadjutor of Camden, New Jersey

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On May 21 Pope Francis appointed the Most Rev. Joseph Williams (50) a priest and bishop from the Archdiocese of St. Paul-Minneapolis to be the Coadjutor Bishop of Camden, NJ. Bishop Williams has been serving as Titular Bishop of Idassa and Auxiliary of St. Paul-Minneapolis since 2022. He will assist the current Bishop of Camden, Dennis Sullivan (74) whose resignation from the See of Camden, submitted in 2020 when he turned 75, will be accepted on his 80th birthday, March 17, 2025. At that time, as Coadjutor, Bishop Williams will automatically succeed to the See. There are no longer Coadjutor Bishops without the right of succession appointed in the Church as there had been at one time.

The Bishop’s coat of arms (below) will make for an interesting achievement when eventually impaled with those of the Diocese of Camden.

The arms of the See of Camden are composed of a black field on which are placed three silver elephants’ heads, which are arms derived from the arms of Charles Pratt, First Earl of Camden and Lord Chancellor of England, and for whom the See City is named. Three gold crosses accompany the elephants’ heads, in honor of the Blessed Trinity and for difference in order to make the shield peculiar to the Diocese of Camden. Above the elephant heads and crosses is a silver crescent to honor the Blessed Virgin Mary in her title of the Immaculate Conception, titular of the Cathedral Church in Camden.

Bishop Bersabal, Auxiliary of Sacramento

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Father Reynaldo Bersabal (59) who was originally a priest of the Diocese of Cagayan de Oro in his native Philippines and who later incardinated as a priest of the Diocese of Sacramento in California has been named the Titular Bishop of Balecium and Auxiliary Bishop of Sacramento. His episcopal ordination will take place on May 31.

The main part of the shield shows a similar background to the coat of arms of the Diocese of Sacramento with the colors reversed. The field is blue with a large gold (yellow) triangular shape called a “pile”. In this case it is a pile reversed issuant in base. On this pile is a green anchor which is a symbol of the theological virtue of Hope. The anchor has long been a symbol associated with hope and green is the liturgical color used in Ordinary Time because it is also a symbol of hope and growth.

At the top of the shield to the left is a symbol for St. Teresa of Avila, to whom the bishop has a great devotion. The saint herself described her heart as having been pierced by God’s love with a spear, or arrow that was aflame. On the right is a  gold (yellow) sun on which appears the three letters “IHS” in red. This sunburst charged with the monogram is used as a symbol for three things. It is a depiction of the Holy Name of Jesus using the first three letters of His name in Greek. This is borrowed from the coat of arms of Pope Francis who appointed the bishop. The shape of the sunburst is borrowed from the flag and coat of arms of the Philippines where it is seen prominently. So, it is a symbol of his native place. It also has the appearance of the monstrance containing the Sacred Host and so it is thirdly symbolic of the Eucharist since he has been appointed a bishop during the national Eucharistic revival. As a symbol of the Blessed Sacrament it is also another allusion to the Diocese of Sacramento.

The motto below the shield is, “In Autem Verbo Tuo” from Luke 5:5.

I was pleased to be able to assist the bishop with the creation of his coat of arms.

A Philly Trifecta

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On Friday, March 7 the Most Revs. Keith J. Chylinski (52), Christopher R. Cooke (50) and Efren V. Esmilla (61), all three priests of the Archdiocese of Philadelphia, were ordained bishops in the Church and appointed as Titular Bishop of Gunela, Titular Bishop of Malliana, and Titular Bishop of Ottana respectively, as well as Auxiliary Bishops of Philadelphia. Bishop Chylinski was fortunate to receive the Titular See of Gunela which had belonged most recently to Christophe Cardinal Pierre, the Apostolic Nuncio to the United States who was present at the liturgy of ordination. That’s rather unusual. He, of course, relinquished his episcopal titular see when he was created a Cardinal-Deacon.

The coats of arms of the three new Auxiliaries are:

There are two curious things about Bishop Chylinski’s coat of arms. The blazon and explanation say that the crosses are, “…crosses pattée, sometimes referred to as Maltese crosses…”

Indeed those depicted are Maltese crosses but that is definitely not the same thing as crosses pattée. Those are two different charges. The blazon should called them crosses of Malta. Pattée crosses have straight edges on them. In addition, it depicts and explains that the episcopal cross (which is incorrectly described as a “processional” cross, which it is not) has a blue gem at the center to honor Our Lady and also an escallop shell on the node to allude to St. James. Those two additions are heraldically unsupportable. The external ornaments indicate the rank of a bearer and are not subject to personalization in this manner. They are depicted generally in a conventionally accepted form and individual artists are free to depict them in their own style.

The blazon, which is not only an official description of a coat of arms but, truly, where the design of the coat of arms “lives” (as opposed to any one artistic rendering), may not stipulate the appearance and depiction of any of the external ornaments. It may indicate that they are part of the achievement but not how they are to be depicted. In ecclesiastical heraldry the Church regulates the use of the external ornaments. The blazon of the arms must be limited to the charges on the shield.

Bishop Barbosa

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On Saturday, February 3, the Most Rev. Christiano Barbosa (47) a priest of the Archdiocese of Boston, was ordained as the Titular Bishop of Membressa and Auxiliary Bishop of Boston by His Eminence Sean Cardinal O’Malley, OFM Cap.

The anchor is a fitting charge and placing it overall is also fine heraldically but having it right up against the rather unnecessary “diminished” bordure when they are both gold is heraldically questionable and artistically awkward. The use of the constellation of the Southern Cross as a symbol for Brazil is also a bit odd since it’s usually associated with Australia or New Zealand owing to its inclusion on the flag of those nations.

Other than that the rest of the achievement is fine.

Bishop Dorsonville RIP

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The Most Rev. Mario Dorsonville (63) a native of Bogotá, Colombia who incardinated as a priest of the Archdiocese of Washington, DC in 1999, and who also served as Auxiliary bishop of that same archdiocese from 2015-2023 before being appointed as the 5th Bishop of Houma-Thibodaux on February 1, 2023, sadly passed away on January 19, 2024. His funeral will take place on February 1 exactly one year after the announcement of his appointment as bishop of the diocese. May he rest in peace.

Worth Repeating

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Last year I shared this idea as we approached the Christmas season. I thought I was worth seeing again.

At this festive time of year it is a bit of fun to wonder if there is a bishop in the Church who can claim to have jurisdiction over the North Pole and, thus, be Santa Claus’ pastor. I think such a claim might be made by the Territorial Prelature of Tromsø which is in the northernmost part of Norway. A portion of the territory of the prelature is above the arctic circle.

The Prelature is currently served by an Administrator

Bishop Strickland

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The Most Rev. Joseph E. Strickland (65), originally a priest of Dallas, Texas, later incarnated to Tyler, Texas and since 2012 Bishop of Tyler was removed from that office on November 11, 2023 by the Roman Pontiff.

Back in 2012 when he was appointed as Fourth Bishop of Tyler I had the happy task of designing his coat of arms. Now that he has ceased to be the Bishop of Tyler his coat of arms will be modified to reflect that reality. He remains a bishop in the Church and, as such, retains the use of his armorial bearings. His coat of arms at the time of his ordination and installation was:

Now that he has been removed as Ordinary of Tyler, his armorial bearings will appear as this:

Bishop Maekawa, OP

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On October 12, the Most Rev. Stephen Maekawa, OP (55) a priest of the Order of Preachers (i.e. the Dominicans) living and working in Alaska was ordained a bishop and installed as the 10th Bishop of Fairbanks, Alaska.

His coat of arms is:

According to the diocesan website:

“In the right side of the shield (to the observer’s left), we find represented the coat of arms of the Diocese of Fairbanks. At the base, the North Star is suspended on a blue field over the mountains of Alaska, which appear in white. In the upper section, between two red roses on a field of gold, is the Sacred Heart of Jesus, titular symbol of the Cathedral of the diocese. The roses, representing St. Therese of Lisieux, patroness of the Alaska Missions, recall her promise, “After my death I will let fall a shower of roses.

In the left side of the shield (to the observer’s right) is the personal coat of arms of Bishop Maekawa. The black and white cross is the from the coat of arms of the Order of Preachers founded by St. Dominic in 1216. The waves represent the waters of baptism and the family name Maekawa which means “before the river.” The episcopal motto “Duc in Altum” is Jesus’ command to the Apostle Peter, “Put out into the Deep” which reminds us to trust in the Lord Jesus believing that all creation belongs to God: “The earth is the Lord’s and all it holds, the world and those who dwell in it.” (Ps 24:1)“

I think, unsurprisingly, the bishop has chosen a simple coat of arms reflecting his Religious community. It harmonizes well with the diocesan arms with which it is impaled. A nice design that doesn’t try to do too much–perhaps the single biggest error made by most new American bishops.